2 Fast 2 Furious (2003)
Action, Crime, Thriller • 1h 47m
Director: John Singleton
Cast: Paul Walker, Tyrese Gibson, Eva Mendes, Cole Hauser, Ludacris, James Remar, Thom Barry, Michael Ealy, Mark Boone Junior, Devon Aoki, Roberto 'Sanz' Sanchez, Mo Gallini, Edward Finlay, Jin Au-Yeung, Amaury Nolasco, Eric Etebari, John Cenatiempo, Neal H. Moritz, Troy Brown, Corey Michael Eubanks, Sammy Maloof, Troy Robinson, Sincerely A. Ward, Nievecita Dubuque, Mateo Herreros, Kerry Rossall, Marc Macaulay, Tony Bolano, Marianne M. Arreaga, Tara Carroll, Tamara Jones
Best audio release
About the film
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
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- Alternative Titles
- The Fast and the Furious II: 2 Fast 2 Furious
Director: Rob Cohen
Sources: slow.pics (opens in a new tab)
Universal 4K Blu-ray 25th Anniversary Edition
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
(4K Blu-ray has DNR)
Director: Justin Lin
Universal Blu-ray has lossless DTS-HD MA 5.1, 4K Blu-ray just has lossy DTS-HD HR 7.1
Director: James Wan
Blu-ray has lossless DTS-HD MA 7.1, 4K Blu-ray just has lossy DTS-HD HR 7.1
Theatrical: Universal 4K Blu-ray
Extended Director's Cut: 4K Streaming
Director: John Singleton
Criterion 4K Blu-ray (included in John Singleton's Hood Trilogy set)
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
Criterion 4K Blu-ray is better than the earlier Sony 4K Blu-ray, which suffered from low-pass filtering and poor compression. Caps
Original matrixed Dolby Stereo mix: Criterion 4K Blu-ray
A better transfer than the Sony 4K Blu-ray
The Sony 4K Blu-ray includes an earlier 5.1 remix, which is mostly faithful to the original mix and lightly enhances and opens it up, as well as Dolby Atmos remix which is slightly more aggressive.
Criterion's release also includes a different Atmos remix to the one included from Sony, significantly more aggressive than previous releases, going for a more "immersive" feel.
Director: John Singleton
Sources: Criterion Forum (opens in a new tab)
Director: John Singleton
Sources: Criterion Forum (opens in a new tab)
Director: John Singleton
Director: Michael Cimino
2020 Shout! Factory 4K
2020 Shout! Factory 4K slightly better than StudioCanal in HDR10. Similar in DV
35mm mix: 1991 Universal LaserDisc
70mm mix: StudioCanal 4K Blu-ray
35mm mix: 1991 Universal LaserDisc marginally better than StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is downmix.
70mm mix: StudioCanal 4K Blu-ray. Shout! Factory 4K Blu-ray is remix.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Brian De Palma
Sources: Criterion Forum (opens in a new tab)
Director: Matthew Vaughn
Both come from a 4K scan of a 35mm film out which was made from the original 2K DI but the Lionsgate release has visible dust and damage marks while the Universal release is cleaned up more thoroughly. Both releases suffer from DNR which seems to have been baked into the DI. The colour grade is basically the same for both releases but the Lionsgate has Dolby Vision whereas the Universal is HDR10 only. The compression on the Lionsgate UHD base layer is apparently fine so the FEL doesn't make much of a difference.
The Lionsgate UHD has Dolby Atmos whereas the Universal UHD has DTS:X. Kick-ass was originally released with a 5.1 track which may be on the Universal Blu-ray.
The Lionsgate UHD is on a BD-100, the Universal UHD is on a BD-66.
The Universal UHD has no extras.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Leo McCarey
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