Bright Leaf (1950)
Drama, Romance • 1h 50m
Director: Michael Curtiz
Cast: Gary Cooper, Lauren Bacall, Patricia Neal, Jack Carson, Donald Crisp, Gladys George, Elizabeth Patterson, Jeff Corey, Taylor Holmes, Thurston Hall, James Adamson, John Alvin, Shelby Bacon, Walter Bacon, Frank Baker, Marshall Bradford, Marietta Canty, Chick Chandler, Eileen Coghlan, James Conaty, Boyd Davis, Irmgard Dawson, Renee De Vaux, Elzie Emanuel, Franklyn Farnum, Pat Flaherty, Sam Flint, Pat Goldin, Dick Gordon, James Griffith, Chick Hannan, Sam Harris, Al Haskell, Ed Haskett, Jessie Lee Hunt, J. Louis Johnson, Pete Kellett, Jack Kenny, Hubie Kerns, Leslie Kimmell, Lyle Latell, Celia Lovsky, Merrill McCormick, Charles Meredith, Ralph Moody, Cleo Moore, Paul Newlan, Eddie Parks, Edward Peil Sr., John Pickard, Cap Somers, Bert Stevens, Nita Talbot, Jack Tornek, Kathryn Towne, Felipe Turich, Bill Walker, Kermit Whitfield, Chalky Williams, Buck Woods
Compare the discs
About the film
Two tobacco growers battle for control of the cigarette market.
- Alternative Titles
- Bright Leaf
Director: Michael Curtiz
4K restoration from Original Camera Negative
Director: Michael Curtiz
Sources: Criterion Forum (opens in a new tab)
4K restoration from Original Camera Negative
Director: Michael Curtiz
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
(caveat: has a slight error)
Sources: Blu-ray.com (opens in a new tab)
2008 WB Blu-ray (from a 2003 transfer)
(Still not great)
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
More Drama on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Sidney Lumet
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is an FiM encode
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