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Capelight

Capelight

34 films on Best BluraysBest video release: 26 in 4K8 in HD4 more for audio only4 more announced

Best 4K release by tier:
  • Excellent
    14
  • Solid
    6
  • Superior Imports
    1
Based in GermanyFounded 2004capelight.de (opens in a new tab)

Films where Capelight's release is the pick. How picks are made

Steffen Gerlach and Stephan Selms founded this independent distributor near Berlin in 2004. It licenses international genre, arthouse, cult and Hollywood catalogue films for the German-speaking market, often as limited Mediabooks and steelbooks with 4K UHD discs built on new scans or restored masters, some sourced from Arrow, the BFI and Criterion. Selected titles have also been issued in North America and the UK since 2019.

26 of 34 films match

Films where Capelight's release is the pick. How picks are made

26 in 4K

Best video release on UHD Blu-ray or 4K streaming

Director: Charles Laughton

4K · Excellent
Best English-Friendly & Video:

Capelight 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)

Video Notes:

> Kino Lorber 4K Blu-ray see caps

Best Audio:

2001 R1 MGM DVD

Director: Ridley Scott

4K · Excellent
Best English-Friendly & Video:

Capelight 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Video Notes:

Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray

Director: Alan Parker

Video format: UHD Blu-ray

4K · Excellent
Best Video:

Germany Capelight 4K Blu-ray, newly encoded 2025 disc only

Best Audio:

Capelight 4K Blu-ray 2025 Disc

Directors: Jerome Robbins & Robert Wise

4K · Excellent
Best English-Friendly, Video & Audio:

Germany Capelight 4K Blu-ray

Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab) · in70mm.com (opens in a new tab)

Video Notes:

Comparison, caps

Audio Notes:

Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.

See additional info for more detail.

Additional Info:

West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.

The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.

Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.

The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.

Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.

Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.

The 7.1 upmix on MGM's Blu-ray offers little of value.

Director: Sean Baker

4K · Excellent
Best English-Friendly & Video:

Criterion/Capelight Germany/Madman Australia 4K Blu-ray

Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)

Video Notes:

Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D

See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.

Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.

Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ

Director: John Huston

4K · Excellent
Best English-Friendly:

Altitude/Capelight 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Best Video:

Altitude UK / Capelight Germany 4K Blu-ray

Best Audio:

UK/Germany 4K Blu-ray

Director: Scott Hicks

4K · Excellent
Best English-Friendly & Video:

Germany Capelight 4K Blu-ray

Director: John Frankenheimer

4K · Excellent
Best English-Friendly & Video:

Capelight Germany 4K Blu-ray

Sources: Criterion Forum (opens in a new tab)

Additional Info:

Arrow Blu-ray has the most extras

Director: John Badham

4K · Excellent
Best English-Friendly & Video:

Germany Capelight 4K Blu-ray

Sources: caps-a-holic (opens in a new tab)

Upcoming Release:

Arrow 4K Blu-ray in November

Video Notes:

> US Shout! Factory - caps

Best Audio:

5.1 mix: Germany Capelight 4K Blu-ray
Original matrixed Dolby Stereo: MGM NTSC DVD

Audio Notes:

The 5.1 track sounds very good and is said to be sourced from the original 6-track mix used for 70mm blow-up releases, but there is no conclusive proof of that.

Director: Iain Softley

4K · Excellent
Best English-Friendly & Video:

Capelight Germany 4K Blu-ray

Sources: slow.pics (opens in a new tab)

Video Notes:

Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH

Best Audio:

88 Films 4K Blu-ray

Additional Info:

Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.

Director: Simon Wincer

4K · Excellent

Director: Menahem Golan

4K · Excellent
Best English-Friendly & Video:

Capelight 4K Blu-ray Germany or UK import

Best Audio:

Capelight 4K Blu-ray
Original stereo mix: European MGM Blu-ray

Show all 26 in 4K

3 for audio only

The best audio is Capelight's; the video and English-friendly picks are other releases · by Letterboxd rating

Directors: Lana Wachowski & Lilly Wachowski

Best Audio:

Germany Capelight Blu-ray

Sources: Criterion Forum (opens in a new tab)

Upcoming Release:

Australia Imprint 4K Blu-ray

Best English-Friendly & Video:

Criterion 4K Blu-ray

Director: Emilie Blichfeldt

Best Audio:

Germany Capelight 4K Blu-ray

Best English-Friendly & Video:

UK Second Sight 4K Blu-ray

Director: Newt Arnold

Best Audio:

Capelight 4K Blu-ray

Sources: Blu-ray.com (opens in a new tab) · hdnumerique.com (opens in a new tab)

Audio Notes:

(the ESC 4K Blu-ray have no original 2.0 and a different Atmos mix. More about the ESC mix in this review)

Best Video:

France ESC 4K Blu-ray

Video Notes:

Better than Germany Capelight 4K Blu-ray.

3 announced

Capelight's release is announced; until it is out, the picks are other releases · by Letterboxd rating

Director: John G. Avildsen

Upcoming Release:

Capelight 4K Blu-ray

Best English-Friendly & Video:

Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)

Best Audio:

Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc

Audio Notes:

> Knockout collection original.

The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error. 

Additional Info:

The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.

Director: Martin Scorsese

Upcoming Release:

Capelight 4K Blu-ray releasing on 8th October 2026

Sources: capelight.de (opens in a new tab)

Best English-Friendly & Video:

Arrow UK 4K Blu-ray

Video Notes:

> Paramount US, same black crush as the US disc but encoded by FiM and very good new supplements

Additional Info:

Paramount US 4K Blu-ray has FEL Dolby Vision 

Arrow UK 4K Blu-ray has MEL Dolby Vision

Director: Martin Scorsese

Upcoming Release:

Capelight 4K announced for 2026

Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)

Best English-Friendly & Video:

Imprint Australia 4K Blu-ray

Video Notes:

Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.

The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review

Best Audio:

1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD

Audio Notes:

1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html

Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:

I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.

Know a film where the Capelight release is the one to buy? Suggest it