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Star Trek: The Motion Picture (1979)
Star Trek: The Motion Picture (1979) poster

Star Trek: The Motion Picture (1979)

Science Fiction, Adventure, Mystery • 2h 11m

Director: Robert Wise

Paramount The Director's Edition Complete Adventure 4K Blu-ray

Best English-friendly & video release · updated 7 months ago

Overview

When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.

Release details

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RiffTrax Films

Studio commentary with Mike Nelson, Bill Corbett, and Kevin Murphy

Length
131 mins
Type
Movie
Alternative Titles
Star Trek: The Motion Picture - The Director's Edition

Featured in RiffTrax Films

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Director: Victor Fleming

4K · Solid
Best English-Friendly & Video:

2D: Warner Bros 4K Blu-ray

3D: Warner Bros 3D Blu-ray or Apple Vision Pro

Best Audio:

1989 MGM LaserDisc

Audio Notes:

(caveat: "there's" in first "there's no place like home" utterance in final Kansas scene truncated)

Director: Roger Christian

Best English-Friendly & Video:

Theatrical Version: Mill Creek Blu-ray

Home Video Version: Concorde Blu-ray

Additional Info:

Japan TC Entertainment Blu-ray has exclusive extras

Director: M. Night Shyamalan

Best English-Friendly & Video:

2D version: Paramount Blu-ray

3D version: Paramount 3D Blu-ray

Upcoming Release:

Paramount 4K Blu-ray on October 26 2026

Director: Barry Mahon

Video format: HD Streaming

Best English-Friendly & Video:

SD: OOP Something Weird DVD

HD: Amazon Prime Streaming (with RiffTrax commentary)

Best Audio:

OOP Something Weird DVD

Director: Micky Dolenz

Video format: SD Streaming

Best English-Friendly & Video:

OOP Hollywood Entertainment DVD or SD Streaming

Director: René Cardona

Best English-Friendly & Video:

VCI Blu-ray

Director: Steve Binder

Video format: Only Unofficial Sources

Best English-Friendly & Video:

Unofficial DVD or Blu-ray

Director: Joel Schumacher

Best English-Friendly & Video:

WB 4K Blu-ray

Best Audio:

Dolby Stereo SR: WB LaserDisc

Theatrical Dolby Digital 5.1: WB LaserDisc AC3, 1997 WB DVD 5.1

2005 5.1 retransfer: 2005 WB DVD Dolby, DTS. WB Blu-ray TrueHD

Additional Info:

4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is somewhat different in its mix than the 5.1 discrete but relatively the same.

Director: Joel Schumacher

Best English-Friendly:

Warner Bros 4K Blu-ray

Best Video:

WB 4K Blu-ray

Best Audio:

Dolby Stereo SR: WB LaserDisc (best audio mix of the film)

Dolby 5.1: WB LaserDisc AC3, WB DVD

2005 5.1 retransfer: WB DVD Dolby and DTS, WB Blu-ray TrueHD

Additional Info:

4K Blu-ray has Atmos remixes with new effects and changes. The original matrix surround track is better mixed than the 5.1 discrete with more surround and low end engagement amazingly. It also hides the extensive ADR a bit due to the inherent quality dip comparing matrix to discrete formats.

Director: Mel Stuart

4K · Solid
Best English-Friendly & Video:

Warner Bros 4K Blu-ray

Best Audio:

1991 Warner Bros LaserDisc (for original mono track)

Additional Info:

1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release

More from Robert Wise

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Director: Robert Wise

4K · Solid
Best English-Friendly, Video & Audio:

Disney 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Audio Notes:

Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.

All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.

Directors: Jerome Robbins & Robert Wise

4K · Excellent
Best English-Friendly, Video & Audio:

Germany Capelight 4K Blu-ray

Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab) · in70mm.com (opens in a new tab)

Video Notes:

Comparison, caps

Audio Notes:

Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.

See additional info for more detail.

Additional Info:

West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.

The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.

Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.

The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.

Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.

Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.

The 7.1 upmix on MGM's Blu-ray offers little of value.

Director: Robert Wise

Best English-Friendly & Video:

Fox Blu-ray

Director: Robert Wise

Best English-Friendly, Video & Audio:

Shout! Factory 4K Blu-ray

Director: Robert Wise

Best English-Friendly & Video:

Arrow 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Director: Robert Wise

Best English-Friendly & Video:

Warner Archive Blu-ray

Director: Robert Wise

Best English-Friendly & Video:

Warner Archive Blu-ray

Director: Robert Wise

Best English-Friendly & Video:

Warner Archive Blu-ray

Director: Robert Wise

Best English-Friendly & Video:

Warner Archive Blu-ray

More from Paramount

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Director: Alex Proyas

Best English-Friendly & Video:

Paramount 4K Blu-ray (30th anniv.)

Director: Steven Spielberg

Best English-Friendly & Video:

US Paramount Blu-ray

Upcoming Release:

Paramount 4K Blu-ray Dec 15th

Video Notes:

US Paramount Blu-ray > International WB Blu-ray

Director: Tony Scott

Best English-Friendly & Video:

Paramount 4K Blu-ray

Best Audio:

70mm 6-track mix in 5.1: Paramount THX LaserDisc

Dolby Stereo mix in 2.0: Paramount THX LaserDisc

Additional Info:

The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.

Director: Terrence Malick

4K · Excellent
Best English-Friendly & Video:

Criterion 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Video Notes:

Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.

Best Audio:

1999 Paramount DVD

Director: Peter Faiman

Best English-Friendly & Video:

Australia Cut: Australia Fox DVD

International Cut: Paramount Blu-ray

Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding

Sources: movie-censorship.com (opens in a new tab)

Upcoming Release:

US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut

Best Audio:

Australia Cut: Laserdisc

Additional Info:

The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).

Director: Billy Wilder

4K · Solid
Best English-Friendly:

Paramount 4K Blu-ray or Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice

Best Audio:

Paramount 4K Blu-ray mono

Audio Notes:

Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.

Additional Info:

The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.

Director: Robert Altman

Best English-Friendly & Video:

Paramount Blu-ray

Sources: Criterion Forum (opens in a new tab)

Upcoming Release:

Criterion 4K Blu-ray scheduled for Dec 2026 release

Director: Richard Linklater

4K · Solid

Sources: caps-a-holic (opens in a new tab)

Additional Info:

Germany Blu-ray has English audio 

Germany Blu-ray is part of a 3-film box set like the Criterion but by StudioCanal 

Director: Michael Bay

Best English-Friendly & Video:

Original AR: Paramount 4K Blu-ray

IMAX AR: Paramount 3D Blu-ray

Director: Stanley Donen

Best English-Friendly & Video:

Paramount Blu-ray

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Researched and maintained by

tyyuxJojoTheMovieOtter

· last reviewed 7 months ago

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