The Turin Horse (2011)
A torinói ló
Drama • 2h 35m
Director: Béla Tarr
Best English-friendly & video release · updated 10 months ago
Cinema Guild Blu-ray is a good alternative (more extras).
UK > US, not sure France. UK (Artificial Eye/Curzon) has higher bitrate than US (Cinema Guild) but has boosted gamma (see here: https://slow.pics/c/L9U9r8Es).
Overview
A monumental windstorm and an abused horse's refusal to work or eat signal the beginning of the end for a poor farmer and his daughter.
Director: Béla Tarr
Sources: Blu-ray.com (opens in a new tab)
Director: Béla Tarr
Sources: Blu-ray.com (opens in a new tab)
Director: Béla Tarr
Director: Béla Tarr
Video format: 1080p Blu-ray
Director: Béla Tarr
Video format: 1080p Blu-ray
Director: Béla Tarr
Video format: 1080p Blu-ray
Director: Béla Tarr
Video format: 1080p Blu-ray
Director: Béla Tarr
Video format: 1080p Blu-ray
Director: Béla Tarr
Sources: Criterion Forum (opens in a new tab)
Curzon 4K Blu-ray has better encode than Criterion 4K Blu-ray
Criterion 4K Blu-ray is worse.
Director: Roy Andersson
Sources: Criterion Forum (opens in a new tab)
4k transfer. Shochiku Blu-ray is similar
Sources: Criterion Forum (opens in a new tab)
Curzon 4K Blu-ray scheduled for October 2026 release
Supposed to have better translation than Criterion.
Director: Wong Kar-Wai
Video format: 1080p Blu-ray
2010 US Kino Lorber or 2012 UK Artificial Eye
Sources: slow.pics (opens in a new tab)
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Wong Kar-Wai on the framing:
With Fallen Angels, I have changed the format to cinemascope, because it was originally what I had intended to release the film in. When we were cutting the film, we accidentally turned the Steenbeck on anamorphic instead of standard. I felt that the film looked much more interesting because it enhanced the distance of the characters on top of the extreme wide angle that we shot on. Back then, it was impossible to shoot a film in standard and release it in anamorphic. With this restoration, we have successfully fulfilled this wish.
Director: Claire Denis
Director: Andrei Tarkovsky
Theatrical Cut: UK Artificial Eye Blu-ray
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream
Sources: Criterion Forum (opens in a new tab) · YouTube (opens in a new tab)
Theatrical Cut: UK Artificial Eye Blu-ray > Criterion
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: Netherlands Lumière Blu-ray has best encoding
2023 "Director's" Cut: Unreleased
Passion According to Andrei Cut: MosFilm Youtube Stream
Passion According to Andrei Cut: MosFilm Youtube Stream > Criterion Blu-ray
Theatrical Cut: 2011/2018 RU Blu-ray
Passion According to Andrei Cut: ??
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray
Director: Bong Joon Ho
Sources: Criterion Forum (opens in a new tab)
France The Jokers 4K Blu-ray
France The Jokers 4K Blu-ray has the least DNR (UK Artificial Eye might be similar? Both better than Universal 4K Blu-ray)
Criterion even though doesn’t have 4K, it has the B&W version and a lot of extras.
UK Artificial Eye vs France Carlotta no comparison
More Drama on Blu-ray
Director: Alan Clarke
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
The 88 Films 4K Blu-ray is disappointing. Indicator Blu-ray > 88 Films Blu-ray. From nicolas:
Fine master, solid HDR but very poorly encoded with strong blocking artifacts in normal areas and clipped highlights that bring Criterion’s Walkabout to mind. Their Blu-ray is slightly better overall but then again still not as good as FiM’s encode for Indicator.
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
Director: Luis Buñuel
Sources: Criterion Forum (opens in a new tab)
Director: Ingmar Bergman
Sources: Criterion Forum (opens in a new tab)
For Blu-ray Criterion Demy Set > StudioCanal
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab)
See chris's review
1991 Daiei LaserDisc
Sources: Criterion Forum (opens in a new tab)
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
better encoding, some shots are better on Shout! Factory, others on Arrow
Shout! Factory/Arrow 4K Blu-ray has the original mono
Sources: Blu-ray.com (opens in a new tab) · slow.pics (opens in a new tab)
(same as all tracks since the DVD)
Criterion 4K Blu-ray see caps
Phenomenal disc, and perhaps the single greatest testament to NexSpec's positive 180 this year. Highlights are beautifully handled and grain structure is fully intact in areas where NexSpec's (and Pixelogic's) encodes would frequently fall apart in 2025 and before then. Criterion BD encode also looks to be robust from linked caps, save for this one frame: https://slow.pics/c/cMjMefmi
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