The Driver (1978)
Crime, Thriller, Action • 1h 31m
Overview
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
Director: Walter Hill
Cast: Ryan O'Neal, Bruce Dern, Isabelle Adjani, Ronee Blakley, Matt Clark, Felice Orlandi, Joseph Walsh, Rudy Ramos, Denny Macko, Frank Bruno, Will Walker, Sandy Brown Wyeth, Tara King, Richard Carey, Fidel Corona, Victor Gilmour, Nick Dimitri, Bob Minor, Angelo Lamonea, Patrick Burns, Karen Kleiman, Thomas Myers, Bill McConnell, Peter Jason, William Hasley, Allan Graf, Alex Daniels, Peter Eastman, Raven Grey Eagle, Bob Harks, Orwin C. Harvey, Steve Moriarty, Nico Stevens, Leland Sun, Anna Young
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Director: Luc Besson
2020 StudioCanal 4K Blu-ray vs 2017 Sony 4K Blu-ray (20th annivesary) vs 2025 Sony 4K Blu-ray (Luc Besson Box Set). The first two have totally different texture.
StudioCanal: More natural looking. Better defined grain. The white balance is rather yellow/orange. Some say it is closer to the original theatrical release.
2017 Sony: More vibrant and impactful. The white balance is rather neutral. While color noise and grain can look busy because it had been sharpened and had micro-contrast boosted.
2025 Sony: Supposedly an improved version of the 2017 release? Shows around 20mbps-higher overall video bitrate. caps
2025 Sony US 4K Blu-ray has the original 5.1.
The Atmos on the Sony release is reportedly better than StudioCanal's.
Disc info of the box set discs. This film have recieved multiple encode/versions in different regions over the years. The 2017 Germany4K Blu-ray is encoded differently than the 2017 Sony but not better. Also, the same can be said to 2024 France Gaumont 4K Blu-ray while comparing to the 2020 StudioCanal 4K Blu-ray. The StudioCanal 4K Blu-ray omits all the extras from previous releases, being barebones.
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
Criterion 4K Blu-ray scheduled for October 2026 release
1991 Orion LaserDisc vs 2024 Arrow 4K Blu-ray
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
StudioCanal UK 4K Blu-ray
The old discs use a significantly worse transfer with faded colors, color fringing and a strong green tint throughout.
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Bertrand Blier
The older Studio Canal disc has incorrect pitch - 0.7 semitones lower than it should be. As their PAL DVD release was pitched correctly despite running at 25 FPS, it's likely they just took that master and slowed it down without accounting for that.
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Akira Kurosawa
Criterion 4K Blu-ray: intact grain compared to Toho/BFI UHDs' DNR'd master
Criterion 4K Blu-ray is good, derived from the 1995 Criterion LaserDisc (which would be minimally better due to its lack of filtering) see blah-ray
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: Joel Coen
Arrow 4K Blu-ray scheduled for November 2026 release
All the same
Director: James Gray
Director: James Gray
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Martin Scorsese
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: John McTiernan
Director: John McTiernan
Director: Walter Hill
Director: Walter Hill
Director: Walter Hill
Paramount 4K Blu-ray has atrocious HDR10 encode, Dolby Vision is altogether better but still mediocre
Director: Walter Hill
Paramount 4K Blu-ray has atrocious HDR10 encode, Dolby Vision is altogether better but still mediocre
Director: Walter Hill
Director: Walter Hill
Director: Walter Hill
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
Director: Walter Hill
Eagle Pictures Italy > StudioCanal UK, better compression than StudioCanal
Director: Walter Hill
Director: Walter Hill
Director: Walter Hill
Director: Walter Hill
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Joel Coen
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879
Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Poor Criterion 4K Blu-ray https://forum.blu-ray.com/showthread.php?p=21782879#post21782879 Theatrical cut only on LaserDisc or 2001 UK Universal DVD
Director: Jacques Tati
2014 StudioCanal Blu-ray
The UHD is slightly cropped in.
Director: Jacques Tati
2014 StudioCanal Blu-ray
The UHD is slightly cropped in.
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Jean-Luc Godard
2020 Criterion
2020 Criterion > StudioCanal > 2009 Criterion
2007 StudioCanal DVD
Director: Keenen Ivory Wayans
Director: Keenen Ivory Wayans
Director: Jean Cocteau
Director: Jean Cocteau
Director: Orson Welles
Criterion 4K Blu-ray > StudioCanal: Although Criterion is low-pass filtered, StudioCanal exhibits very clear and distracting macroblocking.
Director: Orson Welles
Criterion 4K Blu-ray > StudioCanal: Although Criterion is low-pass filtered, StudioCanal exhibits very clear and distracting macroblocking.
Director: Jean-Luc Godard
Criterion 4K Blu-ray/2020 remastered StudioCanal Blu-ray (preference)
Criterion 4K Blu-ray > StudioCanal 4K Blu-ray. The HDR grading has messed up highlights, so some may prefer the 2020 remastered StudioCanal Blu-ray
Criterion's subtitles seem to be better than StudioCanal's which omits too much IMO.
Director: Jean-Luc Godard
Criterion 4K Blu-ray/2020 remastered StudioCanal Blu-ray (preference)
Criterion 4K Blu-ray > StudioCanal 4K Blu-ray. The HDR grading has messed up highlights, so some may prefer the 2020 remastered StudioCanal Blu-ray
Criterion's subtitles seem to be better than StudioCanal's which omits too much IMO.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Kathryn Bigelow
UK ICON 4K Blu-ray (caps)
UK 4K Blu-ray has a slightly better encode than US Shout! Factory 4K Blu-ray and Germany StudioCanal 4K Blu-ray
5.1 mix is flawed on Shout! Factory/ICON, a phasey upmix instead of the proper discrete surround. The UHD 2.0 tracks are downmixes of that track.
2008 Fox Blu-ray sounds great, very close to the original 70mm mix, only with split surround.
2001 DVD has the original mix as 4.1 and matrixed 2.0.
Imprint 4K has a 4.0 track. The StudioCanal 4K Blu-ray has a different 5.1, unclear if it's the same as Fox BD.
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
Director: Michael Mann
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
UK StudioCanal Final Cut 4K Blu-ray
Theatrical/Director's Cut: Shout! Factory Blu-ray
Hybrid Theatrical Cut: Anchor Bay "Theatrical" DVD
Final Cut: upcoming UK StudioCanal Final Cut 4K Blu-ray
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
Director: Terence Young
US Arrow > UK StudioCanal 4K Blu-ray, better color grading
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