Plot of Fear (1976)
E tanta paura
Crime, Mystery, Thriller, Horror • 1h 38m
Director: Paolo Cavara
Cast: Corinne Cléry, Michele Placido, Quinto Parmeggiani, Edoardo Faieta, John Steiner, Jacques Herlin, Cecilia Polizzi, Greta Vayan, Sarah Crespi, Enrico Oldoini, Tom Skerritt, Eli Wallach, Giorgio Gargiullo, Eleonora Vivaldi, Guidarino Guidi, Enzo Robutti, Mary Ruth League, Susanna Radaelli, Daniela Grassini, Bianca Toso, Claudio Zucchet, Mirella Giraldi, Maria Rosa La Fauci, Maria Tedeschi, Mario Mercalli, Giuseppe Rodolfo Dal Pra, Ennio Antonelli, Marcello Meconizzi, Tino Polenghi, Piergiorgio Plebani
Best English-friendly & video release · updated 10 months ago
UHD tiers
Overview
Plot of Fear tells the story of a decadent weekend party full of orgies and drugs on the outskirts of Milan. After two deaths occur Inspector Lomenzo interrogates one of the guests, a fashion model who becomes his informant, as well as his lover. Clery reveals that after a “wildlife orgy”one of the hosts tried to jokingly feed one of the prostitutes to a tiger but she got so frightened that she died of heart attack. In his attempt to find a connection between the victims, he investigates a cutting-edge security and surveillance firm whose director has secrets of his own to hide.
US Celluloid Dreams 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
US Celluloid Dreams 4K Blu-ray caps and detailed QC breakdown
Director: Alan Clarke
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
The 88 Films 4K Blu-ray is disappointing. Indicator Blu-ray > 88 Films Blu-ray. From nicolas:
Fine master, solid HDR but very poorly encoded with strong blocking artifacts in normal areas and clipped highlights that bring Criterion’s Walkabout to mind. Their Blu-ray is slightly better overall but then again still not as good as FiM’s encode for Indicator.
Director: Vincent Sherman
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Kino Lorber see DVDBeaver
Indicator is using a different restoration from earlier Kino Lorber Blu-ray and it has much better contrast and slightly better grain resolution
Director: John M. Stahl
Sources: slow.pics (opens in a new tab)
Indicator Blu-ray is encoded by FiM and likely better than Kino Lorber Blu-ray
Director: Fritz Lang
Sources: DVDBeaver (opens in a new tab)
Indicator Blu-ray is superior to Kino Lorber transfer see caps. 2K restoration
More Crime on Blu-ray
Director: Stanley Kubrick
Sources: slow.pics (opens in a new tab)
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering Comparison between the Criterion and WB.
5.1: WB 4K Blu-ray, a remix but has higher fidelity
Mono: Criterion 4K Blu-ray (restored for the box set)
Director: Michael Mann
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Iain Softley
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: John Woo
Sources: Criterion Forum (opens in a new tab)
review: Disk Kino
Both have better encoding than Disk Kino, some shots are better on Shout! Factory, others on Arrow
Shout Factory still has the best video while Arrow did a questionable regrade. Arrow definitely has less grain in most shots, has a worse encode and is cm v2.9 compared to Shout’s cm v4.0.
Shout! Factory/Arrow 4K Blu-ray has the original mono
TV series
4K restoration from Original Camera Negative for all episodes
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