Metropolis (2001)
メトロポリス
Animation, Science Fiction • 1h 47m
Overview
In the midst of societal conflict in the futuristic city of Metropolis, Kenichi and his uncle Shunsaku Ban set out to uncover the mystery behind the first human-like robot, Tima.
Director: Rintaro
Cast: Yuka Imoto, Kohki Okada, Kosei Tomita, Kei Kobayashi, Rikako Aikawa, Masashi Ebara, Shigeru Chiba, Taro Ishida, Norio Wakamoto, Junpei Takiguchi, Takeshi Aono, Masaru Ikeda, Shun Yashiro, Toshio Furukawa, Takaya Hashi, Norihiro Inoue, Tomohisa Aso, Michael Shitanda, Shigeru Shibuya, Tomoyuki Shimura, Tomokazu Sugita, Kenichi Suzumura, Keiichi Sonobe, Takeshi Sasaki, Susumu Chiba, Makoto Higo, Mami Koyama, Yuko Minaguchi, Rica Matsumoto, Daisuke Ryū, Takashi Yanase, Go Nagai, Yutaka Hayashi, Toshiyuki Honda, Kozue Okada, DJ Taro, Tatsuya Fukunoue, Ken Ayugai, Yusuke Suzuki
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: Kenji Mizoguchi
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: Kenji Mizoguchi
Eureka MoC Blu-ray, see caps
MoC is sourced from an earlier scan, but still looks more detailed than the later 4K restoration released by Kadokawa in Japan, which has some black crush and DNR. French Capricci disc is sourced from the same scan as MoC but with much worse encoding and wrong levels.
1991 Daiei LaserDisc
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Blake Edwards
Mono: Kino Lorber US Blu-ray possibly?
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
Director: Francis Ford Coppola
Criterion 2.0 Surround Track
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: John Ford
USA Paramount has the best video transfer with the least amount of artifacts: https://slow.pics/c/sjZ3mqF6
Olive Films Blu-ray and Eureka MoC Blu-ray are sourced from the same restoration and are both very good.
Apart from some mild attenuation, the audio is the same on all releases of the newest restoration and is relatively untampered with: https://slow.pics/c/bWF9EGuM
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Director: Orson Welles
MoC 4K Blu-ray and Kino Lorber 4K Blu-ray are similar
Directors: Clyde Bruckman & Buster Keaton
Eureka MoC 4K Blu-ray, probably. No comparison with French Factoris Films 4K Blu-ray, but former has Dolby Vision and higher bitrate.
For standard Blu-ray, the MoC/Cohen are a 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
Directors: Clyde Bruckman & Buster Keaton
Eureka MoC 4K Blu-ray, probably. No comparison with French Factoris Films 4K Blu-ray, but former has Dolby Vision and higher bitrate.
For standard Blu-ray, the MoC/Cohen are a 4k transfer https://forum.blu-ray.com/showthread.php?t=112722&page=5
More Animation on Blu-ray
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
Directors: Neil Nightingale & Barry Cook
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut"
Fox 3D Blu-ray has both the theatrical cut and the "Cretaceous Cut" which removes the dialogue and the framing device, essentially serving as a director's cut of the film. The "Cretaceous Cut" is not available on the 2D Blu-ray or on digital streaming.
Director: Domee Shi
Director: Domee Shi
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mamoru Oshii
Bandai Japan 4K Blu-ray
Bandai JP 4K Blu-ray
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
Director: Mark Dindal
3D: Disney 3D Blu-ray
3D: Disney 3D Blu-ray
Disney 3D Blu-ray has a slightly better audio mix
Directors: Gary Trousdale & Kirk Wise
Directors: Gary Trousdale & Kirk Wise
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Director: Mamoru Hosoda
Sony 4K Blu-ray has the original theatrical Dolby Atmos mix
Directors: Aaron Blaise & Robert Walker
Directors: Aaron Blaise & Robert Walker
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