Transformers: Dark of the Moon (2011)
Action, Science Fiction, Adventure • 2h 34m
Overview
The Autobots continue to work for NEST, now no longer in secret. But after discovering a strange artifact during a mission in Chernobyl, it becomes apparent to Optimus Prime that the United States government has been less than forthright with them.
Director: Michael Bay
Cast: Shia LaBeouf, Rosie Huntington-Whiteley, Peter Cullen, Leonard Nimoy, John Turturro, Frances McDormand, Josh Duhamel, Tyrese Gibson, Patrick Dempsey, Hugo Weaving, John Malkovich, Kevin Dunn, Julie White, Alan Tudyk, Ken Jeong, Glenn Morshower, Lester Speight, Buzz Aldrin, Bill O'Reilly, Ravil Isyanov, Dustin Dennard, Markiss McFadden, Nick Bickle, Ajay James, Brett Lynch, Chris A. Robinson, Scott C. Roe, James D. Weston II, Brian Call, Aaron Garrido, Mikal Vega, Kenny Sheard, Josh Kelly, Keiko Agena, LaMonica Garrett, Yasen Peyankov, Brett Stimely, John H. Tobin, Drew Pillsbury, Patrick Pankhurst, Larry Clarke, Tom Virtue, Thomas Crawford, Kevin Sizemore, Alan Pietruszewski, Michael Daniel Cassady, Peter Murnik, Don Jeanes, Cory Tucker, Lindsey Ginter, David St. James, Mitch Bromwell, Ilya Baskin, Eugene Alper, Inna Korobkina, Zoran Radanovich, Kathleen Gati, Annie O'Donnell, Chris Sheffield, Ken Takemoto, Michael Loeffelholz, Mindy Sterling, Stephen Monroe Taylor, Andy Daly, Derek Miller, Leidy Mazo, Scott Krinsky, Katherine Sigismund, Maile Flanagan, Darren O'Hare, Jack Axelrod, Rich Hutchman, Meredith Monroe, Charlotte Labadie, Christian Baha, Jennifer Williams, Danielle Fornarelli, Danny McCarthy, John Turk, Peter A Kelly, Mark Golden, Sean Murphy, Scott Paulson, Luis Echagarruga, Iqbal Theba, Anthony Azizi, Sammy Sheik, Mark Ryan, John S. McAfee, Jay Gates, Rebecca Cooper, Jess Harnell, Charlie Adler, Robert Foxworth, James Remar, Francesco Quinn, George Coe, Tom Kenny, Reno Wilson, Frank Welker, Ron Bottitta, John DiMaggio, Keith Szarabajka, Greg Berg, Alen Toric, Richard Birdloft
Director: Michael Bay
Director: Michael Bay
Theatrical Cut: Paramount 4K Blu-ray
Theatrical Cut: Paramount 4K Blu-ray
Theatrical Cut: Paramount 4K Blu-ray
Theatrical Cut: Paramount 4K Blu-ray
Original AR: Paramount 4K Blu-ray
Original AR: Paramount 4K Blu-ray
Original AR: Paramount 4K Blu-ray
Original AR: Paramount 4K Blu-ray
Paramount 4K Blu-ray
Alternate version: iTunes stream
Target Exclusive Blu-ray has exclusive extras
The film has several changes internationally and on digital platforms: https://tfwiki.net/wiki/Transformers:_The_Last_Knight_(film)#Other_editions
Hound's crosses were red on the theatrical cut, but blue on home video and digital platforms.
Paramount 4K Blu-ray
Alternate version: iTunes stream
Target Exclusive Blu-ray has exclusive extras
The film has several changes internationally and on digital platforms: https://tfwiki.net/wiki/Transformers:_The_Last_Knight_(film)#Other_editions
Hound's crosses were red on the theatrical cut, but blue on home video and digital platforms.
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Michael Bay
Director: Stanley Donen
Director: Stanley Donen
Directors: Arturo Perez Jr. & Samantha Jayne
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Richard Linklater
Director: Richard Linklater
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
Japan GAGA 4K Blu-ray?
Japan GAGA 4K Blu-ray?
US Paramount has poor encoding
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