4K Blu-ray
2042 films on Best Blurays
Also known as: 4K
Type: Format
Page 26 of 103
Films where 4K Blu-ray is in a pick or an upcoming release.
Arrow 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Director: Richard Rush
Radiance 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Shout! Factory 4K Blu-ray
88 Films 4K Blu-ray replacement disc only
Director: Martin Scorsese
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Director: Bruno Mattei
Director: Mike Hodges
Arrow 4K Blu-ray/StudioCanal 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
NOT the 4K Blu-ray, laserdisc maybe better?
OOP Arrow LE has a bonus disc
Director: Robert Altman
Paramount 4K Blu-ray
Sources: YouTube (opens in a new tab) · mega.nz (opens in a new tab)
Paramount 4K Blu-ray see comparison
Popeye was mixed for a failed Vistasonic system with 4 discrete tracks (L/C/R/S). That mix has never been released on home video in its original form.
The older 5.1 track appearing on older DVD/BD releases sounds excellent. It appears to be a slight upmix of the original mix, only splitting the surrounds and adding LFE. It sounds close to the old analog LaserDisc, which is likely the original mix in a matrixed form.
The 5.1 included on the UHD is a new remix which significantly differs from previous tracks. There are new foley effects all over the place. Music is jarringly spliced in from different sources. Unlike the old 5.1 which had clearly discrete surrounds, the channels surrounds overlap somewhat with the fronts here.
Details on the new mix from Paramount's former head of restoration: https://youtu.be/P-AmjqViJyE?t=788
The 2.0 tracks on all DVDs/BDs are just downmixes of their respective 5.1 mixes.
Samples
Director: Ken Russell
Criterion 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · Blu-ray.com (opens in a new tab)
Director: David Cronenberg
Second Sight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: Joe Dante
Scream Factory US 4K Blu-ray
> StudioCanal UK for the inclusion of original mono, more extras
Scream Factory US includes original mono
For the director/actor commentary, the 1995 Image Entertainment LaserDisc is uncut, subsequent releases are cut
Director: Jean-Jacques Beineix
Kino Lorber 4K Blu-ray
Kino Lorber 4K Blu-ray maybe better than StudioCanal 4K Blu-ray?
Kino Lorber 4K Blu-ray maybe better than StudioCanal 4K Blu-ray?
StudioCanal 4K Blu-ray from nicolas:
The restoration is excellent and looks magnificent in 4K HDR. It’s a tasteful grade that comes across very naturally film-like. Couldn’t be much happier about that aspect of the release.Have to be the bearer of bad news though as the encode is bad. We’re almost back in the early 4K era with those terrible, bit-starved StudioCanal encodes that came out of France and brought us Total Recall, Basic Instinct etc. While they’ve done worse, this definitely isn’t FiM or VDMS. Highlights are terrible and essentially devoid of any detail, mushy grain also creeps into normal shots here and there, particularly walls or clothing. Essentially areas that are slightly larger and have similar colors and textures.
Director: Ivan Passer
Radiance 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Though note its different color grading from the IP-sourced but poorly compressed Fun City Editions US Blu-ray (caps)
Judging from spectrograms at https://forum.blu-ray.com/showpost.php?p=23933756&postcount=57, Fun City Editions US Blu-ray appears to have marginally less filtering than Radiance 4K Blu-ray (whose padded 16-bit depth is a non-issue). There are also loudness differences, though it's unclear whether dynamic range also differs. Caveat: need to A/B both tracks to confirm, but no one has posted actual A/B impressions.
Director: Michael Mann
Arrow 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · thedigitalbits.com (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray is encoded by FiM and is better than Criterion, see caps https://slow.pics/c/Z2RRQAAT
Criterion 4K Blu-ray vs Blu-ray: caps colors are more different and nuanced than anticipated even in the SDR-converted caps and the usual gain in highlight detail is also apparent. Encode looks excellent except for the brightest areas as usual.
5.1/5.0 mix (essentially a 4-track mix in 5.1 and 5.0 containers respectively)-Arrow/Criterion 4K Blu-ray. Only imperceptible differences in bit-depth: 20 vs 24.
2.0 mix- Arrow 4K Blu-ray (original stereo)
Director: John Boorman
Arrow 4K Blu-ray
Sources: highdefdiscnews.com (opens in a new tab) · Blu-ray.com (opens in a new tab)
(Arrow 4K Blu-ray's mono seems to be out of sync, suggested by comparisons. Issue is TBC officially)
Arrow LE will have an exclusive 3rd disc which will not be on the standard edition
Director: Steve Miner
Paramount 4K Blu-ray
Sources: slow.pics (opens in a new tab)
Paramount 4K Blu-ray captures more grain in image 6&24, but Shout! Factory Blu-ray is very good see caps
Original Mono is included in the Shout! Factory Blu-ray
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