Abigail (2024)
Horror, Thriller • 1h 49m
Overview
A group of criminals kidnap a teenage ballet dancer, the daughter of a notorious gang leader, in order to obtain a ransom of $50 million, but over time, they discover that she is not just an ordinary girl. After the kidnappers begin to diminish, one by one, they discover, to their increasing horror, that they are locked inside with no normal little girl.
Directors: Matt Bettinelli-Olpin & Tyler Gillett
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Directors: Tyler Gillett & Matt Bettinelli-Olpin
Director: Martin Scorsese
Director: Martin Scorsese
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save file space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Rob Cohen
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
Original 5.1 mix: Universal Blu-ray
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
Director: Rob Cohen
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
Original 5.1 mix: Universal Blu-ray
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
Director: Marion Gering
Director: Marion Gering
Director: Curry Barker
Director: Curry Barker
More Horror on Blu-ray
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
Director: Danny Boyle
Sony 4K Blu-ray see caps
Recovers quite a bit of highlight detail, looks less harsh and clipped in the video footage than the old BD.
Dolby Atmos Remix: Sony 4K Blu-ray
Original 5.1 mix: old OOP Fox Blu-ray
5.1 on the 4K is a downmix of the Atmos remix.
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: Mervyn LeRoy
Warner Bros 2011 Blu-ray
The older track sounds significantly more natural. The WAC BD uses a new mastering which sounds much worse. A lot of the dialogue sounds off, sort of echoey, garbled or even artifacted. Its overzealous click removal also erased some sounds. Its only positive is a new EQ that brings out the bass more making some of the score more effective.
It seems that the new mastering likely uses AI "enhancement" or some other form of aggressive filtering, resulting in extended peaks despite losing real high end detail (most pronounced on sample 3).
Samples (WAC is mislabeled as UHD)
Commentary is mono on the Blu-rays and panned stereo on NTSC DVD (different channels for each speaker).
Director: Kane Parsons
Canada Elevation 4K Blu-ray
Canada Elevation 4K Blu-ray > US A24 comparisons
Director: Kane Parsons
Canada Elevation 4K Blu-ray
Canada Elevation 4K Blu-ray > US A24 comparisons
Director: Danny Boyle
Director: Danny Boyle
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Wes Craven
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
Theatrical: Paramount 4K Blu-ray
Uncut Director's Cut: Either the Germany Kinowelt DVD, the Japan DVD, the Scandinavian DVD, or the US LaserDisc. Fan preservation is likely better quality.
2011 Blu-ray/2021 4K Blu-ray
The 2011 Lionsgate Blu-ray is incredibly poor for every Original Trilogy film; older processed older DVD-era masters with heavy use of DNR, sharpening and edge enhancement with a really dull color grade. The 4K Blu-ray is miles better. The DTS-HD 5.1 across all three films appears to be the same on both the Blu-ray and 4K Blu-ray, and they appear to be the untouched theatrical 5.1 mixes.
The Uncut version has more violence: https://www.movie-censorship.com/report.php?ID=256325
Director: Renny Harlin
Arrow 4K Blu-ray caps by cinemaniac. Gorgeous upgrade
Atmos track on Arrow cuts off the end credits music 1 minute before the credits end. 5.1 doesn't have this issue.
Digital 4K appears to be fixed. Could the International WB 4K Blu-ray also be fixed?
Director: Renny Harlin
Arrow 4K Blu-ray caps by cinemaniac. Gorgeous upgrade
Atmos track on Arrow cuts off the end credits music 1 minute before the credits end. 5.1 doesn't have this issue.
Digital 4K appears to be fixed. Could the International WB 4K Blu-ray also be fixed?
Director: Lee Cronin
Arrow 4K Blu-ray > French Metropolitan 4K Blu-Ray > WB 4K Blu-Ray
Britain StudioCanal/French Metropolitan 4K Blu-Ray has a exclusive director's solo commentary.
Director: Lee Cronin
Arrow 4K Blu-ray > French Metropolitan 4K Blu-Ray > WB 4K Blu-Ray
Britain StudioCanal/French Metropolitan 4K Blu-Ray has a exclusive director's solo commentary.
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