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About the film
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
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- National Film Registry
Year of Induction: 1990
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: John Boorman
Director: John Schlesinger
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
2027 Criterion 4K Blu-ray
Included Imprint Blu-Ray also has markedly better image compression than the Criterion Blu-Ray, though do note the Imprint has some adjusted color grading within roughly the first five minutes of the film
https://forum.blu-ray.com/showpost.php?p=16775595&postcount=450
https://forum.blu-ray.com/showpost.php?p=24237074&postcount=73
Director: Arthur Penn
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Universal release without the filtering.
DTS:X mix on Universal 4K Blu-ray most closely approximates original surround mix
Criterion DVD and Universal 4K Blu-ray has additional features not found on the Criterion 4K Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the Sony release without the filtering; Comparison between Sony and Criterion.
Mono: 1994 LaserDisc (marginally, unfiltered) or Criterion 4K Blu-ray (filtered)
5.1 Remix: Criterion 4K Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering; WB 4K early pressing has errors of a shot, later pressings fixed. Comparison between Criterion and WB.
6-Track 70mm mix: Criterion 4K Blu-ray (restored for the box set), 1997 MGM LaserDisc, 1998 MGM DVD
35mm Mono Mix: Criterion 4K Blu-ray
Matrixed Stereo Remix: MGM Japan LaserDisc (1985) [G158F5509]
5.1 Remix: Criterion 4K Blu-ray
Director: Steve James
Director: Lloyd Corrigan
Video format: HD Streaming
OOP AlphaVideo DVD, maybe?
Quality: 2005 AlphaVideo DVD
Longer Footage: 2013 WB The Wizard of Oz (1939) 3D 75th Anniversary Limited Edition Blu-ray Disc 3
Director: Frank O'Connor
Director: Maurice Tourneur
Video format: DVD
AlphaVideo or Kino Lorber OOP or Grapevine OOP DVD
No comparison available
Directors: Thomas H. Ince & Reginald Barker & Raymond B. West
More Western on Blu-ray
Director: Samuel Fuller
Video format: 1080p Blu-ray
Criterion Blu-Ray
Sources: Criterion Forum (opens in a new tab)
Director: John Ford
TV series
4K restoration from Original Camera Negative for all episodes
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Arrow's deluxe presentation is a fantastic package with great supplements, art and printed materials. Sadly the master is a heavily processed Paramount affair. It has seemingly been severely grain managed and the mono audio is horribly thin when it shouldn't be. Stereo and 5.1 options are also given but they seem to be more of home video remixes. They do not have the fidelity issue of the compromised mono but also show marked differences as if they were remixed from stem sources. This seems to have suffered lesser degrees of the problems that plagued The Man Who Shot Liberty Valance's 4K master. This is the best version to date but one wishes Paramount could leave scans alone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Arrow Video Blu-ray
Sources: Criterion Forum (opens in a new tab)
The Arrow Video Blu-ray is the best iteration so far coming from a new restoration complete with great supplements and package. The original limited edition version included a second disc with the alternate 2.0:1 framed version. The primary disc is 1.85:1. Older releases pre-2008 were all in Academy ratio. 1.85 is the best compromise ratio for the visuals. As good as this release is, the master is showing its age and sadly has a number of frozen grain artifacts.
Director: Anthony Mann
Video format: 1080p Blu-ray
Kino Lorber Blu-ray reissue (4K restoration)
Massive picture upgrade as the 4K restoration addresses the massive color fringing that has plagued all previous dated masters. Oddly the titles are a different color now.
4K restoration is a gigantic and essential picture upgrade but only available on the Kino Blu-ray reissue. No UHD has been made or announced by anyone.
Director: Anthony Mann
Video format: 1080p Blu-ray
Eureka MOC Blu-ray
The film only exists in MGM letterbox masters and the HD version upgrades the DVD presentation. Sadly the film still needs a modern restoration and a better audio source. The master holds up very well today regardless and has a very natural appearance. The Eureka BD is far superior to the Kino in encode and extras making it easily the only version to consider.
Director: Anthony Mann
Video format: 1080p Blu-ray
Criterion Blu-ray
Sources: Criterion Forum (opens in a new tab)
Criterion Blu-ray upgrade removes the pictureboxing of their old DVD transfer. New HD discussion extra added to the DVD supplements package and reprints the rare out of print source novel as a paperback.
Director: James Neilson
Video format: 1080p Blu-ray
Kino Lorber Blu-ray
2003 Universal DVD
The Universal HD master is appalling. This is a large format early Technirama film that has been hit with a massive amount of DNR resulting in a smeary appearance throughout with little detail. On one hand it is still a better scan than the old DVD with better color and element issues addressed. On the other it is barely above the DVD upscaled in other moments. The mono audio has been horribly processed to sound thin, canned and lacking in overall fidelity. The DVD clearly uses the same source element for picture and sound and here the sound is left alone. It sounds miles better. The Kino BD is technically the best US release but this master has been released in Europe where it likely has better encoding. The Kino BD adds a basic commentary. This film needs a proper transfer and audio presentation desperately. The HD master is so lackluster that the DVD despite its age is arguably preferable in visuals and certainly far superior in audio.
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