Richard Wattis
6 Films
Richard Wattis
6 Included Films

Richard Cameron Wattis (25 February 1912 – 1 February 1975) was an English actor. After leaving the family business, Wattis became an actor. His debut was with Croydon Repertory Theatre, and he made many stage appearances in the West End in London. His first appearance in a film was A Yank at Oxford (1938), but war service interrupted his career as an actor. He served as a second lieutenant in the Small Arms Section of Special Operations Executive at Station VI during World War II (James Bond author, Ian Fleming worked in the same section). He is best known for his appearances, wearing his thick-rimmed round spectacles, in British comedies of the 1950s and 1960s, often as a "Man from the Ministry" or similar character. He was also involved as the secretary to Lord Scrumptious in Chitty Chitty Bang Bang. Such appearances included the St Trinian's films (The Belles of St Trinian's, Blue Murder at St Trinian's, and The Great St Trinian's Train Robbery) as Manton Bassett, a civil servant who was the Deputy Director of Schools in the Ministry of Education, where he was often seen frowning and expressing indignation at the outrageous behaviour of other characters. To American audiences, Wattis is probably best known for his performance as the British civil servant Northbrook in The Prince and the Showgirl (1957). He broke from this typecasting in his later films, such as his starring role in Games That Lovers Play. Wattis's other films included Hobson's Choice, Chitty Chitty Bang Bang, Carry On Spying, The Colditz Story, Dentist on the Job, Very Important Person, The Happiest Days of Your Life, and The Longest Day. He also appeared on television, including a long-running role in Sykes, and appearances in Danger Man, The Prisoner, The Goodies, Hancock's Half Hour, and Father, Dear Father. From 1957 to 1958, he appeared as Peter Jamison in three episodes of the American sitcom Dick and the Duchess.
2024 StudioCanal UK 4K Blu-ray
2024 StudioCanal UK 4K Blu-ray
2024 StudioCanal UK 4K Blu-ray
2024 StudioCanal UK 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Universal The Alfred Hitchcock Collection Vol 3 4K Blu-ray
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Directors: Val Guest & Ken Hughes & John Huston & Joseph McGrath & Robert Parrish
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
6 films





