The Nutty Professor (1963)
Comedy, Science Fiction, Romance • 1h 47m
Director: Jerry Lewis
Cast: Jerry Lewis, Stella Stevens, Del Moore, Henry Gibson, Kathleen Freeman, Richard Kiel, Norman Alden, Howard Morris, Elvia Allman, Milton Frome, Doodles Weaver, Murray Alper, Buddy Lester, Med Flory, Seymour Cassel, Stephanie Hill, Marvin Kaplan, Skip Ward, Billy Bletcher, Robert Donner, Art Gilmore
Paramount Presents 4K Blu-ray
Best English-friendly & video release · updated 6 months ago
Overview
A timid, nearsighted chemistry teacher discovers a magical potion that can transform him into a suave and handsome Romeo. The Jekyll and Hyde game works well enough until the concoction starts to wear off at the most embarrassing times.
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Vincente Minnelli
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Director: Alfred Hitchcock
Director: Howard Hawks
Sources: Criterion Forum (opens in a new tab)
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Jerry Lewis
Sources: Blu-ray.com (opens in a new tab)
Director: Alex Proyas
Paramount 4K Blu-ray (30th anniv.)
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray scheduled for Dec 2026 release
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Original AR: Paramount 4K Blu-ray
IMAX AR: Paramount 3D Blu-ray
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