Lords of Dogtown (2005)
Drama, Action • 1h 47m
Director: Catherine Hardwicke
Cast: John Robinson, Emile Hirsch, Rebecca De Mornay, William Mapother, Julio Oscar Mechoso, Victor Rasuk, Nikki Reed, Heath Ledger, Vincent Laresca, Brian Zarate, Pablo Schreiber, Elden Henson, Michael Angarano, Mitch Hedberg, Benjamin Nurick, Stephanie Limb, Mike Ogas, Cheyne Magnusson, Don Nguyen, Melonie Díaz, Mark Kubr, Rene Rivera, Chad Fernandez, Chris Chaput, Matt Malloy, Jack Smith, Steve Badillo, Bill Cusack, Kirk Ward, Eddie Cahill, Laura Ramsey, Sarah Blakley-Cartwright, Bob Biniak, Eric 'Tuma' Britton, Chuck 'Chaz' Hosack, Chelsea Hobbs, Reid Harper, Paulette Ivory, America Ferrera, Sofía Vergara, Johnny Knoxville, Raphael Verela, Jay Adams, Ned Bellamy, Tony Alva, Charles Napier, Joe Virzi, Skip Engblom, Stacy Peralta, Daniel Venegas, Tony Hawk, Joel McHale, Bai Ling, Shea Whigham, Lucas Gasperik, Ray Flores, Benjamin Anderson, Alexis Arquette, Travis Peterson, Rebeca Silva, Noah Abrams, William Alva, Jeffrey G. Barnett, Leslie Berger, Jeremiah Bitsui, David Burden, Shelley Burkard, Arnold Chen, Christopher Estes, Alexander Garcia, Eric Gerleman, Sean Goodman, Mary Grace, Julie Marie Hassett, Ricky Hausz, Noël John Howard, Emmanuel Howell, Reef Karim, Joe Koons, Samantha Lockwood, Tia Marrie, Allie McCulloch, Jason David McFadden, Tim McIlrath, Dax McKeever, DeWalt Mix, Marat Oyvetsky, Tom Peha, Camilla Rantsen, Jeremy Renner, Robert Robbins, Anthony Rodriguez, Jane Schmidt, Tony Shore, Gary Sievers, Victoria Spark, Stan Strocher, Bridgetta Tomarchio, Frank J. Tsacrios, Stone Van Gorder, Gina Venditti, Tarita Virtue, Eric West, Katie Whicker, Mark Winn
About the film
The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.
Director: Catherine Hardwicke
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Josef von Sternberg
Sources: DVDBeaver (opens in a new tab)
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray
Mono: Kino Lorber US Blu-ray possibly?
Director: John Ford
Sources: slow.pics (opens in a new tab)
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Directors: Clyde Bruckman & Buster Keaton
Sources: Blu-ray.com (opens in a new tab)
Probably. No comparison with French Factoris Films 4K Blu-ray, but former has Dolby Vision and higher bitrate.
For standard Blu-ray, the MoC/Cohen are a 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Director: Michelangelo Antonioni
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
More Drama on Blu-ray
Director: Ben Stiller
Sources: slow.pics (opens in a new tab)
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's an older master.
Sources: Blu-ray.com (opens in a new tab) · YouTube (opens in a new tab)
Shout! Factory 4K Blu-ray, but a shot was cut from the film. See comparison
Warner Bros Blu-ray for the uncut version, but it's an older master.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: Guillermo del Toro
Criterion 4K Blu-ray also includes exclusive "Reborn Cut"
Director: Masaaki Yuasa
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: David Lean
Director: Akira Kurosawa
Sources: Criterion Forum (opens in a new tab)
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