La Femme Nikita (1990)
Nikita
Action, Thriller • 1h 57m
Overview
A beautiful felon, sentenced to life in prison for the murder of a policeman, is given a second chance – as a secret political assassin controlled by the government.
Director: Luc Besson
Cast: Anne Parillaud, Jean-Hugues Anglade, Tchéky Karyo, Jean Reno, Marc Duret, Jeanne Moreau, Patrick Fontana, Roland Blanche, Jacques Boudet, Jean Bouise, Philippe du Janerand, Alain Lathière, Laura Chéron, Pierre-Alain de Garrigues, Helene Aligier, Philippe Leroy, Patrick Pérez, Bruno Randon, Vincent Skimenti, Joseph Teruel, Stéphane Fey, Philippe Dehesdin, Michel Brunot, Rodolph Freytt, Pavel Slabý, Jean-Luc Caron, Rénos Mandis, Jean-Marc Merchet, Patrick Serrière, Iska Khan, Heike Fisher, Patrick Buiquangda, Gérard Touratier, Edith Perret, Jean-Pierre Pauty, Murray Gronwall, Pierrick Charpentier, Hubert Gillet, Fausto Costantino, Pétronille Moss, Eric Prat, Mia Frye, Olivier Hémon, Christian Gazio, Jérôme Chalou, Jean-Claude Bolle-Reddat, Patrick Chauveau, Maurice Antoni, Mathieu Archer, Alexis Dupuy, Michèle Amiel, Rafael Sultan, Guy Van Riet, Xavier Bonastre
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-Ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
Director: Luc Besson
Sony 4K Blu-ray included in the Luc Besson Collection
Sony 4K Blu-ray included in the Luc Besson Collection see caps
Original DVD has a few exclusive extras like a isolated score
Sony 4K Blu-ray included in the Luc Besson Collection
Sony 4K Blu-ray included in the Luc Besson Collection see caps
Original DVD has a few exclusive extras like a isolated score
Director: Luc Besson
2025 Sony 4K Blu-ray from the Luc Besson 9-Film Collection: has Dolby Vision, better than 2017/2020 Sony 4K Blu-ray
2025 Sony 4K Blu-ray from the Collection: has the English Original 5.1
This title was released many times on 4K Blu-ray and Steelbooks, there was a TC Entertainment 4K Blu-ray with 5.1 and Dolby Vision too before the Luc Besson Collection was released but differences are unknown, so not recommended for English users.
Director: Luc Besson
2025 Sony 4K Blu-ray from the Luc Besson 9-Film Collection: has Dolby Vision, better than 2017/2020 Sony 4K Blu-ray
2025 Sony 4K Blu-ray from the Collection: has the English Original 5.1
This title was released many times on 4K Blu-ray and Steelbooks, there was a TC Entertainment 4K Blu-ray with 5.1 and Dolby Vision too before the Luc Besson Collection was released but differences are unknown, so not recommended for English users.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Rob Reiner
Director: Rob Reiner
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
Director: Albert Brooks
Director: Albert Brooks
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Antoine Fuqua
Director: Antoine Fuqua
More Action on Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Akira Kurosawa
BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR
Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray
BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.
The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.
Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: John Woo
Director: John Woo
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: John Woo
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
International Cut: US Magnolia Pictures Blu-ray
Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Moritz Mohr
Italy Plaion has Dolby Vision, but the metadata is static: https://forum.blu-ray.com/showpost.php?p=22742198&postcount=92
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: John Woo
Director: John Woo
Edit History
12/24/2025
Best Audio Release
From
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, Italian is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
To
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
From
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, Italian is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
To
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, it is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
10/6/2025
Best Audio Release
From
Sony UHD has Original Stereo, but it is compressed like the 5.1 on the UHD, the TrueHD 5.1 from the 2008 Sony BD is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
To
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, Italian is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
From
Sony UHD has Original Stereo, but it is compressed like the 5.1 on the UHD, the TrueHD 5.1 from the 2008 Sony BD is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
To
LaserDisc is best for stereo.
While Sony 4K Blu-ray has Original Stereo, Italian is compressed like the 5.1 on the 4K Blu-ray.
The TrueHD 5.1 from the 2008 Sony Blu-ray is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
10/6/2025
Best Audio Release
Added
Sony UHD has Original Stereo, but it is compressed like the 5.1 on the UHD, the TrueHD 5.1 from the 2008 Sony BD is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
Added
Sony UHD has Original Stereo, but it is compressed like the 5.1 on the UHD, the TrueHD 5.1 from the 2008 Sony BD is free of compression. https://forum.blu-ray.com/showpost.php?p=22484238&postcount=94
Blu-ray.com
Added
https://www.blu-ray.com/La-Femme-Nikita/19194/#Releases
Added
https://www.blu-ray.com/La-Femme-Nikita/19194/#Releases
12/24/2024
