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Alison Bartlett

Alison Bartlett

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Alison Bartlett

1 Included Film

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Alison Bartlett O'Reilly (born July 14, 1971) is a New York-based actress who has portrayed Gina Jefferson on Sesame Street since 1987, and has reprised the role in various related specials, direct-to-video productions, and The Adventures of Elmo in Grouchland. Bartlett began her career as a child actress, appearing at the age of 12 as Joanne in the 1984 stage production of Landscape of The Body, co-starring Dann Florek and directed by Gary Sinise. Other stage credits include the role of Donna in the Broadway show Hurly Burly from 1985, and Off Broadway in Jersey City (1990). In September 1985, her agent presented her with a "day player role" of Gina, one of Gordon's science students. Despite "warm feelings towards the show", she passed on the part, having been convinced she'd permanently maintain her tough girl typecasting; a rejection from Sesame Street would "sting too much", and destroy its place in her mind. Her agent urged her into an audition, and she credits show director Jon Stone for seeing past her self-depreciation. In 1991, she starred in the ABC After-School Special It's Only Rock and Roll, where she met her husband to be, writer/director Harry O'Reilly; at this point, she began receiving credit on Sesame Street under her married name, Alison Bartlett O'Reilly. She also guest starred on NYPD Blue in 1995. Taking time off to have three children, O'Reilly's work was primarily limited to Sesame Street. However, in 2002, she began actively seeking other roles. In addition to appearing in the 2003 independent film Crooked Lines (directed by her husband), the actress began appearing in a variety of roles in different TV crime dramas, including the short-lived FOX series The Jury, various episodes of the Law & Order franchise, and a two episode stint on HBO's The Sopranos as Gwen McIntyre, a maternal woman who has fallen in love with an ex-con (Steve Buscemi's Tony Blundatto). In 2006, she appeared in several episodes of the FX show Rescue Me as Deb Stackhouse, the wife of a firefighter injured in a fire.

Marty Supreme poster
UHD Blu-ray
Best English-Friendly:

Entertainment in Video GBR UHD Blu-ray

Best Video:

Entertainment in Video GBR UHD Blu-ray

Best Audio:

Entertainment in Video GBR UHD Blu-ray

Additional Info:

The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.

The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.

The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.

Marty Supreme poster
UHD Blu-ray
Best English-Friendly:

Entertainment in Video GBR UHD Blu-ray

Best Video:

Entertainment in Video GBR UHD Blu-ray

Best Audio:

Entertainment in Video GBR UHD Blu-ray

Additional Info:

The GBR UHD and CAN UHD both do not have the low-pass that the USA UHD has. The GBR UHD has some general blockiness and chroma artifacting issues, but the CAN UHD has at least a handful of scenes where the encode completely falls apart and massive macroblocks are visible. The CAN UHD also does not have hardcoded forced subtitles for the newsreel scene like the USA and GBR. The grade is the same between all three discs. Selected the GBR as it was the most balanced option with no low-pass and no overly distracting encode issues.

The GBR UHD, like the USA UHD, has incorrect L5 that can be edited in the RPU.

The Atmos mix is the same between the USA UHD and the GBR UHD save for the amount of dynamic objects: the GBR has 15 to the USA's 11. Because sound quality is identical and the extra dynamic objects do not appear to be silent, the GBR track was selected. The GBR UHD also has a DD-EX compatibility track and a lossless version of the commentary track that is in Dolby Digital on the USA and CAN UHDs.

1 film

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