Operation Crossbow (1965)
Drama, War, Thriller • 1h 55m
Director: Michael Anderson
Cast: Sophia Loren, George Peppard, Trevor Howard, John Mills, Richard Johnson, Tom Courtenay, Jeremy Kemp, Anthony Quayle, Lilli Palmer, Paul Henreid, Helmut Dantine, Barbara Rütting, Richard Todd, Sylvia Syms, John Fraser, Maurice Denham, Patrick Wymark, Wolf Frees, Moray Watson, Richard Wattis, Allan Cuthbertson, Karl Stepanek, William Mervyn, Milo Sperber, George Mikell, Ferdy Mayne, Robert Brown, Anton Diffring, Philip Madoc, John Abineri, Charles Lloyd Pack, Gertan Klauber, Jeremy Spenser, John Ronane, James Payne
Best English-friendly & video release · updated 11 months ago
Overview
Allied agents infiltrate the Nazi rocket complex at Peenemunde in order to obtain their secrets and sabotage the plant. The film alternates between German developments of the V-1 missile and V-2 rocket (with a German cast speaking their own language) and discovery by British Intelligence of the weapon.
TV series
4K restoration from Original Camera Negative for all episodes
Director: John Ford
Sources: ibb.co (opens in a new tab)
Warner Archive Blu-ray is 4K restoration from nitrate projection elements
Germany Filmjuwelen Blu-ray is AI upscaled https://ibb.co/album/mCJ7RQ
Director: Norman Taurog
4K restoration from Original Camera Negative
Director: Delbert Mann
4K restoration from Original Camera Negative
Director: Lloyd Bacon
4K restoration from Original Camera Negative
4K restoration from Original Camera Negative
More Drama on Blu-ray
Director: Ingmar Bergman
Director: Ingmar Bergman
Director: Martin Rosen
Sources: Criterion Forum (opens in a new tab)
Director: Nicolas Roeg
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray poor compression, otherwise Second Sight has best Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
> BFI 4K Blu-ray. caps Criterion presents the master as originally graded in SDR whereas FiM added HDR / Dolby Vision for the BFI.
Criterion 4K Blu-ray's audio mix has more detail than BFI’s and same applies to the subtitles, covering both English and France spoken word
Director: Jean-Luc Godard
Director: M. Night Shyamalan
BD LPCM 5.1
The DTS-HD on the UHD has been dynamically compressed, has had its center channel boosted, and surrounds lowered (typical modern nearfield mix for soundbars). Very different from the BD and DVD tracks. The BD LPCM is basically just a lossless version of the DTS and AC3 from the original DVD (the AC3 actually being the superior mix on that particular release).
Directors: Emeric Pressburger & Michael Powell
Imprint 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · filmalert101.blogspot.com (opens in a new tab) · slow.pics (opens in a new tab)
FiM encode and none of the low-pass filtering present on the Criterion 4K, resulting in more detail and better handling of highlights on Imprint
Review, comparisons
All HD and 4K sources use the same 2009 restoration. Criterion's master (also used by Imprint) is a bit more rolled off, though the difference is minor.
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
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