Berlin Alexanderplatz (1980)
Drama, Crime • 15h 31m
Overview
In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.
StudioCanal UK Blu-ray: VDMS-encoded 4K master
StudioCanal UK Blu-ray: VDMS-encoded 4K master
Arrow has better encode than Criterion/StudioCanal
Arrow has better encode than Criterion/StudioCanal
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
UK Second Sight 4K Blu-ray is FiM encoded and superior to French Severin or German 4K Blu-ray: see comparison
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Second Sight UK Blu-ray for restored versions of both theatrical cut and festival cut
Second Sight UK Blu-ray replacement disc
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Director: Nicolas Winding Refn
Atmos on the Sony 4K Blu-ray maybe better?
Regarding the "original theatrical audio" 5.1 mixes:
The Sony UHD and the BD DTS-HD 5.1 mixes are the same but the UHD has been pushed slightly harder and has a lot of clipping. The UHD is 16 bit vs the BD's 24 bits.
The Second Sight UHD DTS-HD 5.1 is a downmix of its respective Atmos track. Definitely different from the Sony UHD/BD mix plus a little less dynamic. Whether or not that's representative of the theatrical Dolby Digital mix is anyone's guess.
So, if you want the best version of the original 5.1, the 2012 BD is the winner.
Vinegar Syndrome 4K Blu-ray see caps
For Blu-ray, UK Second Sight is better than Kino Lorber Blu-ray
Vinegar Syndrome 4K Blu-ray see caps
For Blu-ray, UK Second Sight is better than Kino Lorber Blu-ray
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
Director: Martin Scorsese
2024 Second Sight 4K Blu-ray
2024 Second Sight 4K Blu-ray
Director: Erik Skjoldbjærg
Second Sight 4K Blu-ray is a Criterion SDR master with a HDR grade. Caps & comparison
Director: Erik Skjoldbjærg
Second Sight 4K Blu-ray is a Criterion SDR master with a HDR grade. Caps & comparison
Director: George A. Romero
2020 Second Sight 4K Blu-ray
Theatrical: 2017 Midnight Factory Blu-ray or 2013 Japan Happinet Blu-ray
European: 5.1 remix on 2016 Midnight Factory and 2021 ESC 4K Blu-ray much more detailed than all mono mixes
Director: George A. Romero
2020 Second Sight 4K Blu-ray
Theatrical: 2017 Midnight Factory Blu-ray or 2013 Japan Happinet Blu-ray
European: 5.1 remix on 2016 Midnight Factory and 2021 ESC 4K Blu-ray much more detailed than all mono mixes
More Drama on Blu-ray
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
France Carlotta 4K Blu-ray coming in December
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Ivan Passer
Radiance 4K Blu-ray, though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
UK Arrow 4K Blu-ray release date September 21 2026
Kino Lorber 4K Blu-ray or Germany Capelight 4K Blu-ray no comparison available
Shout! Factory Blu-ray has exclusive extras the Kino Lorber/ Capelight release doesn't
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Joe Wright
Director: Joe Wright
Director: Rob Reiner
Director: Rob Reiner
Director: Noah Baumbach
Director: Noah Baumbach
Director: Vincente Minnelli
Director: Vincente Minnelli
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