For Heaven's Sake (1926)
Comedy • 58m
Overview
An irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.
Director: Sam Taylor
Directors: Fred C. Newmeyer & Sam Taylor
Directors: Fred C. Newmeyer & Sam Taylor
Directors: Fred C. Newmeyer & Sam Taylor
Directors: Fred C. Newmeyer & Sam Taylor
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: Jean Renoir
The Criterion 4K Blu-ray has marginally better detail and grain structure than ESC 4K Blu-ray
The ESC France 4K Blu-ray is an SDR grade erroneously presented in HDR, but if your player can force the HDR into SDR it looks very good.
Director: John Waters
Director: John Waters
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
Director: Sidney Lumet
2026 Criterion 4K Blu-ray
2011 Criterion Blu-ray is the best. Kino Lorber 4K Blu-ray has heavily filtered audio
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
Director: John Waters
Director: John Waters
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Criterion 4K Blu-ray or Germany Plaion 4K Blu-ray - subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
1993 MGM LaserDisc/2000 Region 1 MGM DVD
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: David Lynch
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: David Lynch
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
Director: Ridley Scott
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
Director: Ridley Scott
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
More Comedy on Blu-ray
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: George Sidney
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
1991 Warner Bros LaserDisc (for original mono track)
1996 Warner Bros 25th Anniversary LaserDisc has isolated music and effects track (incorrectly labeled "music minus vocals") not present on any other release
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Ernst Lubitsch
Kino Lorber 4k resto
The audio on the Kino Lorber Blu-ray comes from a better source than the various DVDs and the previous HD version on streaming. This audio is relatively untampered with, and is likely the best available source as no laserdisc was ever issued.
Director: Tommy Wirkola
Director: Tommy Wirkola
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: John Ford
Director: John Ford
Arrow 4K Blu-ray see caps
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Original: Arrow 4K Blu-ray vs New Line LaserDisc
Arrow 4K Blu-ray see caps
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Original: Arrow 4K Blu-ray vs New Line LaserDisc
Arrow 4K Blu-ray see caps
Dolby Stereo: Arrow 4K Blu-ray or New Line LaserDisc for line absent on VHS, DVD, and Blu-ray releases
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Arrow 4K Blu-ray see caps
Dolby Stereo: Arrow 4K Blu-ray or New Line LaserDisc for line absent on VHS, DVD, and Blu-ray releases
Info: Arrow 4K Blu-ray is scanned from interpositive film, thus having a softer than the first title.
Edit History
10/13/2025
