Godzilla vs. Biollante (1989)
ゴジラvsビオランテ
Action, Horror, Fantasy, Science Fiction • 1h 45m
Director: Kazuki Ōmori
Cast: Kunihiko Mitamura, Yoshiko Tanaka, Masanobu Takashima, Kōji Takahashi, Toru Minegishi, Megumi Odaka, Toshiyuki Nagashima, Ryūnosuke Kaneda, Kazuma Matsubara, Yasunori Yuge, Yoshiko Kuga, Yasuko Sawaguchi, Haruko Sagara, Koichi Ueda, Kosuke Toyohara, Katsuhiko Sasaki, Hirohisa Nakata, Kenzō Ogiwara, Kenpachirō Satsuma, Masashi Takegumi, Yoshitaka Kimura, Shigeru Shibazaki, Demon Kakka, Kurt Cramer, Derrick Holmes, Beth Blatt, Robert Corner, Abdallah Helal, Manjot Beoi, Brien Uhl, Kenji Hunt, Hiroshi Inoue, Tetsu Kawai, Makiyo Kuroiwa, Hiromi Matsukawa, Kyoka Suzuki, Isao Takeno, Shin Tatsuma, Koji Yamanaka, Iden Yamanral, Ryota Yoshimitsu
UHD tiers
About the film
After the previous Godzilla attack, a miniature arms race ensues to collect his cells. Concerned over Godzilla's possible return, the Japanese government uses the cells to create a new bio-weapon, ANEB (Anti-Nuclear Energy Bacteria). They seeks the aid of geneticist Genshiro Shiragami, who's experiments result in a new mutation.
- Alternative Titles
- Godzilla 17 - Godzilla vs. Biollante
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal's 4K release is similar in encode quality, but has significant glitches in multiple frames. See comparisons 9-16 here: https://slow.pics/c/YkSVb3Ey
The pitch of the StudioCanal 4K's English audio is too high
Criterion has more extras than StudioCanal.
Director: Jacques Tati
Video format: 1080p Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
> BFI. New restoration unreleased.
Old R2 DVD 1.0
Director: Jacques Tati
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
StudioCanal 4K Blu-ray (part of Jacques Tati boxset releasing December 2026)
2014 StudioCanal Blu-ray
The UHD is slightly cropped in.
Director: Stanley Kubrick
Sources: Criterion Forum (opens in a new tab)
> UK MoC 4K Blu-ray > Australia Imprint > US Kino Lorber better encoding
The MoC, Criterion and Imprint UHDs were encoded by FiM making all 3 very close. The higher bitrate helped in deciding and some luck; however Criterion is the most consistent one of all 3. Imprint has some scenes with more splotchy grain while MoC is quite close to Criterion but has some more blocking in dark scenes (e.g.: comp #27). With Criterion’s superior audio, it ensures complete consistency.
From cbc: "I'm personally quite fond of the restored track on Eureka's 4K Blu-ray. It does have spots with objectively worse fidelity, but for the most part, it sounds a lot more natural and less shrill, particularly dialogue. It seems to be a new mixdown of stems. Technically a remix, so not everyone's cup of tea, but it's not revisionist like most new movie mixes tend to be"
Both Imprint (included in their set) and Capelight (on its own/individually) offer remastered BDs. All other BDs, including the one included in The Complete Kubrick, are sourced from the same older master from around 2010.
Director: Claire Denis
Sources: Criterion Forum (opens in a new tab)
Directors: Chris Appelhans & Maggie Kang
"Sing-Along Edition" not included on the Criterion 4K Blu-ray, only available on Netflix Streaming
Director: Guillermo del Toro
Criterion 4K Blu-ray also includes exclusive "Reborn Cut"
More Action on Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Original Stereo mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray, Sony Blu-ray
Dolby Atmos remix: Sony 4K Blu-ray
Director: Michael Anderson
Arrow 4K Blu-ray scheduled for Dec 2026 release
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Director: Lam Nai-choi
88 Films UK or Vinegar Syndrome US Blu-ray (preference)
Different color gradings, 88 Films disc is encoded by FiM but Vinegar Syndrome encode (by Marcus Johnson) is more than robust
Vinegar Syndrome potentially has better audio than 88 Films, due to VinSyn possibly having EQ'd the audio mix after Fortune Star scanned the track in a way that makes it sound too hot, whereas 88 left it alone without addressing that issue. However, no direct comparisons exist
Director: Mamoru Oshii
Bandai JP 4K Blu-ray
Sources: slow.pics (opens in a new tab)
All 4K releases are sourced from the same mediocre transfer provided by Bandai, with various amounts of tweaks. Japanese disc presents it with the least tinkering.
The best attempt at improving it comes from the German/French releases from KSM/All the Anime, both of which use the same master with HDR regrading (original grade is SDR in HDR container), tasteful regraining and sharpening, in an attempt to breathe some life into the middling transfer, making for an arguably more pleasing viewing experience.
All earlier releases are from an even worse transfer, with significant black crush, with the exception of a Japanese TV airing, which doesn't suffer from that issue, but instead is heavily sharpened and suffers from poor encoding.
Comparisons: JPN UHD, USA UHD, FRA/GER UHD, ITA UHD (tonemapped), JPN UHD, USA UHD, FRA/GER UHD, ITA UHD, ESP UHD (PQ), All 1080p BDs, HDTV, HDTV filtered
Original matrixed stereo mix: Bandai JP 4K Blu-ray
Most discs include this track with comparable fidelity (which is excellent).
Dolby Atmos remix: Lionsgate US 4K / All the Anime FR 4K
6.1 remix (from Ghost in the Shell 2.0): KSM DE 4K / All the Anime FR 4K
All tracks on the Lionsgate US 4K replace the original ending song with the one heard on the English dub. As the Atmos track on the FR 4K is just a port, it also has this song replaced.
Japanese 4K includes English dub and subtitles.
French/German 4Ks are not English friendly, with no dub or subtitles.
French disc includes the Atmos track, but the German disc does not.
Director: Doug Liman
Video format: 1080p Blu-ray
The Universal Blu-ray is slightly filtered and DNR'd compared to the HD-DVD, and the Universal 4K Blu-ray, on top of being upscaled, adds additional DNR and is softer than both previous HD releases.
Versions:
- The International version contains a short additional scene (part of the "Farmhouse" extended scene from the special features). See additional detail below.
- The US version does not contain this scene during the film. Director Doug Liman confirms in his audio commentary that the scene was cut from the original US theatrical release "for time".
- "The Explosive Extended Edition" found on some DVD releases is not an alternate cut of the film, simply an access mode that plays "The Bookend Scenes" features via non-seamless branching.
Deck the Halls scene:
The U.S. release is 118:17 while the European/Australian/Japanese releases are 118:36. There is no difference between the two running times from the start, but at 81:21, the U.S. version cuts from a kitchen scene of Marie and Eamon washing dishes, to a scene of Eamon bringing blankets to Jason and Marie. On the European/Australian releases, at the same point, there is a scene of Jason, Marie, Eamon and his children eating dinner while "Deck the Halls" plays in the background. There is no dialogue, the characters just each exchange uncomfortable glances. The scene goes to 81:40, then picks up the same scene of Eamon bringing blankets. This scene is included as an extra ("Farmhouse" extended scene) albeit sans the holiday themed music. Many thanks to Rewind user Mark Bowen for comparing these releases and letting us know the difference.
Director: Tony Scott
Director: Fred Dekker
Director: Nicolas Winding Refn
Video format: 1080p Blu-ray
US Magnolia BD
UK Entertainment One release contains directors commentary track
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