Duck, You Sucker (Fistful of Dynamite) (1971)
Giù la testa
Western • 2h 37m
Director: Sergio Leone
Cast: Rod Steiger, James Coburn, Romolo Valli, Maria Monti, Rik Battaglia, Franco Graziosi, Antoine Saint-John, Vivienne Chandler, David Warbeck, Giulio Battiferri, Poldo Bendandi, Omar Bonaro, Roy Bosier, John Frederick, Amato Garbini, Michael Harvey, Biagio La Rocca, Furio Meniconi, Nazzareno Natale, Vincenzo Norvese, Stefano Oppedisano, Memè Perlini, Goffredo Pistoni, Renato Pontecchi, Jean Rougeul, Corrado Solari, Antonio Casale, Benito Stefanelli, Franco Tocci, Rosita Torosh, Aldo Sambrell, Florencio Amarilla, Sergio Calderón, Simon van Collem, Paolo Figlia, Alberigo Donadeo, Tony Casale, Romano Milani, Luigi Tripodi, Claudio Mancini, Riccardo Pizzuti, Franco Ukmar, Antonio Montoya, Freddy Logart
About the film
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.
- Alternative Titles
- A Fistful of Dynamite, Duck, You Sucker!
Video format: UHD Blu-ray
Sources: slow.pics (opens in a new tab) · Criterion Forum (opens in a new tab)
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
229 min cut (Theatrical): WB Blu-ray
139 min cut (US theatrical): VHS
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
229 min cut: Warner Bros LaserDisc
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Sources: slow.pics (opens in a new tab)
Arrow 4K Blu-ray > Kino Lorber, see caps https://slow.pics/c/P4E9uTHR
Arrow 4K Blu-ray for English dub, Kino Lorber 2017 Blu-ray for Italy dub
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray > Kino Lorber, see caps
1984 Key Video Hi-Fi VHS
Director: Sergio Leone
Sources: Criterion Forum (opens in a new tab)
Arrow's English mono is from the soundtrack negatives, with light noise reduction but still the highest quality anywhere. The main title is restored from the 1985 LaserDisc analog mono.
The 1985 CBS/Fox LaserDisc for untouched English mono despite element defects and an incomplete print used. The main title on this LaserDisc is the highest quality version known to exist.
The Arrow 5.1 is a careful upmix from their mono restoration to create a purist multichannel mix.
The Italy mono exists in lesser quality but Arrow performed additional restoration work to improve what they could.
Director: John Huston
Sources: Blu-ray.com (opens in a new tab)
Eureka Blu-ray > StudioCanal 4K Blu-ray. Older DVD or LaserDisc probably even better
All blu-ray releases so far is from the 2010 scan.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Director: Josef von Sternberg
Sources: DVDBeaver (opens in a new tab)
MoC slightly better than Kino Lorber http://www.dvdbeaver.com/film6/blu-ray_reviews_76/anatahan_blu-ray.htm
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Kenji Mizoguchi
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray
Mono: Kino Lorber US Blu-ray possibly?
Director: John Ford
Sources: slow.pics (opens in a new tab)
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Directors: Clyde Bruckman & Buster Keaton
Sources: Blu-ray.com (opens in a new tab)
Probably. No comparison with French Factoris Films 4K Blu-ray, but former has Dolby Vision and higher bitrate.
For standard Blu-ray, the MoC/Cohen are a 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
More Western on Blu-ray
Director: Sam Peckinpah
Director: George Stevens
Sources: Blu-ray.com (opens in a new tab)
Kino Lorber 4K Blu-ray has unusually strong encode but only a minimal upgrade over the excellent Eureka Blu-ray
Director: Samuel Fuller
Video format: 1080p Blu-ray
Criterion Blu-Ray
Sources: Criterion Forum (opens in a new tab)
TV series
4K restoration from Original Camera Negative for all episodes
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
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