Best English-friendly & video release · updated 4 months ago
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slow.pics (opens in a new tab)Overview
Duke Ellington plays hot jazz in a fictional story that finds him down on his luck; he tries in vain to dissuade his friend, dancer Fredi Washington, from working with heart trouble even though it means work for his band. Sure enough, she collapses on stage...
Director: Steve James
Director: Victor Fleming
3D: Warner Bros 3D Blu-ray or Apple Vision Pro
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Anthony Mann
Criterion 4K Blu-ray, Universal 2008 DVD
Sources: Criterion Forum (opens in a new tab)
2008 Universal DVD mono
The mono on the Criterion is severely filtered resulting in it sounding incredibly muffled. It is nearly as filtered as the 2003 original Universal DVD which had extreme filtering and sounds horribly thin. The 2008 DVD remaster and original Laserdisc analog mastering are mostly left alone. The original LD master is from a worn element but otherwise sounds very natural. The 2008 DVD is the highest quality version we have without the heavy filtering and the defects of the LD master. It isn't perfect but easily the best of the main four sources by a dramatic margin.
The existing 4K SDR restoration looks excellent, but the Criterion extras are limited and disappointing. The classic Stewart interview commentary from the LD is ported over but given a new mastering. Compared to past releases it has been very slightly noise reduced.
Criterion Box Set coming October 20th with FiM encode, work done to un-Nolan the 4K master, the first ever appearance of the 35mm mono track on physical media and a new restoration/remastering of the 70mm 6-track mix.
(early pressing has errors of a shot, later pressings fixed)
Director: Dudley Murphy
Sources: loc.gov (opens in a new tab)
Also available in HD Streaming by Library of Congress https://www.loc.gov/item/2023602002/
Directors: Fernand Léger & Dudley Murphy
Kino Lorber Silent Avant-Garde Blu-ray
Director: James Ivory
Sources: Blu-ray.com (opens in a new tab)
Cohen 4K Blu-ray caps. Same 4K master that Cohen released on BD but grain resolves much better and the gamma levels are now correctly set.
Directors: Charles Reisner & Buster Keaton
Director: Jacques Rivette
Director: Albert Parker
Sources: DVDBeaver (opens in a new tab)
Cohen Douglas Fairbanks Double Feature Blu-ray is slightly better than 2010 Kino Lorber Blu-ray and potentially a different transfer, see comparison caps
Director: Joan Micklin Silver
Director: James Ivory
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
> Concorde Germany 4K Blu-ray, from nicwood:
Cohen has original SDR master, correct gamma, very good encode. Preferable to the Germany 4K with worse encoding, translated titles and fake HDR.
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