Party Girl (1958)
Crime, Drama, Romance • 1h 39m
Director: Nicholas Ray
Cast: Robert Taylor, Cyd Charisse, Lee J. Cobb, John Ireland, Kent Smith, Claire Kelly, Corey Allen, Lewis Charles, David Opatoshu, Kem Dibbs, Patrick McVey, Myrna Hansen, Betty Utey, Leon Alton, Hy Anzell, Herb Armstrong, Walter Bacon, Steve Benton, Margaret Bert, Herman Boden, Peter Bourne, Marshall Bradford, Bob Calder, Pat Cawley, Barrie Chase, Dick Cherney, Jack R. Clinton, Gene Coogan, Russell Custer, John Damler, Jack Dodds, Burt Douglas, Michael Dugan, Charles Fogel, John Franco, David Garcia, Jack Gargan, Ed Haskett, Tom Hernández, Harry Hines, Stuart Holmes, Jimmie Horan, Michael Jeffers, Paul Keast, Donald Kerr, Jack Lambert, Rusty Lane, Herbert Lytton, Thomas Martin, Philo McCullough, Sam McDaniel, Harry Tom McKenna, David McMahon, Harold Miller, Hans Moebus, Charles Morton, Forbes Murray, Maggie O'Byrne, Sanita Pelkey, Charles Perry, Albert Petit, Carmen Phillips, Michael Pierce, José Portugal, Paul Power, Dolores Reed, Edwin Rochelle, Benny Rubin, Georges Saurel, Aaron Saxon, Jeffrey Sayre, Jerry Schumacher, Vito Scotti, Floyd Simmons, Ralph Smiley, J. Lewis Smith, Sydney Smith, Charles Sullivan, Hal Taggart, Vaughn Taylor, Carl Thayler, Arthur Tovey, Herb Vigran, Erich von Stroheim Jr., Geraldine Wall, Sandra Warner, Guy Way, Marc Wilder, Robert B. Williams
Best English-friendly & video release · updated 11 months ago
Overview
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
Director: Nicholas Ray
Director: Nicholas Ray
MoC better encode than 2016 Olive Films Signature
Director: Nicholas Ray
Sources: Criterion Forum (opens in a new tab)
Director: Nicholas Ray
Director: Nicholas Ray
Directors: Nicholas Ray & Ida Lupino
Director: Nicholas Ray
Sources: Criterion Forum (opens in a new tab)
Criterion 2k transfer
Director: Vincente Minnelli
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: David Lean
Warner Archive 4K Blu-ray Dec 1st
Director: John Ford
Director: Edgar Selwyn
4K restoration
TV series
4K restoration from Original Camera Negative for all episodes
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
More Crime on Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
Director: Lloyd Bacon
4K restoration from Original Camera Negative
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