Hello Bill (1948)
Music • 3m
Overview
Soundie with Lucky Millinder and His Orchestra.
Director: Bert Stern
Director: Bert Stern
Director: Josef von Sternberg
Director: Josef von Sternberg
Director: Wes Craven
Kino Lorber 4K Blu-ray has color space error but otherwise an improvement upon previous Blu-rays. See caps
Maybe the included standard Blu-ray is better?
Director: Wes Craven
Kino Lorber 4K Blu-ray has color space error but otherwise an improvement upon previous Blu-rays. See caps
Maybe the included standard Blu-ray is better?
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray that some may prefer
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI BDs are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC BD is stuffed with extras and remains one of the best-made BDs of all time. Whatever you do: AVOID THE Kino Lorber BD!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber BD remains one of the worst BDs of all time for this reason.
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Director: Wong Kar-Wai
2010 US Kino Lorber or 2012 UK Artificial Eye
2017 JP Kadokawa Blu-ray has the best encoding out of all the older discs.
Kino Lorber and Artificial Eye Blu-ray use the same master, between the two the PQ on Kino's release is slightly better, but the difference is negligible.
The 4K restoration (Criterion, 4K etc) are cropped to 2.35:1, have revisionistic colour grading and other changes.
Caps: old master, old master vs 4K restoration
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Capelight DE 4K Blu-ray > Arrow UK 4K Blu-ray > Kino Lorber US Blu-ray, see caps
Capelight and Arrow both have good compression, but Capelight has the edge. Kino is very poor.
Original matrixed Dolby Stereo: Arrow 4K Blu-ray or Image Entertainment LaserDisc
(Arrow is a port of the LD track, see spectrograms)
Capelight and old Arrow BD included the original stereo mix, but with excessive noise reduction rendering it much less detailed. Kino only included a downmix of the 5.1 remix.
The best and most accurate of the 5.1 mixes is from the 2003 Special Edition DVD in AC3 form.
Director: Joel Schumacher
Director: Joel Schumacher
Director: Mario Camerini
Director: Mario Camerini
Director: George Marshall
Director: George Marshall
More Music on Blu-ray
Director: Craig Brewer
Old Paramount Blu-ray better than new 4K Blu-ray: smeary grain/detail, poor contrast
4K Blu-ray and New Blu-ray has lossless TrueHD, Old Blu-ray just has lossy Dolby Digital
Director: Craig Brewer
Old Paramount Blu-ray better than new 4K Blu-ray: smeary grain/detail, poor contrast
4K Blu-ray and New Blu-ray has lossless TrueHD, Old Blu-ray just has lossy Dolby Digital
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Ken Russell
Shout! Factory 4K Blu-ray
Includes original quintaphonic (5.0) mix as well as a modernized 5.1 remix.
Director: Bertrand Tavernier
Tamasa Diffusion FR 4K Blu-ray
Criterion Blu-ray
Includes the original matrixed Dolby Stereo mix and an alternate 5.1 mix. The original mix is a lot more balanced overall, but the 5.1 greatly expands the soundstage and makes the live music much more immersive. Review
French 4K only inclues the original stereo.
French 4K doesn't include English subtitles for the French lines spoken in the film.
Director: Bertrand Tavernier
Tamasa Diffusion FR 4K Blu-ray
Criterion Blu-ray
Includes the original matrixed Dolby Stereo mix and an alternate 5.1 mix. The original mix is a lot more balanced overall, but the 5.1 greatly expands the soundstage and makes the live music much more immersive. Review
French 4K only inclues the original stereo.
French 4K doesn't include English subtitles for the French lines spoken in the film.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: John Waters
Director: John Waters
Director: Sidney Lumet
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
Director: Sidney Lumet
Criterion 4K Blu-ray replacement disc for fixed audio (there were some dialogues missing)
While the video on the replacement disc is exactly the same as the original release, the Atmos with missing lines has been corrected as it was also corrected on the Criterion commentary. Criterion also included the 6-track which is almost identical to the PAL track; It’s 4.0 in a 5.1 container. This 6-track is slightly better than the PAL DVD track as the PAL has some flutter on some parts that Criterion doesn’t have.
The Atmos on the replacement is identical to the Imprint AUS Blu-ray track which also has all the lines. The compatibility track is also the same,
It is worth mentioning the Imprint only has the Atmos and no 6-track. The 5.1 surround is with LFE and split surrounds and it’s just a downmix of the Atmos. Ditto for the LPCM 2.0 on said Blu-ray.
Director: Robert Altman
Director: Robert Altman
Director: George Cukor
Director: George Cukor
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