George E. Stone
21 films on Best Blurays1 in 4K16 in HD2 in SD2 with no official release

Biography from Wikipedia via TMDB
1 in 4K
UHD Blu-ray or 4K streaming
Supporting role · Director: Billy Wilder
Sources: Criterion Forum (opens in a new tab)
Criterion 4K Blu-ray > Capelight/Kino Lorber which has heavy noise reduction and opening snare hit is missing, Capelight is slightly better encoded than Kino Lorber
But still a bit overly noise-managed.
1984 CBS/Fox Hi-Fi VHS maybe better?
16 in HD
Blu-ray or HD streaming
Leading role · Director: Roy Del Ruth
Supporting role · Director: Norman Taurog
Supporting role · Director: Lewis Milestone
Sources: Criterion Forum (opens in a new tab) · DVDBeaver (opens in a new tab)
Kino Lorber Blu-ray is much better than the extra in Criterion His Girl Friday Blu-ray. Even though Kino Lorber is the international cut and only restored in HD, and Criterion is the US theatrical cut, and restored in 4K, the Criterion picture quality is atrocious http://www.dvdbeaver.com/film5/blu-ray_reviews_68/the_front_page_blu-ray.htm
Supporting role · Director: Lewis Milestone
2K scan of a surviving 35mm safety fine grain provided by the Academy Film Archive
Supporting role · Director: Fritz Lang
Sources: DVDBeaver (opens in a new tab)
Indicator Blu-ray is superior to Kino Lorber transfer see caps. 2K restoration
Supporting role · Director: Otto Preminger
No comparison available, and none of the Blu-rays have original aspect ratio.
Supporting role · Director: Frank Borzage
Sources: academymuseum.org (opens in a new tab)
4K restoration has no home media release yet
Supporting role · Director: Mervyn LeRoy
2 in SD
DVD, SD streaming, LaserDisc or VHS
2 with no official release
Unofficial sources only, no home media, or lost
Supporting role · Director: E.A. Dupont
Sources: moma.org (opens in a new tab)
No Home Media release, has 35mm print available
Supporting role · Director: Michael Curtiz
Sources: en.wikipedia.org (opens in a new tab)
Unofficial DVD
The film survives as a single nitrate Technicolor print, copied by the UCLA Film and Television Archive.
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