TSPDT

Cinématographe 4K Blu-ray > MoC > Olive Films. From nicolas:

The master is good but it’s not that big an upgrade from the Olive Films disc and Vinegar Syndrome’ encode has some blocky highlights. A shame that they didn’t hire David Mackenzie here.

Cinématographe has unnecessary noise gating not present on the previous releases.

See nicolas review: https://criterionforum.org/forum/viewtopic.php?p=841703#p841703 "The new master is simply gorgeous. Beautifully fine-grained, even the opticals don’t look that much less defined than the OCN-shots. Highlights are very nicely graded and the encode preserves them virtually flawlessly. The HDR / DV grade itself is tasteful and makes the film look tasteful. Velvety, silvery and just satisfying to look at. Furthermore, I don’t think NexSpec applied any filtering"

Twilight Time Blu-ray slightly better than Criterion 4K Blu-ray. Columbia Hi-Fi VHS probably significantly better (not been checked)

US Sony 2023 Steelbook Edition 4K Blu-ray > Sony 2019 Standard Edition 4K Blu-ray

US Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras

DVD and Blu-ray both have lossy Mono

The DVD has an isolated score track 
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono

Only the US Steelbook has Dolby Vision

France Rimini 4K Blu-ray see caps vs Artificial Eye Blu-ray

1969 version: Criterion Blu-ray > UK Artificial Eye Blu-ray, see DVDBeaver caps.

Japan Kadokawa Blu-ray is the same as AE BD and inferior to Criterion too

Janus have restored DCP but no Blu-ray release yet