Cat's Eye (1985)
Horror, Thriller • 1h 34m
Director: Lewis Teague
Cast: Drew Barrymore, James Woods, Alan King, Kenneth McMillan, Robert Hays, Candy Clark, James Naughton, Tony Munafo, Court Miller, Russell Horton, Patricia Benson, Mary D'Arcy, James Rebhorn, Jack Dillon, Susan Hawes, Shelly Burch, Sal Richards, Jesse Doran, Patricia Kalember, Mike Starr, Charles S. Dutton, Frank Welker, Laura Warner, Danielle Rodgers, Tim Parati
Best English-friendly & video release
· updated 1 year agoStudioCanal 4K Blu-ray solid encode but controversial colors by Hiventy
UHD tiers
solid encode, controversial colors by Hiventy
Overview
Three short stories linked by a stray cat that roams from one tale to the next, in this creepy triptych that begins as Dick tries to quit smoking by any means necessary. Next, we meet Johnny, an adulterous man who's forced by his lover's husband onto a building's hazardous ledge. Finally, Amanda is threatened by an evil gnome who throws suspicion on the family cat.
Director: Lewis Teague
> disappointing US Kino Lorber 4K Blu-ray
Director: Lewis Teague
Video format: UHD Blu-ray
Scream Factory
Director: Paul King
StudioCanal UK 4K Blu-ray minimal picture upgrade (2K upscale)
StudioCanal UK 4K Blu-ray has good new Atmos mix
Director: Hayao Miyazaki
Video format: UHD Blu-ray
2026 Japan Studio Ghibli (remastered) Blu-ray
France 4K Blu-ray announced
Remastered Blu-ray only included as a pack-in with the 4K Blu-ray. Includes English subtitles and a dub, which the 4K Blu-ray does not.
Japan Studio Ghibli 4K Blu-ray
UK StudioCanal Blu-ray for the English dub
4K Blu-ray includes the original 5.1 mix in its unaltered form, all other releases after the LaserDisc, as well as the remastered Blu-ray, had its dynamic range lowered.
For the English dub, the UK StudioCanal Blu-ray is the least limited mix.
Director: Joel Coen
Director's Cut: Disappointing UK StudioCanal/US Criterion 4K Blu-ray
Theatrical Cut: LaserDisc or 2001 UK Universal DVD
Sources: Blu-ray.com (opens in a new tab)
https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 - comparison. StudioCanal is a massive improvement to the Criterion but still flawed in some areas (chroma noise)
Director: Luc Besson
Sources: slow.pics (opens in a new tab) · fanrestore.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2007 Sony Blu-ray or LaserDisc AC3? (TBC) https://fanrestore.com/thread-7303.html
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Roman Polanski
Lionsgate Limited 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Lionsgate Limited 4K Blu-ray see caps. Much better contrast and grain exposure but the grade is a bit questionable as it skews heavily towards magenta in some caps and the encode looks low-pass filtered.
Atmos Remix: Lionsgate 4K Blu-ray
Original 5.1: Imprint Australia Blu-ray or StudioCanal Germany/France Blu-ray
Lionsgate 4K Blu-ray encoded the "Original 5.1" as lossy Dolby Digital, which is very different from the AC3 on the original DVD. This new "Original 5.1" may in fact be a downmix of the Atmos track. FWIW, the original DVD AC3 still sounds very good.
Director: Roman Polanski
Kino Lorber disc has audio pitch errors
Director: Celine Song
Sources: Blu-ray.com (opens in a new tab)
UK StudioCanal Blu-ray is the better release. Plaion Italy 4K Blu-ray has macroblocking and chroma noise issues, and the US Lionsgate Blu-ray has elevated gamma levels and macroblocking https://forum.blu-ray.com/showpost.php?p=22310555&postcount=31
Director: Carol Reed
StudioCanal 4K Blu-ray or Lionsgate Limited 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
StudioCanal 4K Blu-ray/Lionsgate Limited 4K Blu-ray (shared encode); slight improvement over the 2015 StudioCanal Blu-ray
StudioCanal/LG UHDs
StudioCanal/LG UHDs port the 1999 Criterion DVD, considered the best source
StudioCanal has a remastered Blu-ray, Lionsgate only a 4K Blu-ray
Director: David Lynch
StudioCanal 4K Blu-ray is encoded by FiM and doesn’t have the low-pass filter the Criterion 4K Blu-ray has.
Criterion 4K Blu-ray is closer to the original DVDs than the 2015 Criterion release, not sure about whether the StudioCanal 4K is like the Criterion 4K/original DVD
Criterion 4K Blu-ray has FEL Dolby Vision, StudioCanal 4K Blu-ray has MEL
2D: Spain Emon Blu-ray
3D: US Lionsgate, Germany StudioCanal, or Netherlands Entertainment One 3D Blu-ray?
More Horror on Blu-ray
Director: Stanley Kubrick
Included in the Complete Kubrick box set with FiM encode of the same master from the WB release without the filtering, 1.85 ratio restored for US Cut; both US and International Cuts are 4K.
US Cut: 1999 WB DVD/Criterion 4K Blu-ray
No Blu-ray or DVD release until the Criterion 4K Blu-ray has presented the US in its original theatrical aspect ratio of 1.85:1. The International Cut has never been presented in it's OAR of 1.66:1 in any home video releases.
The packaging on the back of the WB 4K Blu-ray incorrectly states it as 1.85:1 when the movie is actually 1.78:1 as is the original Blu-ray.
Director: Alexandre Aja
Theatrical Cut: Austria NSM Blu-ray
Director's Cut: France Metropolitan Blu-ray
Metropolitan got better picture (higher bitrate + better grain + more detail) than Lionsgate
Director: Glen Morgan
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
> Germany Wicked Vision Blu-ray > US Flicker Alley Blu-ray see DVDBeaver caps
Director: George Pavlou
Arrow 4K Blu-ray teased
Germany Wicked Vision 4K Blu-ray better than US Kino Lorber?
Director: F. W. Murnau
2006 Restoration: Eureka Blu-ray
1995 photochemical restoration: BFI Blu-ray
Eureka with Murnau institute restoration featuring score based on original score, BFI uses Photoplay restoration with James Bernard score
Both Eureka and BFI Blu-rays are worthy of owning. Each restoration has unique positives and extras. The James Bernard score on the BFI is outstanding and the image tinting is different to how the Murnau institute official restoration was done. The Eureka MoC Blu-ray is stuffed with extras and remains one of the best-made Blu-rays of all time. Whatever you do: AVOID THE Kino Lorber Blu-ray!!! It uses the same Murnau institute restoration but drops frames for the whole feature - thus it loses a significant portion of the film! This was never acknowledged or addressed. The Kino Lorber Blu-ray remains one of the worst Blu-rays of all time for this reason.
Germany Filmjuwelen 4K Blu-ray is disappointing with AI upscaling
Director: Paul Leni
Theatrical/Original A negative: MoC Blu-ray
European C/D negative but better picture quality: Kino Lorber 4K Blu-ray
Sources: slow.pics (opens in a new tab)
From DVDBeaver: The MoC Blu-ray is scanned from the American A negative, as opposed to the European C or D negatives used by Photoplay and others (Kino Lorber 4K Blu-ray), so it is identical with the film US audiences saw in 1927
See caps for comparison
In addition, the Kino Lorber 4K Blu-ray has sepia tinting throughout while the MoC Blu-ray has yellow for normal scenes, blue for night scenes, and some even green tintings.
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