Flash Gordon (1936)
Science Fiction, Action, Adventure • 4h 5m
Directors: Ray Taylor & Frederick Stephani
Cast: Buster Crabbe, Jean Rogers, Frank Shannon, Charles Middleton, Priscilla Lawson, Richard Alexander, Jack 'Tiny' Lipson, James Pierce, Theodore Lorch, Earl Askam, Richard Tucker, George Cleveland, Glenn Strange, Lon Poff, Constantine Romanoff, Duke York, Muriel Godspeed, House Peters Jr., John Bagni, Roy Barcroft, Carroll Borland, Lynton Brent, Don Brodie, Lane Chandler, Noble 'Kid' Chissell, Jim Corey, Ray Corrigan, William Desmond, Al Ferguson, Sig Frohlich, Olive Hatch, Reed Howes, Fred Kohler Jr., George Magrill, Charles McMurphy, Monte Montague, Bull Montana, Eddie Parker, Sana Rayya, Fred Scott, Cap Somers, Tom Steele, Bunny Waters, Slim Whitaker, Harry Wilson
About the film
Disaster seems imminent when scientists discover that the planet Mongo is about to crash into Earth. Luckily, heroic young Flash Gordon is on hand to lead an investigative mission into outer space and onto the speedily approaching planet. There, he and his best girl, Dale, who is along for the ride, learn that Ming, the devious ruler of Mongo, has purposely put the planet on a collision course with Earth, and only Flash can stop him.
- Featured Lists
- National Film Registry
Year of Induction: 1996
- Alternative Titles
- Rocket Ship, Flash Gordon: Space Soldier, Flash Gordon: Space Soldiers, Space Soldiers
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Boorman
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Arthur Penn
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Sony release without the filtering; Comparison between Sony and Criterion.
Mono: 1994 LaserDisc (marginally, unfiltered) or Criterion 4K Blu-ray (filtered)
5.1 Remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: Steve James
Director: Ray Taylor
Warner Archive Blu-ray 4K restoration
Director: Charlie Chaplin
1928 version: Image Entertainment DVD
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab) · caps-a-holic (opens in a new tab)
1969 version: Criterion Blu-ray > UK Artificial Eye Blu-ray, see DVDBeaver caps.
Japan Kadokawa Blu-ray is the same as AE BD and inferior to Criterion too
2000/2010 Image Entertainment DVD or 2013 Warner Bros The Wizard of Oz (1939) 3D 75th Anniversary Limited Edition Blu-ray Disc 3 (in SD)
Director: James Cameron
2013 MGM Blu-ray, or 4K Blu-ray if you MUST have the mono mix, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
Sources: vimeo.com (opens in a new tab) · facebook.com (opens in a new tab)
2013 MGM Blu-ray for non AI transfer, 1997 Image DVD/2001 MGM DVD for a purist version with original colors and the international mono mix
1991 Image Entertainment LaserDisc for the US mono mix, 2001 MGM DVD for the International mono mix
Comparison between the US and International mixes: https://vimeo.com/246332731
The 4K Blu-Ray and the 2001 MGM DVD have exclusive extras.
Arrow UK 4K Blu-ray (damage removed, improved color/HDR, and best audio) or Capelight DE 4K Blu-ray (best compression but no damage removal and LaserDisc audio from Arrow)
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
> Kino Lorber US 4K Blu-ray, see caps
Arrow has done additional cleanup work removing nearly all the damage in the transfer. They have massaged the color timing and HDR to try and improve what they could. The Capelight may have better encoding but it does not have these improvements. The Arrow encoding is solid and in motion there are no issues whatsoever. The Kino Lorber release has the damage and other issues plus frequent noise due to the lesser encoding.
Some scenes in the Arrow transfer are better, some are better in the Capelight.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LaserDisc track, see spectrograms) This track has the best fidelity of any release but does have some channel bleeding baked in. The 2017 2.0 on the Arrow and Shout! Factory Blu-rays was the Dolby Stereo original mix without channel bleeding but that had heavy noise reduction resulting in a very flat and underwhelming presentation. The surround winds up being lessened as well due to the processing. It's a tough choice between the two but the Image LaserDisc audio wins out because it hasn't been messed with and the impact is so unrestrained that no other version hits in the same way.
Capelight and old Arrow Blu-ray included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino Lorber only included a painfully defective 2.0 track sourced from somewhere with limited fidelity, volume spikes and screechy high end which frequently ruins the music. The 5.1 remix on most modern release is a processed version that does not sound as good as it once did.
The best and most accurate of the 5.1 mixes is the original version from the 2003 Special Edition DVD in lossy AC3 form.
The best source for the commentaries are from the 2003 Special Edition DVD.
Director: Luchino Visconti
Video format: 1080p Blu-ray
Director: John Mark Robinson
US Image Entertainment LaserDisc is pan-and-scan, but is the best quality release of the film. Widescreen version never released on home video.
US Image Entertainment LaserDisc has the original Dolby Stereo mix.
Grapevine DVD Rip Van 1921 extras or OOP Image Entertainment DVD
Director: Michelangelo Antonioni
Sources: Criterion Forum (opens in a new tab)
Directors: Gus Meins & Charley Rogers
Original 1934 Theatrical Version: US Legend Films Blu-ray
1950 Reissue Version: OOP 1980s US VHS
Samuel Goldwyn 1991 Colorized Version: US Image Entertainment/GoodTimes LaserDisc or US GoodTimes DVD
Legend Films 2006 Colorized Version - 2D: US Legend Films Blu-ray
Legend Films 2006 Colorized Version - 3D: US Legend Films 3D Blu-ray
Director: Vincent J. Donehue
1990 Image Entertainment/GoodTimes LaserDisc or 1999 GoodTimes DVD
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