King Kong (2005)
Adventure, Drama, Action • 3h 7m
Overview
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
Director: Peter Jackson
Cast: Naomi Watts, Adrien Brody, Jack Black, Andy Serkis, Colin Hanks, Thomas Kretschmann, Jamie Bell, Kyle Chandler, Evan Parke, Lobo Chan, John Sumner, Craig Hall, Peter McKenzie, William Johnson, David Pittu, Mark Hadlow, Geraldine Brophy, David Dennis, Pip Mushin, Jim Knobeloch, Ric Herbert, Lee Donahue, Tom Hobbs, Tiriel Mora, Jed Brophy, John Wraight, Frank Edwards, Crawford Thomson, Richard Kavanagh, Stephen Hall, Joe Folau, Chic Littlewood, Samuel Taylor, Lorraine Ashbourne, Laura Surrich, Katie Jackson, Michael Lawrence, Ray Woolf, Eddie Campbell, Greg Smith, Phil Grieve, Matt Wilson, Jim McLarty, Latham Gaines, Camille Keenan, Peter Jackson, Billy Jackson, Jack Machiela, Frank Darabont, Matt Dravitzki
Director: Peter Jackson
Arrow 4K Blu-ray teased for many years, will come out once Turbine's exclusivity rights expire
Director: Peter Jackson
Arrow 4K Blu-ray teased for many years, will come out once Turbine's exclusivity rights expire
WB 4K Blu-ray, caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
WB 4K Blu-ray, caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
WB 4K Blu-ray, caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray (the one without the green tint) may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
The 2011 Blu-ray notoriously had a green tint, the 2020 one removes it.
WB 4K Blu-ray, caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray (the one without the green tint) may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
The 2011 Blu-ray notoriously had a green tint, the 2020 one removes it.
4K Blu-ray caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
4K Blu-ray caveat: mostly great video but the 4K Blu-rays have had additional DNR applied in some scenes on top of the DNR that had been applied in post-production and was already present on the DVDs & Blu-rays
The 2020 Blu-ray may be better than the 4K Blu-ray?
New Line Blu-ray have the original 6.1 mixes
4K Blu-ray set is missing extras from the old Blu-ray/DVD releases
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
WB 4K Blu-ray is significant upgrades compared to the BDs, but has noticeable artificial sharpening
Director: Joe Wright
Director: Joe Wright
Director: Robert Budreau
Director: Robert Budreau
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Directors: Andrew Adamson & Vicky Jenson
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
Universal 25th Anniversary 4K Blu-ray with Dolby Vision and Atmos
2011 Blu-ray (4K Blu-ray is upscaled; former PDI animator Jonathan Gibbs confirms the film was originally rendered at 1828 pixels wide to save space)
The old 2 disc DVD has extras missing from 4K Blu-ray
Director: Martin Scorsese
Director: Martin Scorsese
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Ivan Reitman
Plaion German 4K Blu-ray > US Kino Lorber see comparison and caps
Kino Lorber has an exceedingly poor encode, only slightly improved by the DV layer.
Original matrixed Dolby Stereo: Universal US Blu-ray
Dolby Atmos remix: Plaion DE 4K Blu-ray
Universal's BD uses the same transfer as the old LaserDisc and sounds a bit better than Plaion's, which has worse dynamics.
Plaion's Atmos remix is tastefully done and preserves the original mix's characteristics, the 5.1 track on Kino's release is overly aggressive and unbalanced.
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Rob Cohen
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
Original 5.1 mix: Universal Blu-ray
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
Director: Rob Cohen
Universal 4K Blu-ray 25th Anniversary Edition (with Dolby Vision), comparisons: #1, #2
The 2026 re-release corrects cropping and grading on some VFX shots, otherwise it's the same master with better encoding.
Original 5.1 mix: Universal Blu-ray
The old BD (2009 with many later identical re-releases) is very good, compared even to the theatrical DTS track, over which it has a slight edge thanks to discrete LFE (as theatrical DTS tracks derive LFE from other channels).
The 2018 4K includes a relatively tasteful DTS:X remix, the 2026 #4K includes a more revisionistic Dolby Atmos remix, with more added foley effects and a significant frequency roll-off. Neither of the remixes is as punchy as the original mix.
More Adventure on Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
Director: Fred M. Wilcox
2026 Arrow 4K Blu-ray
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
2001 DVD for uncensored cut with rock and extras
Disney Blu-ray; 4K Blu-ray only has an Atmos remix with a phasing issue
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Robert Altman
Paramount Blu-ray
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Phillip Noyce
Director: Phillip Noyce
Directors: Gary Trousdale & Kirk Wise
Directors: Gary Trousdale & Kirk Wise
Directors: Aaron Blaise & Robert Walker
Directors: Aaron Blaise & Robert Walker
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
Director: Peter Faiman
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
US Paramount 4K Blu-ray, unsure whether it's the International cut released by Paramount or the Encore Cut
Australia Cut: Australia Fox DVD
International Cut: Paramount Blu-ray
Encore Cut: Germany Winkler Film 4K Blu-ray
Australia Cut: Laserdisc
The film exists in three versions:
- the original Australian cut (~104 minutes at 24fps/~100 minutes at 25fps);
- the American/international version (~98 minutes at 24fps/~94 minutes at 25fps) trimming some exposition in the Outback first half of the film and some shorter extensions of a few seconds in the New York section, altering some of the dialogue – including censoring a "fuck" to "screw" – but featuring one additional dialogue extension not in the Australian version (a comparison of the two cuts can be found at Movie Censorship);
- the Australian Encore Cut (~95 minutes at 24fps/~91 minutes at 25fps) which uses the international version source so it already has those alterations but also removes approximately three minutes consisting of parts of two scenes featuring Mick grabbing the crotch of a cross-dressing prostitute and a later sequence when he does the same thing at a party to a woman with a deep voice (a comparison of the international version and the Encore Cut can be found at Movie Censorship).
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