El Camino: A Breaking Bad Movie (2019)
Crime, Drama, Thriller • 2h 3m
Director: Vince Gilligan
Cast: Aaron Paul, Jesse Plemons, Charles Baker, Matt Jones, Scott MacArthur, Larry Hankin, Scott Shepherd, Tom Bower, Robert Forster, Jonathan Banks, Bryan Cranston, Krysten Ritter, Kevin Rankin, Tess Harper, Michael Bofshever, Marla Gibbs, Todd Terry, Julie Pearl, Gloria Sandoval, Simon Drobik, Carlos Sepulveda, Brendan Sexton III, Matthew Van Wettering, Chris Bylsma, David Mattey, Cody Renee Cameron, Alison Law, Gabriela Alicia Ortega, Gregory Steven Soliz, Danielle Todesco, Johnny Ortiz
Best English-friendly & video release · updated 6 months ago
Overview
In the wake of his dramatic escape from captivity, Jesse Pinkman must come to terms with his past in order to forge some kind of future.
Featured in Films/TV shows with a 1080p Blu-ray, but a higher quality master is found elsewhere
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Video format: 4K Streaming
Director: Michael Bay
Video format: HD Streaming
Sources: Criterion Forum (opens in a new tab)
4K possibly teased?
Director: Simon West
Video format: 4K Streaming
Video format: 4K Streaming
Director: Marc Forster
Video format: 4K Streaming
Director: Yorgos Lanthimos
Video format: 4K Streaming
Streaming has the original theatrical Dolby Atmos mix
Disney/Fox Blu-ray only has a 5.1 downmix
Kaleidescape is lossless (TrueHD 7.1), others are all lossy (E-AC-3 5.1 JOC) at varying bitrates.
Streaming: Kaleidescape
Streaming: Kaleidescape > Movies Anywhere > Disney+
Director: Martin Campbell
Video format: 4K Streaming
Video format: 4K Streaming
4K Streaming
Sources: 007homemedia.blogspot.com (opens in a new tab)
Warner Bros Blu-ray is the best Blu-ray even though it has color and major contrast issues
4K SDR master on streaming seems to be from the same scan and looks like it has less tinkering than the Blu-ray
Caps of 4K SDR master: 007 on Home Media: On Her Majesty's Secret Service (1969)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
Director: Frank Capra
Director: John Carpenter
Sony 4K Blu-ray or Carlotta 4K Blu-ray (FiM encode)
Sony 4K Blu-ray and France Carlotta 4K Blu-ray (FiM encode) are similar
Director: Michael Arias
Sources: slow.pics (opens in a new tab)
GKIDS 4K Blu-ray is a sharpened upscale. Caps
GKIDS 4K Blu-ray has a true lossless English dub and correct volume levels for the Japanese audio
Director: David Fincher
4K Blu-ray has exclusive “unrated” audio with a small change to one line under the request of David Fincher (removed the poor dub over of frickin’ in the line “Screw it, let’s gut the f**kin’ nerd.”).
Director: Martin Scorsese
2024 Sony 4K Blu-ray Steelbook
Sources: blah-ray.blogspot.com (opens in a new tab)
2024 Sony 4K Blu-ray Steelbook fixes duplicate shot seen on the previous Columbia Classics release and has better encoding
Original mono mix: 1990 Criterion LaserDisc/1991 Columbia LaserDisc
The 4K Blu-ray mono is only minimally worse (see blah-ray).
5.1 remix: Sony 4K Blu-ray
Director: Michael Apted
Video format: HD Streaming
More Crime on Blu-ray
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
TV series
4K restoration from Original Camera Negative for all episodes
Director: Lloyd Bacon
4K restoration from Original Camera Negative
Director: Ralph Bakshi
Director: Roman Polanski
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