Mission: Impossible - Rogue Nation (2015)
Action, Adventure • 2h 11m
Director: Christopher McQuarrie
Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Simon McBurney, Zhang Jingchu, Tom Hollander, Jens Hultén, Alec Baldwin, Mateo Rufino, Fernando Abadie, Alec Utgoff, Hermione Corfield, Nigel Barber, William Roberts, Patrick Poletti, Martin Cochrane, David Peart, Barnabás Réti, Ash Merat, James Weber Brown, Robert Maaser, Wolfgang Stegemann, Eva-Marie Becker, Adam Ganne, Jesus Alvarez, America Olivo, James Cleverton, Martin Nelson, James McOran Campbell, Tom Lowe, Nicholas Sharratt, Nicholas Lupu, Stella Stocker, Martin Bermoser, Benjamin Plautz, Nina Hartmann, Daniela Nitsch, Carola Niederhuber, Tim Breyvogel, Laurence Rupp, Wolfgang Cerny, Rupert Wickham, Judith Bogner, Peter Stark, Ulli Ackermann, Saif Al-Warith, Robert Luckay, Tarrick Benham, Tyler Fayose, Rachel Handshaw, Julian Moore-Cook, Sean Cronin, Emilio Aniba, Volkan Ay, Amra Mallassi, Hadrian Howard, Walles Hamonde, Shamir Dawood, Sagar Radia, Yasen Atour, Noor Dillan-Night, Mingus Johnston, Osy Ikhile, Nigel Allen, Georgina Redhead, Bruce Lawrence, Femi Ogunbanjo, Katie Pattinson, Jorge Leon, Alana Maria, Jessica Allain, Anna-Marie Sullivan, Romeo Visca, Tom Coulston, Steven Gätjen, Teddy Newton
Best video release
Paramount 4K Blu-ray, a very good 2k upscale
UHD tiers
very good 2k upscale
About the film
Ethan and team take on their most impossible mission yet—eradicating 'The Syndicate', an International and highly-skilled rogue organization committed to destroying the IMF.
- Featured Lists
- Alternative Titles
- M:I 5, Mission Impossible Rogue Nation, Mission Impossible 5 – Rogue Nation, Mission։ Impossible - Rogue Nation, Mission Impossible 5, Mission: Impossible Rogue Nation, Mission Impossible - Rogue Nation, Mission:Impossible - Rogue Nation, Mission Impossible V Rogue Nation
Director: Brian De Palma
Paramount 4K Blu-ray despite issues
Laserdisc Dolby Digital 5.1 and 2.0 matrix Dolby Surround, VHS hifi 2.0 Dolby Surround, Cinema DTS
The film was remixed for the first DVD to remove a great deal of the bass and tame the LFE channel. Every version since uses this revised mix. Only the Laserdisc and release prints have the original theatrical 5.1 discrete mix. The 2.0 matrix version also has the low end intact on LD and VHS. Just demo the main title or the aquarium restaurant glass explosion and you’ll note the difference immediately.
The first DVD while porting the LD and vhs master is where the audio remix happened. The remix still sounds good but it was an unnecessary compromise to place on one of the great mixes of all time. The UHD also uses the remix.
The Paramount UHD is ok though it has some frozen grain and some HDR issues as expected of a screwy Paramount master.
Director: John Woo
The DTS-HD 5.1 from some of the international Blu-rays and the TrueHD 5.1 on the 4K Blu-ray are similar.
The DTS-HD 5.1 from some of the international Blu-rays and the TrueHD 5.1 on the 4K Blu-ray are similar.
Best Buy exclusive DVD has Bonus Disc with featurettes not found on Blu-ray/4K Blu-ray
(caveat: IMAX sequences have not been released on home video to date)
IMAX sequences have not been released on home video to date
Lionsgate Limited 4K Blu-ray
Director: Robert Zemeckis
Sources: slow.pics (opens in a new tab)
Arrow UK 4K Blu-ray > Paramount US and Capelight DE, same black crush on all three but the Arrow is encoded by FiM and has very good new supplements, the Capelight looks slightly low-passed, but in motion it probably looks about the same as the Paramount, see caps comparison for all three.
Arrow and Paramount basically sound the same, the Arrow has a slightly higher bitrate. Capelight is probably the same too but for now it's TBA.
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray and Capelight DE 4K Blu-ray have MEL Dolby Vision
Paramount 4K Blu-ray Purist choice: Blu-ray
Sources: YouTube (opens in a new tab)
Paramount 4K Blu-ray new improved master with color grading and slight issues. Blu-ray is old master with original color grading
Blu-ray 5.1
The Paramount 4K Blu-ray has a much better new scan that removes the original extremely dated color grading. This is an improvement on one hand but a definite revisionist change on the other. There is the expected grain management and slight HDR issues in addition to encoding quirks from Paramount. It is a giant improvement over the original Blu-ray but the color change and other issues means that the Blu-ray is one to keep for purists to have the as-is original iteration of the film's presentation. Audio wise the film has been remixed into Atmos but it merely seems like a slightly tweaked and frankly tamed version of the original 5.1. Of the two I prefer the Blu-ray 5.1. The original Blu-ray was Dolby TrueHD and the reissue Blu-ray in the four film Blu-ray collection boxset was DTS-HDMA.
DFIC extensive review: https://youtu.be/evsrJOTIjdA?si=wtdWGxZBfhPYTIeW
Director: Alex Proyas
Paramount 4K Blu-ray (30th anniv.)
Director: Tony Scott
The 70mm 6-track mix has a higher bitrate on the Paramount 1998 DVD, but is more limited than on the THX LaserDisc The Paramount 1998 DVD also has open matte versions in fullscreen 1.33:1 and widescreen 2.00:1 instead of the theatrical aspect ratio of 2.39:1, but the 2.00:1 widescreen presentation is non-anamorphic. The THX LaserDisc is available in both fullscreen 1.33:1 and widescreen 2.00:1 variants.
Director: Terrence Malick
Sources: Criterion Forum (opens in a new tab)
Lovely underlying remaster by Criterion and Resillion but encode is sadly low-pass filtered by Pixelogic, and even then, the encode is still less than ideal. Still easily obliterates any prior disc release, but certainly wouldn't hurt to have a UK or German label take a crack at this same master.
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray, censored but good encoding
Sources: movie-censorship.com (opens in a new tab)
US Paramount 4K Blu-ray, is the International US Cut and not the Encore Cut
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
3D version: Paramount 3D Blu-ray
Paramount 4K Blu-ray on October 26 2026
Director: Billy Wilder
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray. See caps
HDR/grading: nice, but some blown out
Encoding: inconsistent, smeared motion
DNR: inconsistent, frozen
Old Paramount Blu-ray is arguably a solid alternative choice
Paramount 4K Blu-ray mono
Paramount 4K Blu-ray mono is different version of the Blu-ray mono from the same old 2000 DVD transfer.
The 5.1 remix on the 4K Blu-ray is an appalling remix done by going wild with artificially generated stems from Park Road Post who were given the surviving mono to separate. The experience is jarring and fidelity to original mix in terms of level balance, directionality and impact is nonexistent. Not only does this sound painfully weird, but the Paramount mixers then did whatever they wanted in terms of LFE, sound pans and effect changes.
The original mono mix was not restored and still needs it badly. The 4K master is filled with frozen grain examples coming and going plus some HDR issues in addition to the usual Paramount problems. It is simultaneously better and worse than the Blu-ray master.
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