Nora Prentiss (1947)
Drama • 1h 51m
Director: Vincent Sherman
Cast: Ann Sheridan, Kent Smith, Bruce Bennett, Robert Alda, Rosemary DeCamp, John Ridgely, Wanda Hendrix, Helen Brown, Rory Mallinson, Harry Shannon, James Flavin, Douglas Kennedy, Don McGuire, Clifton Young, John Alvin, Jerry Baulch, Brooks Benedict, Bill Best, Al Bridge, Herb Caen, Georgia Caine, Dean Cameron, Gertrude Carr, Eddy Chandler, John Compton, James Conaty, Clancy Cooper, Gino Corrado, Jack Daley, Ralph Dunn, Jack Ellis, Tom Ferrandini, Bess Flowers, Ross Ford, Joe Gilbert, Roy Gordon, Creighton Hale, Eddie Hart, Shep Houghton, Fred Johnson, Charles Jordan, Fred Kelsey, Perk Lazelle, King Lockwood, Wilbur Mack, George Magrill, Philo McCullough, Bill McWilliams, Charles Meakin, Harold Miller, Jack Mower, Mike Musura, John Newland, James Nickle, Alexander Pollard, Louis Quince, Ramon Ros, Seymore Saner, Adele St. Mauer, Bert Stevens, Lottie Williams, Tom Wilson, Jack Wise
Compare the discs
About the film
Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
- Alternative Titles
- Nora Prentiss
Director: Vincent Sherman
4K restoration from Original Camera Negative
Director: Vincent Sherman
4K restoration of the original 3D left eye and right eye camera negatives
Director: Ernst Lubitsch
4K restoration from Original Camera Negative
Director: Richard Brooks
4K restoration from Original Camera Negative
Director: George Pal
4K restoration from Original Camera Negative
Director: Compton Bennett
4K restoration from original technicolor negatives
Director: Jack Conway
4K restoration from safety preservation elements
4K restoration from safety preservation elements
Director: Jack Conway
4K restoration from safety preservation elements
More Drama on Blu-ray
Director: Robert Altman
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Cinematrographe's HDR grading is overcooked, which is a known VinSyn tendency. Additionally, their booklet mis-credits the encode to FiM.
YMMV, but for some, the included BD encoded by Marcus Johnson—ironically may make for a more pleasing experience.
Director: Roman Polanski
Sources: Blu-ray.com (opens in a new tab)
UK 4K teased by 88 Films https://forum.blu-ray.com/showthread.php?p=24252379
Carlotta France 4K Blu-ray > Vinegar Syndrome 4K Blu-ray (better encode on Carlotta without any low-pass filtering, more extras and English subtitles on Vinegar Syndrome)
Director: John Woo
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Arrow has a different grade and a better encode than the Shout! Factory, though the difference in either is not major. Imprint release, which leaves Shout! Factory's master and subtitles as is, is encoded by FiM. https://forum.blu-ray.com/showpost.php?p=24473097&postcount=56
Original mix: Shout! Factory 4K Blu-ray
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Original mix: Shout! Factory 4K Blu-ray (similar to Criterion LaserDisc, but less distorted)
Alternate mix: Scanbox Nordic PAL DVD
Surround remix: HK Video France 4K Blu-ray (5.0)
Arrow used the alternate mix, but with extra filtering and lowered dynamic range. The alternate mix has much better fidelity.
Imprint presumably used the Shout! Factory original mix and left it as is, though no official confirmation.
Sources: Criterion Forum (opens in a new tab)
Arrow 4K Blu-ray > Criterion 4K Blu-ray > Kino Lorber 4K Blu-ray
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Director: Sidney Lumet
4K restoration from Original Camera Negative
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
The 4K discs in both Criterion and Imprint sets are FiM encodes, but low-passed, Imprint minimally less so. Unfortunately, unlike with The Killing, Kino does not hold up at all, the grain is much rougher and the compression visibly struggles making for a much less pleasant watch, even if select stills look better.
All discs use the same source transfer. Criterion cleaned up some hums and hiss, but lost a little bit of high-end detail. Unlike The Killing, the difference's relatively mino.
Sources: Blu-ray.com (opens in a new tab)
Cinematographe is an FiM encode
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