Aliases: cc, criterion
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Director: Bertrand Tavernier
Sources: Blu-ray.com (opens in a new tab)
Includes the original matrixed Dolby Stereo mix and an alternate 5.1 mix. The original mix is a lot more balanced overall, but the 5.1 greatly expands the soundstage and makes the live music much more immersive. Review
French 4K only inclues the original stereo.
Tamasa Diffusion FR 4K Blu-ray
French 4K doesn't include English subtitles for the French lines spoken in the film.
Director: Neil Jordan
Sources: avforums.com (opens in a new tab)
UK Arrow 4K Blu-ray see AVForum review
The slight darkening of the colour palette with the new WCG/HDR grades suddenly seems to add another layer of detail and immersion into the picture. Now, those dark night times punctured solely by neon or those dreary overcast half-light early mornings or dusks feel more alive with authenticity. Skin tones are gorgeous, the subtlety in colour detail of Hoskins’ atrocious leather jacket/Hawaiian shirt combo is sublime and those all-important blacks go deep. But it’s the now huge variations in colours that stand out – the reds of the Peep Show as Genesis’ classic In Too Deep plays now have a much richer, darker saturation to them than the previous 1080p SDR grade, helping them stand out so much more than those more neutral, toned down colours of the Brighton seaside against the morning skies. It’s a gorgeous colour reproduction from top to bottom.
Detailing is also tightened up significantly – again, the 2K picture was good, but this improves on that with keener lines, sharper edges and a greater sense of delineation in those finest of fine details that add an extra little touch of depth to the picture. Add to this another beautiful grain presentation – with organic looks and movement throughout - and it’s an image where its edges match the brilliance of its colouring.
... and the encode – courtesy of Fidelity in Motion – is absolutely rock solid. Hope were not high for this over the very good 2K edition, but I am very pleased to say that those hopes were well and truly exceeded: Mona Lisa on 4K looks absolutely stellar
Director: Stanley Kubrick
Criterion Box Set coming October 20th with FiM encode, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1987 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
Director: Rob Reiner
Sources: blah-ray.blogspot.com (opens in a new tab)
Theatrical: Arrow 4K Blu-ray or Criterion 4K Blu-ray (preference)
Theatrical: Arrow 4K Blu-ray and Criterion 4K Blu-ray have different gradings (preference)
Director: John Huston
Sources: Blu-ray.com (opens in a new tab)
Criterion 4K Blu-ray see nic's review "fantastic restoration, beautifully graded with tasteful HDR and solid encoding"
Criterion 4K Blu-ray from nic: "4.0 audio is brilliantly detailed, rich and spacious without audible filtering or processing"
Director: Federico Fellini
Director: Idrissa Ouedraogo
Director: Luis Valdez
Director: Katsuhiro Otomo
Sources: vimeo.com (opens in a new tab) · YouTube (opens in a new tab) · Imgur (opens in a new tab)
Japan 4K Blu-ray beats the other 4Ks and includes English subtitles
All 4K releases are upscales of the same master with a substantial amount of DNR.
1988 Pioneer JP LaserDisc for the original 1988 home video audio
2001 Dynit IT Blu-ray for the 2001 remix
2009 Bandai Visual JP Blu-ray / 2011 MHE UK Blu-ray for the Hypersonic remix
1992 Criterion US LaserDisc for the 1988 Streamline English dub
Due to budgetary constraints, the original theatrical mix was mono. It was replaced with Dolby Surround for all subsequent releases and was never re-released.
LaserDisc is the best souning version of the original home video mix, as all later releases attentuate bass significantly and lower dynamic range. Comparison
The Japanese audio was remixed in 5.1 twice, first time in 2001 for the DVD release, and second time in 2009 for the BD release ("Hypersonic" remix). While the 2001 remix remains mostly faithful to the 1988 mix, the 2009 Hypersonic remix is highly revisionistic. However, its fidelity is outstanding, and despite many changes made, it's a worthwhile alternative experience for fans of the film. The 4K release includes the Hypersonic mix, but with a tonne of unnecessary noise reduction and unbalanced levels.
Comparison between mixes, list of changes between mixes
Director: John Waters
Stereo: Criterion 4K Blu-ray
5.1: Warner Bros Blu-ray
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