Evergreen (1964)
12m
Overview
Black and White UCLA Student Film, Preserved by the UCLA Film and Television Archive. Honored on the Library of Congress National Film Registry in 2021 as a culturally significant film. Directed by Ray Manzarek, keyboardist in The Doors. Starring Dorothy Fujikawa (Manzrek's future wife of forty years) and Henry Crismonde. Impressionistic vignettes of a jazz musician and a young art student's relationship, as he avoids commitment. Features Whiskey A Go Go on the Sunset Strip and a brief appearance by Jim Morrison of The Doors.
Director: Ray Manzarek
Cast: Dorothy Fujikawa, Henry Crismonde
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Directors: Ernest B. Schoedsack & Merian C. Cooper
Directors: Ernest B. Schoedsack & Merian C. Cooper
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Director: Murray Roth
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
Warner Archive Blu-ray The Jazz Singer has it included as extras on one of the DVDs
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
2027 Original Trilogy restoration/50th anniversary rerelease clips leaked plus release confirmed
OG: "4K83" or "OTD83" on the high seas
Special Edition: "4K97_VI" or "D+97_VI" on the high seas
OG: LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.
Special Edition: Cinema DTS or 1997 LaserDisc for the Special Edition.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: Kathryn Bigelow
Director: Kathryn Bigelow
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
3D Conversion: Disney 3D Blu-ray
3D Conversion: Disney 3D Blu-ray
7.1 Remix: Disney 4K Blu-ray/3D Blu-ray/Blu-ray
Original Dolby Stereo: 1994 Disney LaserDisc
Disney 4K Blu-ray recycles the same 7.1 remix from the past releases, but it's a very faithful remix and sounds better, more detailed, and more dynamic than past mixes.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Billy Wilder
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono is different version of the BD mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Billy Wilder
Director: Billy Wilder
Director: Clarence G. Badger
Director: Clarence G. Badger
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Wesley Ruggles
Unofficial Streaming
The complete 35mm is preserved at UCLA
Director: Frank O'Connor
Director: Frank O'Connor
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Louis J. Gasnier
Kino Lorber DVD is prepared from the sole surviving 35mm nitrate print with UCLA
Director: Roy William Neill
Director: Roy William Neill
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: James P. Hogan
Very rough unofficial VHS rip exists online.
UCLA has complete 16mm safety print but no release or restoration yet https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99122723506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Director: Alfred Santell
Incomplete tinted 35mm nitrate print held at UCLA
Reel 1 and 4 discarded due to damage and reel 6 was missing see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99349873506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Survived partially
UCLA has 4 of 6 reels, missing reel 4 and 5 see https://search.library.ucla.edu/permalink/01UCS_LAL/tk6osu/alma99304733506533
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
Directors: Kathy Levitt & Christine Lesiak & Michie Gleason
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
UCLA Official HD Streaming https://www.youtube.com/watch?v=mdp5C-kgbd0
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