Wings of Desire (1987)
Der Himmel über Berlin
Drama, Fantasy, Romance • 2h 10m
Overview
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds -- with some words of wisdom from actor Peter Falk -- that it might be possible for him to take human form.
Director: Wim Wenders
Cast: Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois, Peter Falk, Hans Martin Stier, Elmar Wilms, Sigurd Rachman, Beatrice Manowski, Bruno Rosaz, Laurent Petitgand, Chick Ortega, Otto Kuhnle, Christoph Merg, Peter Werner, Teresa Harder, Jürgen Heinrich, Annelinde Gerstl, Mick Harvey, Nick Cave, Blixa Bargeld, Susanne Vierkötter, Paul Busch, Karin Busch, Irene Moessinger, Franky, Daniela Nasimcova, Bernard Eisenschitz, Didier Flamand, Rolf Henke, Scott Kirby, Franck Glemin, Jerry Barrish, Jeanette Pollak, Christian Bartels, David Crome, Käthe Fürstenwerth, Werner Schönrock, Bernd Ramien, Erika Rabau, Silvia Blagojeva Itscherenska, Sultan Meral, Olivier Picot, Jochen Gliscinsky, Erich Schupke, Margarete Hafner, Oliver Herder, Margitta Haberland, Ralf Strathmann, Walter Ratayszak, Charlotte Oberberg, Lubinka Kostic, Gisela Westerboer, Andreas Valentin, Wolf-Dirk Vogeley, Ruth Rischke, Simon Bonney, Harry Howard, Rowland S. Howard, Thomas Wydler, Roland Wolf, Kid Congo Powers, Denis Rodriguez, Dieta von Aster, Gustav Geisler, Paul Geisler, Lorenz Geisler, Slađana Kostić, Benedikt Schumann, Nicolas Roth, Marcus Stenzel, Benjamin Ferchow, Mario Meyer, Mark Leuschner, Tibor Dahlenburg, Lia Harder, Mascha Noak, Vera Butzek, Donald Behrendt, Patric Kreuzer, Simone Säger, Gerdi Hofmann, Ulrike Schirm, Hans Marquardt, Heimke Karl, Klaus Mausolf, Özyer Hüsinye, Jean-Claude Lezin, Thierry Noir, Matthias Maaß, Henry Luczkow, Louis Cochet, Lina Otto, Johanna Penski, Lajos Kovács
Director: Michelangelo Antonioni
Director: Michelangelo Antonioni
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Andrzej Żuławski
Second Sight 4K Blu-ray > Le Chat Qui Fume 4K Blu-ray > Umbrella 4K Blu-ray see caps
Second Sight uses the same Le Chat Qui Fume master, but encoded by FiM and applied Dolby Vision. Umbrella's encoding is visibly worse than Le Chat Qui Fume.
Mondo Vision Blu-ray and Anchor Bay DVD have an alternate audio track with an unauthorized soundtrack.
Director: Jacques Tati
2014 StudioCanal Blu-ray
The UHD is slightly cropped in.
Director: Jacques Tati
2014 StudioCanal Blu-ray
The UHD is slightly cropped in.
Director: Andrei Tarkovsky
Mosfilm official 4K Youtube Streaming is the only release for the new 4K restoration. Mosfilm's release has no sepia, and whether or not if this is the original color grading is still under debate.
For other releases: Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
German Filmjuwelen 4K Blu-ray is 2K upscale and has incorrectly pitched Russian audio. See caps
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Andrei Tarkovsky
Mosfilm official 4K Youtube Streaming is the only release for the new 4K restoration. Mosfilm's release has no sepia, and whether or not if this is the original color grading is still under debate.
For other releases: Netherlands Lumière Blu-ray is best, but all releases of the 2K restoration have issues:
German Filmjuwelen 4K Blu-ray is 2K upscale and has incorrectly pitched Russian audio. See caps
Criterion Blu-ray/Germany Filmjuwelen Blu-ray have yellow tint on sepia scenes
France Potemkine (Standalone) has raised blacks and poor encoding
France Potemkine (Boxset) has orange tint on sepia scenes and poor encoding
Netherlands Lumière has correct sepia scenes, good encode, but gamma is slightly off.
Italy General Video Recording has correct sepia scenes but gamma is off (more so than Netherlands Blu-ray and worse encode)
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Director: Béla Tarr
Curzon 4K Blu-ray see caps
Artificial Eye UK Blu-ray? Supposed to have better translation than Criterion.
Curzon 4K Blu-ray scheduled for October 2026 release
Artificial Eye UK Blu-ray? Supposed to have better translation than Criterion.
Curzon 4K Blu-ray scheduled for October 2026 release
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
Curzon 4K Blu-ray = Carlotta 4K Blu-ray. Criterion 4K Blu-ray/StudioCanal 4K Blu-ray have worse encodes.
R5 Carmen Video DVD
Director: Wim Wenders
Curzon 4K Blu-ray = Carlotta 4K Blu-ray. Criterion 4K Blu-ray/StudioCanal 4K Blu-ray have worse encodes.
R5 Carmen Video DVD
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Bert Stern
Director: Bert Stern
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Takashi Miike
4K Remaster: Carlotta FR 4K Blu-ray
Original digital master: Tokyo Shock US Blu-ray
The original master is of poor quality, blurry with some damage and bad levels, which the 4K remaster improves upon, with better detail in compression. Unfortunately, the 4K master has significant issues with color posterization, making it look like poor quality digital video rather than 16mm film. Comparison between masters, Carlotta/Tokyo Shock clip
Original Japanese: Carlotta FR 4K Blu-ray
English dub: Tokyo Shock US Blu-ray
Well Go does not include the dub.
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Delmer Daves
Criterion 4K Blu-ray see caps
All audio tracks originate from the same DVD-era master, no real audible differences between them, but Carlotta is least filtered out of all
Director: Alan J. Pakula
Director: Alan J. Pakula
Director: Edward Yang
France Carlotta 4K Blu-ray is FiM encoded and superior to Criterion 4K Blu-ray see caps but the Carlotta release is not English friendly
A user writes: 'the 5.0 mix does not closely resemble the matrixed stereo track included on all prior releases (save for a 2003 French DVD which had 5.1). There is significant dialogue emphasis in the 5.0 mix while the older stereo mix has ambient sounds and dialogue mixed at nearly the same loudness. Additionally, the 5.0 mix has minor limiting in select loud sequences and a strange distorted quality on occasion (one notable example is the sound of a plane taking off which plays during a static shot of clouds in the sky). The stereo mix included on the FRA UHD/BD is a downmix of the 5.0 track.'
Director: Edward Yang
France Carlotta 4K Blu-ray is FiM encoded and superior to Criterion 4K Blu-ray see caps but the Carlotta release is not English friendly
A user writes: 'the 5.0 mix does not closely resemble the matrixed stereo track included on all prior releases (save for a 2003 French DVD which had 5.1). There is significant dialogue emphasis in the 5.0 mix while the older stereo mix has ambient sounds and dialogue mixed at nearly the same loudness. Additionally, the 5.0 mix has minor limiting in select loud sequences and a strange distorted quality on occasion (one notable example is the sound of a plane taking off which plays during a static shot of clouds in the sky). The stereo mix included on the FRA UHD/BD is a downmix of the 5.0 track.'
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
Director: Chen Kaige
Director: Chen Kaige
Director: Akira Kurosawa
Director: Akira Kurosawa
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