The Jungle (1967)
Crime, Documentary, Drama • 22m
Directors: David 'Bat' Williams & Charlie 'Brown' Davis & Jimmy 'Country' Robinson
No official release
No official edition exists. Anything circulating comes from unofficial sources, so there is no release this site can recommend.
Best video release
Only unofficial SD Streaming
Compare the discs
About the film
In 1967, a group of African-American teenagers in Philadelphia made a hybrid documentary/dramatization of their lives in the 12th and Oxford Street gang. In 1968, The Jungle, one of the first films in the US directed by youth detailing the inner workings of their own gang, went on to win the Documentary Film Award at the Festival de Popoli, Italy.
- Featured Lists
- National Film Registry
Year of Induction: 2009
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Boorman
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Arthur Penn
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Sony release without the filtering; Comparison between Sony and Criterion.
Mono: 1994 LaserDisc (marginally, unfiltered) or Criterion 4K Blu-ray (filtered)
5.1 Remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: Steve James
More Crime on Blu-ray
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are low-passed even though encoded by FiM and has better contrast and highlights compared to Kino Lorber.
MGM DVD/Kino Lorber 4K Blu-ray mono
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Toshiharu Ikeda
UK Third Window Blu-ray and US Error 4444 Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Edit history
Every recommendation follows the same method — how these calls are made.