Venus in Fur (2013)
La Vénus à la fourrure
Drama • 1h 36m
Overview
An enigmatic actress may have a hidden agenda when she auditions for a part in a misogynistic writer's play.
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the Original 5.1 as lossy Dolby Digital.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the Original 5.1 as lossy Dolby Digital.
Director: Roman Polanski
Paramount disappointing 4K Blu-ray
Paramount disappointing 4K Blu-ray
Director: Roman Polanski
Paramount disappointing 4K Blu-ray
Paramount disappointing 4K Blu-ray
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
Director: Roman Polanski
2023 Italy Eagle Pictures Blu-ray
Director: Roman Polanski
2023 Italy Eagle Pictures Blu-ray
Director: Roman Polanski
Director: Roman Polanski
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Criterion Blu-ray> Artificial Eye Blu-ray, Korea Nova Media 4K Blu-ray release is AI upscaled
Director: Michael Haneke
2025 Curzon UK Blu-ray or 2013 TF1 FR Blu-ray (caps)
Curzon has a slightly better encode and preserves all the noise of the digital source, but ends up obscuring actual detail in some shots. Both are quite good, only caveat being that the TF1 disc is slightly cropped and has a black bar on top.
2025 Curzon UK Blu-ray
2008 Artificial Eye UK and 2025 Umbrella AU discs have incorrect pitch. TF1 FR disc is missing 7 minutes of audio in the left channel. See spectrograms.
Director: Michael Haneke
2025 Curzon UK Blu-ray or 2013 TF1 FR Blu-ray (caps)
Curzon has a slightly better encode and preserves all the noise of the digital source, but ends up obscuring actual detail in some shots. Both are quite good, only caveat being that the TF1 disc is slightly cropped and has a black bar on top.
2025 Curzon UK Blu-ray
2008 Artificial Eye UK and 2025 Umbrella AU discs have incorrect pitch. TF1 FR disc is missing 7 minutes of audio in the left channel. See spectrograms.
Director: Sebastian Schipper
Director: Sebastian Schipper
Director: Charlie Chaplin
Director: Charlie Chaplin
Director: Claire Denis
Director: Claire Denis
Director: Andrea Arnold
Director: Andrea Arnold
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
More Drama on Blu-ray
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
UK 88 Films 4K Blu-ray in October
Australia Imprint Blu-ray?
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original 7.1 mix
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: James Foley
Director: James Foley
Director: Iain Softley
Director: Iain Softley
Director: Steven Shainberg
Director: Steven Shainberg
Director: Akira Kurosawa
Director: Akira Kurosawa
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Director: Rob Reiner
Vertical Blu-ray
Director: Rob Reiner
Vertical Blu-ray
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