BFI 4K Blu-ray

BFI 4K Blu-ray has excellent master and grade, no DNR and tasteful HDR

Restored original mono mix: Toho Japan 4K Blu-ray
Unrestored original mono: 2014 BFI Blu-ray

BFI 4K Blu-ray has OG Perspecta (in 5.1 container) and a stereo downmix of it; no original mono.

The unrestored track on BFI's earlier release appears to be an almost entirely unmanipulated transfer of the original mix. It suffers from a distracting low-frequency hum. The 4K restoration comes with a restored track, which appears to be the same transfer, but which appears to be cleaned up with a moderate amount of noise reduction and some EQ, nicely opening up the high-end, and which is likely to be preferable to most listeners. All earlier releases sound poor.

Perspecta isn't a discrete surround format, instead only relying on manipulating volume and panning of the mono track across L/C/R channels, based on embedded control tones. As such, even the Perspecta track is technically just the mono mix, though the omission of the proper mono on BFI's 4K is still unfortunate.

2017 US GKIDS Blu-ray

2017 US GKIDS Blu-ray has better detail and grain, 2014 Japan Studio Ghibli Blu-ray from the Hayao Miyazaki box set for MGVC with added bit-depth for supported players

2011/2014 Japan Studio Ghibli Blu-ray for original 6.1 audio mix, Cinema DTS for the English dub

International Cut: US Magnolia Pictures Blu-ray

Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?

International Cut: US Magnolia Pictures Blu-ray

Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?

Hong Kong Blu-ray has extras not on the US release

International Cut: US Magnolia Pictures Blu-ray

Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?

International Cut: US Magnolia Pictures Blu-ray

Original Hong Kong Cut (2 parts): US Magnolia Pictures Blu-ray or Hong Kong Blu-rays?

Hong Kong Blu-ray has extras not on the US release

Disney 4K Blu-ray's artificial smoothening of facial textures making actors look unnatural, grain reduction and other changes to make the film look less like a product of its time

Old WEB-DL or HDTV rip for non AI version

LaserDisc

Lionsgate 4K Blu-ray (2026 Rambo set)

Lionsgate 4K Blu-ray (2026 Rambo set)
caps #1 (with FEL), caps #2

Lionsgate 4K Blu-ray (2026 Rambo set)

The compression is underwhelming on all discs, but despite trading blows in various frames, Lionsgate's re-released 4K disc wins.

The Lionsgate 4K re-release includes original matrixed Dolby Stereo mix, transferred from a LaserDisc, with missing cues at side changeover points corrected, and consistent volume throughout, as well as two remixed variants in 5.1 and 7.1 Atmos. The 5.1 is incorrectly labeled as original on the menu.

Capelight Blu-ray

Capelight Blu-ray, better encoded than MGM Blu-ray

MGM Blu-ray's stereo track.

MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.

The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.

The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.

Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.

Comparison samples

Universal 4K Blu-ray

Universal 4K Blu-ray

Shout! Factory 4K Blu-ray

Shout! Factory 4K Blu-ray