Hitch Hike (1977)
Autostop rosso sangue
Thriller, Crime, Drama • 1h 44m
Director: Pasquale Festa Campanile
Best English-friendly & video release · updated 10 months ago
UHD tiers
Overview
A bickering couple driving cross-country pick up a murderous hitchhiker who threatens to kill them unless they take him to a sanctuary. In return he agrees to split some bank loot he has on him.
Director: Alan Clarke
Video format: UHD Blu-ray
Sources: Criterion Forum (opens in a new tab)
The 88 Films 4K Blu-ray is disappointing. Indicator Blu-ray > 88 Films Blu-ray. From nicolas:
Fine master, solid HDR but very poorly encoded with strong blocking artifacts in normal areas and clipped highlights that bring Criterion’s Walkabout to mind. Their Blu-ray is slightly better overall but then again still not as good as FiM’s encode for Indicator.
Director: Howard Hawks
Sources: Criterion Forum (opens in a new tab)
Director: Vincent Sherman
Director: John Ford
Sources: Criterion Forum (opens in a new tab)
Director: Roy Boulting
Sources: Criterion Forum (opens in a new tab)
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Kino Lorber see DVDBeaver
Indicator is using a different restoration from earlier Kino Lorber Blu-ray and it has much better contrast and slightly better grain resolution
Director: John M. Stahl
Sources: slow.pics (opens in a new tab)
Indicator Blu-ray is encoded by FiM and likely better than Kino Lorber Blu-ray
Director: Fritz Lang
Sources: DVDBeaver (opens in a new tab)
Indicator Blu-ray is superior to Kino Lorber transfer see caps. 2K restoration
More Thriller on Blu-ray
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: M. Night Shyamalan
BD LPCM 5.1
The DTS-HD on the UHD has been dynamically compressed, has had its center channel boosted, and surrounds lowered (typical modern nearfield mix for soundbars). Very different from the BD and DVD tracks. The BD LPCM is basically just a lossless version of the DTS and AC3 from the original DVD (the AC3 actually being the superior mix on that particular release).
Director: Lloyd Bacon
4K restoration from Original Camera Negative
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Rose Glass
Sources: YouTube (opens in a new tab)
Sourced from a 4K scan of the 35mm Fine Grain. Even with its unfortunate and noticeable print damage, tears, and other issues, still easily beats any prior disc release, though the Imprint BD (same master as Kino, but inferior encode) included in their Essential Film Noir Collection Vol. 3 set does include more extras. https://youtu.be/-Wrsn6-XJCo
Director: Alfred Hitchcock
Director: Michael Mann
Director: Stanley Kubrick
US Cut: WB 4K Blu-ray
International Cut: Old 2007 Europe Blu-ray
Criterion Box Set coming October 20th with FiM encode, both the US and the International Cut, new restoration/remastering of the mono mix which should be better than the 1999 WB DVD, revised colour timing to make the film look more like it did in 1980 and for the first time ever on physical media, the film will be in its original aspect ratio of 1.85:1.
No Blu-ray or DVD release has presented the movie in its original theatrical aspect ratio of 1.85:1 for the US cut or 1.66:1 for the International cut.
The packaging on the back of the 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
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