4K Blu-ray
2042 films on Best Blurays
Also known as: 4K
Type: Format
Page 9 of 103
Films where 4K Blu-ray is in a pick or an upcoming release.
BFI 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab) · caps-a-holic (opens in a new tab)
BFI 4K Blu-ray is significantly better than older Blu-ray however the HDR grade is questionable as it introduces black crushes, see nic's review and caps
For Blu-rays, Germany StudioCanal Blu-ray > MoC Blu-ray see caps
All disc sourced from the 4K restoration use the same solid audio track. Older DVD releases are from a higher generation source with less detail and more hiss.
Director: John Sturges
Shout! Factory 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Stanley Kubrick
Criterion 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Carlotta 4K Blu-ray
Director: Akira Kurosawa
BFI 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Sony 2023 Steelbook 4K Blu-ray
Sony 4K UHD steelbook
The steelbook reissue adds a more nuanced Dolby Vision HDR grading compared to the original UHD. The UHD is also the first ever release of the original four track stereo mix in a discrete presentation without any major processing. It is far superior to the existing 5.1 remix which was a bit modernized. The Atmos remix is laughably overdone and not at all befitting a film of this era.
Kino Lorber 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Norman Taurog
Directors: Jerome Robbins & Robert Wise
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab) · in70mm.com (opens in a new tab)
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Akira Kurosawa
Criterion 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
Sources: x.com (opens in a new tab) · caps-a-holic (opens in a new tab)
Same master, but less bitrate starved.
The encode on the BD is preferable to the UHD. Same master, but less bitrate starved: https://x.com/SadHillDevan/status/1530057783885721607?s=20 and see caps
Director: Morton DaCosta
Warner Archive 4K Blu-ray Nov 24th
Director: Orson Welles
Criterion 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · YouTube (opens in a new tab)
> StudioCanal: Although Criterion is low-pass filtered, StudioCanal exhibits very clear and distracting macroblocking.
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