Blu-ray
3065 films on Best Blurays
Type: Format
Page 95 of 154
Films where Blu-ray is in a pick or an upcoming release.
Director: Howard Zieff
Warner Archive Blu-ray
4K restoration from Original Camera Negative
TV series
Second Sight Blu-ray
Sources: Criterion Forum (opens in a new tab)
2018 Second Sight Blu-ray
?
Director: Michael Cimino
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Not sure about foriegn
Director: Robert Altman
Sources: YouTube (opens in a new tab) · mega.nz (opens in a new tab)
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Albert Brooks
Sony Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Director: Ivan Passer
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Fun City Editions US Blu-ray
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Abel Ferrara
Sources: Blu-ray.com (opens in a new tab)
Drafthouse US Blu-ray or ESC France Blu-ray
Identical. Arrow 4K Blu-ray is lossy transcode.
Director: Dennis Hopper
BFI Blu-ray
Sources: Criterion Forum (opens in a new tab)
BFI Blu-ray renders grain structure better than Severin 4K Blu-ray’s disappointing encode, although Severin does feature an HDR grading with Dolby Vision. Furthermore, Severin’s soundtrack is worse due to the noise reduction applied.
Severin 4K Blu-ray has very good extras that are more relevant to the film
Director: Steve Miner
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray captures more grain in image 6&24, but Shout! Factory Blu-ray is very good see caps
Original Mono is included in the Shout! Factory Blu-ray
Director: John Waters
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Shout! Factory Blu-ray
Shout! Factory Blu-ray new 2K scan supervised by Penelope Spheeris
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