Dead End (1937)
Crime, Drama • 1h 33m
Director: William Wyler
Cast: Sylvia Sidney, Joel McCrea, Humphrey Bogart, Wendy Barrie, Claire Trevor, Allen Jenkins, Marjorie Main, Billy Halop, Huntz Hall, Bobby Jordan, Leo Gorcey, Gabriel Dell, Bernard Punsly, Charles Peck, Minor Watson, James Burke, Ward Bond, Elisabeth Risdon, Esther Dale, George Humbert, Marcelle Corday, Don 'Red' Barry, Wade Boteler, Al Bridge, G. Pat Collins, Thomas E. Jackson, Tom Ricketts, Walter Soderling, Earl Askam, Gilbert Clayton, Jerry Cooper, Bill Dagwell, Bud Geary, Charles Halton, Robert Homans, Esther Howard, Kathryn Ann Lujan, Mona Monet, Gertrude Valerie, Charlotte Treadway, Maude Lambert, Lucile Browne, Frank Shields, Wesley Giraud, Mickey Martin, Payne B. Johnson, Sidney Kibrick, Larry Harris, Norman Salling, Hugh Sheridan, Tom Randall, Audrey Carol, Paula Hariette Levy
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About the film
The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.
- Alternative Titles
- Dead End: Cradle of Crime
Director: William Wyler
Italy Plaion 4K Blu-ray > Paramount 4K Blu-ray (marginally)
Director: William Wyler
Kino Lorber Blu-ray is a brand new 4K restoration from William Wyler’s personal 35mm print
Director: William Wyler
The 4K Blu-ray 5.0 is the original mix, but more muffled than LaserDisc and even the previous Blu-ray's gentle remix. The Atmos mix is revisionist.
The 50th Anniversary box set has some exclusive extras.
1991 LaserDisc is Dolby Stereo matrix encoded from the original six track master and this was later upgraded to a 5.1 Dolby Digital version prepared for the first DVD. The 5.1 version may have had some slight tweaking in the process. This was reused for the DVD CE boxset and then the 5.1 on Blu-ray seems like a slight upgrade of the DVD track. (The first pressing from the UCE boxset had audio defects rampant on the Blu-ray. These were corrected for standalone pressings.) All 5.1s sound roughly the same as the LaserDisc 2.0 in terms of the mix, but the LaserDisc PCM mastering seems like the only one that is direct without any major processing.
Director: William Wyler
Kino Lorber Blu-ray/Final Cut Blu-ray
The Kino BD has additional extras but the Laserdisc still has exclusive extras and commentary not included on the Kino release. AVOID the MGM Blu-ray for the stretched aspect ratio error that was only finally corrected for the Kino Lorber reissue after much fan outcry.
Director: William Wyler
Also available in Kino Lorber The Cold Blue Blu-ray as HD extras, or available on streaming
Director: William Wyler
Sources: caps-a-holic (opens in a new tab)
BFI Blu-ray encoding is better than Kino Lorber Blu-ray see caps
Director: William Wyler
Sources: Criterion Forum (opens in a new tab)
More Crime on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
4K restoration of the original 3D left eye and right eye camera negatives
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Director: Richard Brooks
4K restoration from Original Camera Negative
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: William Dieterle
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed. The compression is better, but some of the grain is lost. Difference is pronounced in screen caps, but not likely to be noticed during playback, without a reference to compare it to. Comparisons
All discs use the same source transfer. It's not of the highest quality, and it includes some slight distortion, looping, clicks, pops, and hum. Criterion cleaned it up for their release, but unfortunately also lost a lot of fidelity in the process.
MGM NTSC DVD doesn't seem to have some of the more prominent distortion and has slightly different EQ but is otherwise the same.
Director: Karel Reisz
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is mis-credited to be an FiM encode. It isn't. Neither the encode nor the color grading are entirely satisfactory.
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