Mission: Impossible - Dead Reckoning Part One (2023)
Action, Adventure • 2h 44m
Director: Christopher McQuarrie
Cast: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Henry Czerny, Shea Whigham, Greg Tarzan Davis, Frederick Schmidt, Mariela Garriga, Cary Elwes, Charles Parnell, Mark Gatiss, Indira Varma, Rob Delaney, Marcello Walton, Brian Law, Lincoln Conway, Alex James-Phelps, Marcin Dorociński, Ivan Ivashkin, Zahari Baharov, Adrian Bouchet, Sam Barrett, Louis Vaughan, Jean Kartal, Os Leanse, Luke Smith, Nikolaos Brahimllari, Mateusz Malecki, Damian Rozanek, Antonio Bustorff, Ioachim Ciobanu, Michael Kosterin, Sergej Lopouchanski, Robert Luckay, Jadran Malkovich, Mikhail Safronov, Christopher Sciueref, Andrea Scarduzio, Barnaby Kay, Gloria Obianyo, Alex Brockdorff, Kaye Dinauto, Dana Blacklake, Arevinth V Sarma, Doroteya Toleva, Lucia Tong, Hersha Verity, Yennis Cheung, Laura Vörtler, Faycal Attougui, Gaetano Bruno, Marco Sincini, Evita Ciri, Melissa Anna Bartolini, John Akanmu, Marco Lascari, Simon Rizzoni, Nicolas Wang, Lee Bridgman, Daniella Carraturo, Joanna Dyce, Taylor Goodridge, Jessica Holland, Philip Hulford, Grace Jabbari, Ira Mandela Siobhan, Nicholas Tredrea, Megan Westpfel, Marc Wesley DeHaney, Rocky Taylor, Vlad Muresan, George Gjiggy Francis, Christopher McQuarrie
Best English-friendly & video release · updated 1 year ago
UHD tiers
Overview
Ethan Hunt and his IMF team embark on their most dangerous mission yet: To track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With control of the future and the world's fate at stake and dark forces from Ethan's past closing in, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan must consider that nothing can matter more than his mission—not even the lives of those he cares about most.
Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
Director: John Woo
The DTS-HD 5.1 from some of the international Blu-rays and the TrueHD 5.1 on the 4K Blu-ray are similar.
The DTS-HD 5.1 from some of the international Blu-rays and the TrueHD 5.1 on the 4K Blu-ray are similar.
Best Buy exclusive DVD has Bonus Disc with featurettes not found on Blu-ray/4K Blu-ray
(caveat: IMAX sequences have not been released on home video to date)
IMAX sequences have not been released on home video to date
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
Director: Richard Linklater
Sources: caps-a-holic (opens in a new tab)
Original AR: Paramount 4K Blu-ray
IMAX AR: Paramount 3D Blu-ray
Directors: Arturo Perez Jr. & Samantha Jayne
Director: Robert Altman
Sources: YouTube (opens in a new tab) · mega.nz (opens in a new tab)
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
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