House of Wax (1953)
Horror, Crime • 1h 28m
Overview
A sculptor opens a wax museum to showcase the likenesses of famous historical figures, but quickly runs into trouble when his business partner demands the exhibits become more extreme in order to increase profits.
Director: André de Toth
Cast: Vincent Price, Frank Lovejoy, Phyllis Kirk, Paul Picerni, Roy Roberts, Angela Clarke, Paul Cavanagh, Dabbs Greer, Charles Bronson, Reggie Rymal, Oliver Blake, Larri Thomas, Joanne Brown, Steve Carruthers, Leo Curley, Dan Dowling, Frank Ferguson, Stuart Hall, Mary Lou Holloway, Jack Kenney, Mike Lally, Lyle Latell, Richard Lightner, Philo McCullough, Jack Mower, Eddie Parks, Waclaw Rekwart, Grandon Rhodes, Riza Royce, Sammy Shack, Norman Stevans, Philip Tonge, Merry Townsend, Sid Troy, Ruth Warren, Ruth Whitney, Shirley Whitney, Jack Wise, Jack Woody, Charles Hibbs, Trude Wyler, Nedrick Young
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Brad Bird
Disney 4K Blu-ray has the original DTS-ES 6.1 mix in DTS-HD MA 6.1. Inferior Dolby Atmos remix is set to default.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Director: Andrew Stanton
Criterion 4K Blu-ray > Disney 4K Blu-ray: HDR10 same as the Disney disc, but Criterion's new Dolby Vision layer improves presentation in some aspects, and has very good extras
Original DTS-ES 6.1 mix: Both are equal. ES rear centre channel maintained on both releases, but is unflagged on the Criterion 4K Blu-ray.
Dolby Atmos remix: Criterion 4K Blu-ray > Disney 4K Blu-ray.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
2015 Lionsgate Blu-ray or 35mm scan for Theatrical Cut
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
2015 Lionsgate Blu-ray (missing the Ultimate Edition with the T-1000 searching John's room and the happy future ending, which is on the 2009 Skynet Blu-ray, which is DNRed)
2017 StudioCanal 4K Blu-ray (and subsequent 4Ks) is heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available. For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre 2017 transfer, but has DNR.
Original Kodak/ORC CDS mix 5.1: likely on the Artisan DVD and other Pioneer Japan DVD.
Original Dolby Stereo SR: USA Widescreen LaserDisc and others.
Differences and review of the mix. There are earlier stereo mixes and many subsequent remixes on DVDs but it is unclear how many of them are really unique.
2017 Blu-Ray (which has the DNRed transfer), the 2009 Skynet Edition Blu-Ray, and the 2000 Ultimate Edition DVD have exclusive extras. The 2003 Extreme Edition DVD has some exclusive easter eggs.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
Director: James Cameron
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
Paramount/Fox Blu-ray
3D Blu-ray for the IMAX/Open Matte version
35mm scan for original theatrical cut
4K Blu-ray is AI upscaled
The 4K Blu-ray bonus disc, the 2012 Blu-ray bonus disc, and the 2005 3 disc DVD have exclusive extras.
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set
2022 Paramount Presents Blu-ray disc included in 4K Blu-ray set, same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part II overall fares better than the first film but it has all the same problems. Randomly some shots are the worst in the trilogy looks mushy and manipulated to death.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: Francis Ford Coppola
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes.
The mono option is an unnecessarily processed version of the lossy mono from the 2008 Blu-ray. The 2008 Blu-ray of the 2007 Coppola Restoration while an imperfect outdated disc is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs. The lossy mono on the 2008 Blu-ray is the best version of the original mix known to exist as it is better than the late 80's mastering for VHS and LaserDisc.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Director: George Lucas
Director: George Lucas
Director: André de Toth
New UCLA restoration from Original Camera Negative
Director: André de Toth
New UCLA restoration from Original Camera Negative
Director: André de Toth
Director: André de Toth
Director: Elia Kazan
Director: Elia Kazan
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: Charles Walters
Warner Archive 4K Blu-ray is a remaster from the original VistaVision camera negaitve, FiM encode
Warner Archive 4K Blu-ray
The original mono sounds good. The Atmos remix is a mixed bag, music performances are sourced from magnetic stereo recordings and sound great, but mono dialogue/effectshas undergone destructive noise reduction and unnecessary EQ, so the jumps in fidelity are incredibly jarring.
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: John Ford
1988/1990 WB Hi-Fi VHS, crystal clear, albeit with some distortion in louder areas
The 4K Blu-ray reuses the same poor mastering used on the 2006 WB Blu-ray, only with a completely unnecessary bass cut and extra noise reduction.
Even putting resolution aside, the Warner Archive 4K Blu-ray has the best video, the old Blu-ray master and earlier DVD both had massive issues with colour.
That said, picture on the 4K Blu-ray isn't perfect, with strange posterized magenta glints and some instances of DNR: https://bsky.app/profile/dagscott.bsky.social/post/3leahavqi7k2l
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Morton DaCosta
Warner Archive 4K Blu-ray from 12K scan on Aug 25th
Director: Jacques Tourneur
Director: Jacques Tourneur
Director: Abel Ferrara
Director: Abel Ferrara
Director: Anthony Mann
Director: Anthony Mann
Director: Michael Cimino
Director: Michael Cimino
Director: Lloyd Bacon
Director: Lloyd Bacon
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