I Know What You Did Last Summer (1997)
Horror, Thriller, Mystery • 1h 41m
Overview
After an accident on a winding road, four teens make the fatal mistake of dumping their victim's body into the sea. Exactly one year later, the deadly secret resurfaces as they're stalked by a hook-handed figure.
Director: Jim Gillespie
Cast: Jennifer Love Hewitt, Freddie Prinze Jr., Sarah Michelle Gellar, Ryan Phillippe, Bridgette Wilson-Sampras, Johnny Galecki, Muse Watson, Anne Heche, Stuart Greer, Dan Albright, Rasool J'Han, J. Don Ferguson, Deborah Hobart, Mary McMillan, Lynda Clark, Shea Broom, John Bennes, Jennifer Bland, William Neely, Jonathan Quint, Richard Dale Miller, Mary Neva Huff, David Lee Hartman, Patti D'Arbanville, David F. Maxwell, Stephen McKenna
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Robert Wise
Disney 4K Blu-ray, see caps https://slow.pics/c/hE3HUCdj
Disney 4K Atmos is great, a reference quality track. It's a very slight remix (music seems to be from a better source), but it's completely seamless and faithful to the original, better fidelity than anything since the 1994 30th Anniversary Edition LaserDisc.
All DVDs (and 2010 Blu-ray) sound far worse than the 4K Blu-ray/LaserDisc and have various missing sound cues.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: Paul W. S. Anderson
Arrow includes the original theatrical sound mix in all its glory. All previous releases other than the 1996 AC-3 LaserDisc were tamed relative to the original theatrical DTS track.
The disc is authored by Duplitech, but doesn't exhibit any compression issues, though the image is pretty soft, that's likely just down to the stock used.
Old New Line Video LaserDiscs include an exclusive commentary track.
Director: John McTiernan
Director: John McTiernan
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Director: Jean Vigo
Directors: Jean Vigo & Boris Kaufman
Directors: Jean Vigo & Boris Kaufman
Director: Danny Boyle
Criterion 2026 4K Blu-ray (UPC 715515334617)
Criterion 2026 4K Blu-ray (UPC 715515334617) > Criterion 2024 4K Blu-ray > Film4 4K Blu-ray
5.1: Universal EU Blu-ray - Criterion and Lionsgate are missing LFE, otherwise the same
Stereo: Criterion 4K Blu-ray
Film4 4K Blu-ray is on a BD-66, both Criterion releases are on BD-100 discs.
Criterion 2024 release bitrate: 94.67 mbps
Criterion 2026 release bitrate: 93.66 mbps
Film4 bitrate: 62.00 mbps
Director: Danny Boyle
Criterion 2026 4K Blu-ray (UPC 715515334617)
Criterion 2026 4K Blu-ray (UPC 715515334617) > Criterion 2024 4K Blu-ray > Film4 4K Blu-ray
5.1: Universal EU Blu-ray - Criterion and Lionsgate are missing LFE, otherwise the same
Stereo: Criterion 4K Blu-ray
Film4 4K Blu-ray is on a BD-66, both Criterion releases are on BD-100 discs.
Criterion 2024 release bitrate: 94.67 mbps
Criterion 2026 release bitrate: 93.66 mbps
Film4 bitrate: 62.00 mbps
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Paul Thomas Anderson
Like previous releases, the 4K Blu-ray was scanned from an interpositive rather than the original camera negative at Paul Thomas Anderson’s request which may explain the softness.
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
Director: Michael Mann
Arrow 4K Blu-ray is encoded by FiM encode is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
Arrow and Criterion 4K Blu-rays have differing extras, Arrow LE has Theatrical cut Blu-ray from older HD master, most likely from a 2K scan of an interpositive.
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
2025 Sony 4K Blu-ray
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Michael Apted
Original matrixed Dolby Stereo: 2003 Sony/Columbia NTSC DVD 2.0
5.1 remix: 2024 Sony Blu-ray
The 5.1 track on the UHD is a remix originally included on the 2024 Blu-ray, but missing the LFE track. The UHD 2.0 track is a downmix of the faulty 5.1, severely lacking bass.
The digital track on the earlier LaserDisc is most likely the same as DVD, minus the lossy compression.
Director: Rob Reiner
Director: Rob Reiner
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
2026 Sony/Columbia 4K Blu-ray
Director: Albert Brooks
Director: Albert Brooks
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Frank Capra
Sony Frank Capra Boxset 4K Blu-ray
Sony Frank Capra Boxset 4K Blu-ray
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
Director: Luc Besson
StudioCanal / Gaumont / Sony 4K Blu-ray
SC caps. Great-looking 4K master except for DNR'd higher-gen shots such as the opening sequence. StudioCanal resolves finer detail but has encoding issues in highlights, the non-Original Camera Negative shots and traces of chroma noise. Sony used a low-pass filter which makes the film look less sharp and finely detailed but the encode is more consistent.
More Horror on Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
Director: André de Toth
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
2D version: Warner Archive Blu-ray
3D version: Warner Archive 3D Blu-ray
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
International Warner Bros 4K Blu-ray
International Warner Bros 4K Blu-ray > US Paramount 4K Blu-ray for the US Cut.
International Warner Bros 4K Blu-ray, is significantly better than the US Paramount 4K Blu-ray (even with FEL Baked in and Dolby Vision), with more grain retention and detail
SDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/TEPHtKjl
HDR Comparisons: International Warner Bros 4K Blu-ray vs US Paramount 4K Blu-ray: https://slow.pics/c/hIFe11Hx
Comparisons in SDR using L8 Trim from CM v4.0 (both UHDs can use CM v4.0): Remux vs USA UHD: https://slow.pics/c/mkrhVtpl
The International Cut, which contains alternate, more violent shots in the final act, hasn't been released on home video to date.
International Cut contains alternate, more violent shots in the final act.
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Director: Wes Craven
France M6 Video 4K Blu-ray
France M6 Video - Geoff D review.
Lionsgate 4K Blu-ray disappointing - Avoid. Terrible release. Another Kino-grade encode with a huge DV layer. The Lionsgate Limited Steelbook has a different disc with exclusive bonus discs and apparently another poor encode but they also messed up the DV metadata and made that disc unwatchable with DV enabled.
US releases for the original audio
Pay per view version audio is on the UK Entertainment in Video Blu-ray and the France M6 Video 4K Blu-ray
Lionsgate Limited 4K Blu-ray has exclusive extras
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Directors: Danny Philippou & Michael Philippou
Lionsgate retains more detail, but Second Sight might be better in motion. Both are very close. Caps
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Director: Peter Medak
Imprint 4K Blu-ray scheduled for August 2026 release
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Roger Donaldson
88 Films & Scream Factory 4K Blu-ray
Imprint 4K Blu-ray scheduled for August 2026 release
88 Films tied with Scream Factory 4K Blu-ray (88 Films is FiM encoded)
88 Films and Scream Factory have exclusive extras
Director: Gordon Douglas
Director: Gordon Douglas
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: George A. Romero
Mono: 35mm scan, old Shout! Factory and Australia Umbrella Blu-ray sounds better than the rest of the discs, but has noise reduction
Stereo: Shout! Factory 4K Blu-ray has a transfer of the 1986 Japan LaserDisc Stereo
Director: Tod Browning
Director: Tod Browning
Edit History
12/23/2024
