Pain & Gain (2013)
Comedy, Crime, Action • 2h 10m
Director: Michael Bay
Cast: Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub, Ed Harris, Rob Corddry, Bar Paly, Rebel Wilson, Ken Jeong, Michael Rispoli, Keili Lefkovitz, Vivi Pineda, Christopher Jestin Langstaff, Gustavo Escobar, Corinne Ferrer, Zack Moore, Kory Getman, Peter Stormare, Larry Hankin, Tony Plana, Brian Stepanek, Persei Caputo, Bill Kelly, Emily Rutherfurd, Patrick Bristow, Wladimir Klitschko, Yolanthe Cabau, Anthony "Ace" Thomas, Kurt Angle, Jennifer Nicole Lee, Andrea Bennetti, Nikki Benz, Jessica Dykstra, Gwendalyn Barker, Vannessa Nevader, Amanda Cerny
Best English-friendly & video release · updated 10 months ago
Overview
Daniel Lugo, manager of the Sun Gym in 1990s Miami, decides that there is only one way to achieve his version of the American dream: extortion. To achieve his goal, he recruits musclemen Paul and Adrian as accomplices. After several failed attempts, they abduct rich businessman Victor Kershaw and convince him to sign over all his assets to them. But when Kershaw makes it out alive, authorities are reluctant to believe his story.
Original AR: Paramount 4K Blu-ray
IMAX AR: Paramount 3D Blu-ray
Director: Michael Bay
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
(A 4K version was possibly restored in 2025)
Alleycat's extended restoration better
Director: Michael Bay
Sources: tfwiki.net (opens in a new tab)
Paramount 4K Blu-ray
Alternate version: iTunes stream
Target Exclusive Blu-ray has exclusive extras
The film has several changes internationally and on digital platforms: https://tfwiki.net/wiki/Transformers:_The_Last_Knight_(film)#Other_editions
Hound's crosses were red on the theatrical cut, but blue on home video and digital platforms.
Director: Michael Bay
Theatrical Cut: Paramount 4K Blu-ray
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray scheduled for Dec 2026 release
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Sources: YouTube (opens in a new tab) · mega.nz (opens in a new tab)
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
More Comedy on Blu-ray
Director: Garson Kanin
Video format: 1080p Blu-ray
Only Streaming has 1080p
Director: Preston Sturges
No information on French Elephant Films Blu-ray
Director: Ralph Bakshi
Director: Tommy O'Haver
Director: Peter Bogdanovich
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Eureka UK are considering doing a 4K and actively exploring the possibility: https://forum.blu-ray.com/showpost.php?p=24363810&postcount=264
Wonderful underlying remaster by Criterion and Resillion, but NexSpec encode has clipped highlights with the occasional blockiness. The Criterion Blu-Ray, sourced from their 4K remaster, ironically makes for a more consistent and overall pleasing experience.
Sources: Criterion Forum (opens in a new tab)
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Director: Terry Jones
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The Criterion BD, which is sold separately, has a clunky encode unlike the Criterion UHD, even if it plays better in motion than the caps would suggest. Still, provided you're equipped to play 4K discs, UHD or bust for this one. https://slow.pics/c/hmDYlKgE
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
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