Steffen Gerlach and Stephan Selms founded this independent distributor near Berlin in 2004. It licenses international genre, arthouse, cult and Hollywood catalogue films for the German-speaking market, often as limited Mediabooks and steelbooks with 4K UHD discs built on new scans or restored masters, some sourced from Arrow, the BFI and Criterion. Selected titles have also been issued in North America and the UK since 2019.

Capelight
34 films on Best BluraysBest video release: 26 in 4K8 in HD4 more for audio only4 more announced
- Excellent14
- Solid6
- Superior Imports1
Films where Capelight's release is the pick. How picks are made
26 of 34 films match
Films where Capelight's release is the pick. How picks are made
26 in 4K
Best video release on UHD Blu-ray or 4K streaming
Capelight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab)
> Kino Lorber 4K Blu-ray see caps
Director: Ridley Scott
Capelight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Capelight 4K Blu-ray has better encode than Criterion 4K Blu-ray
Director: Alan Parker
Germany Capelight 4K Blu-ray, newly encoded 2025 disc only
Capelight 4K Blu-ray 2025 Disc
Directors: Jerome Robbins & Robert Wise
Germany Capelight 4K Blu-ray
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab) · in70mm.com (opens in a new tab)
Capelight's 5.1 is sourced from the original 6-track. The fidelity is comparable to the 4.0 from the 4-track available on previous BDs.
An alternate 5.1 mix was created for the 1999 MGM DVD / LaserDisc, It boasts better high end detail throughout, but the trade off is reduced bass.
See additional info for more detail.
West Side Story was produced as a 70mm Todd-AO presentation, with an accompanying 6-track audio mix in the following channel configuration: see diagram. 35mm presentations used a 4-track or a mono mixdown instead.
The original 6-track elements were thought to have been lost until they were recovered and restored in 2010. In 1981, for the film's 20th anniversary, a new 6-track mix was created by upmixing the available 4-track elements.
Capelight's release is sourced from original 6-track elements uncovered in 2010, but unfortunately it's not as detailed as it should be, owing to unnecessary noise reduction. It's by no means bad, but it could be better. As the Lc/Rc channels are mixed into into L/C/R, it's also essentially no different to a 4-track fold-down. This isn't exactly an issue as left/right center channels mix down to L/C/R very well, but a better way of handling this would be to use Atmos objects to position those channels where they should be, as Disney did on The Sound of Music.
The 4-track mix was included in a discrete form on MGM's previous BD, it trades blows with Capelight's 6-track-derived 5.1.
Interestingly, the 1999 MGM LaserDisc/DVD release includes a different 5.1 mix, which sounds a bit more detailed than the two other tracks. It's sound signature is on the brighter side, with a slight emphasis on the treble instead of bass like other releases. Although that accounts for some of the perceived detail, even after matching EQ there are spots where Capelight loses out. It's a slight upmix, with split surrounds and LFE. Whether it was derived from 4-track or 6-track elements is not clear, though it matters little, as the end result would have been very similar in either case. There are no booklet notes stating the source used, but it sounds very similar to the matrixed 1992 LD, which was attributed to the 6-track. Still, given that the original elements were thought to have been lost, I would assume that this refers to the 1981 mix.
Previous LaserDisc releases are similar to the discrete 1999 track. All LD releases are missing the intermission music and a brief whistling sequence.
The 7.1 upmix on MGM's Blu-ray offers little of value.
Director: Sean Baker
Criterion/Capelight Germany/Madman Australia 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
Neither Criterion nor Germany Capelight 4K Blu-ray has good encoding https://slow.pics/c/bWhRoxpi also see Criterion review with disappointing compression per Geoff D
See nic's review for more: https://forum.blu-ray.com/showpost.php?p=23180007&postcount=29.
Since posting this, I watched the Capelight in full and the anomalies the caps reveal didn’t bother me in motion. I did look out for issues and can’t really complain. The trickiest scenes are those set in daylight, particularly in the third act, and the Criterion looks terrible here. Unfortunately the caps are just from the first hour but in doing comparisons with the discs, I noticed that Capelight managed to resolve detail more evenly and makes for a more satisfying experience in my mind.
Australia Madman is very similar to Criterion, see caps provided by Joel https://slow.pics/c/9MDRLoOl and https://slow.pics/c/1EVsFQCZ
Director: John Huston
Altitude/Capelight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Altitude UK / Capelight Germany 4K Blu-ray
Director: John Frankenheimer
Capelight Germany 4K Blu-ray
Sources: Criterion Forum (opens in a new tab)
Director: John Badham
Germany Capelight 4K Blu-ray
Sources: caps-a-holic (opens in a new tab)
Arrow 4K Blu-ray in November
> US Shout! Factory - caps
5.1 mix: Germany Capelight 4K Blu-ray
Original matrixed Dolby Stereo: MGM NTSC DVD
The 5.1 track sounds very good and is said to be sourced from the original 6-track mix used for 70mm blow-up releases, but there is no conclusive proof of that.
Capelight Germany 4K Blu-ray
Sources: slow.pics (opens in a new tab)
Both 88 Films and Germany Capelight are superior to the Shout! Factory in HDR10 but their FEL layer may even things out. Objectively, the Capelight looks best as they avoided the chroma blocking that’s visible in 88’s disc but they in turn included an Atmos mix. I have the Shout! Factory, love how it looks and the 4K transfer is spectacular. https://slow.pics/c/vPmFQSAH
Shout! Factory has the exclusive The Beauty of the Baud and the You Can't Stop Us All featurettes.
Director: Simon Wincer
Shout! Factory 4K Blu-ray or UK/Germany Capelight 4K Blu-ray
Sources: Criterion Forum (opens in a new tab) · caps-a-holic (opens in a new tab)
Director: Menahem Golan
Capelight 4K Blu-ray Germany or UK import
Capelight 4K Blu-ray
Original stereo mix: European MGM Blu-ray
3 for audio only
The best audio is Capelight's; the video and English-friendly picks are other releases · by Letterboxd rating
Directors: Lana Wachowski & Lilly Wachowski
Sources: Criterion Forum (opens in a new tab)
Germany Capelight 4K Blu-ray
Director: Newt Arnold
Capelight 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab) · hdnumerique.com (opens in a new tab)
(the ESC 4K Blu-ray have no original 2.0 and a different Atmos mix. More about the ESC mix in this review)
Better than Germany Capelight 4K Blu-ray.
3 announced
Capelight's release is announced; until it is out, the picks are other releases · by Letterboxd rating
Director: John G. Avildsen
Capelight 4K Blu-ray
Warner Bros 2024 Ultimate Knockout Collection 4K Blu-ray/ Warner Bros 2023 Knockout Collection 4K Blu-ray (replacement disc)
Original Mono: Ultimate Knockout Collection/Knockout Collection replacement disc
> Knockout collection original.
The Mono mix on the initial release of the Knockout Collection is a stereo fold-down of the 5.1, it also has a missing piano cue. The replacement disc and the ultimate knockout version fixed the error.
The Steelbook and UK standard edition is the same disc as the 2023 knockout collection.
Capelight 4K Blu-ray releasing on 8th October 2026
Sources: capelight.de (opens in a new tab)
> Paramount US, same black crush as the US disc but encoded by FiM and very good new supplements
Paramount US 4K Blu-ray has FEL Dolby Vision
Arrow UK 4K Blu-ray has MEL Dolby Vision
Director: Martin Scorsese
Capelight 4K announced for 2026
Sources: Criterion Forum (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab) · facebook.com (opens in a new tab)
Imprint Australia 4K Blu-ray has slightly better compression than Criterion 4K Blu-ray.
The master in DV looks all but identical to the Criterion’s HDR grade. Detail-wise, FiM’s encode looks like it uncovered a tiny bit of extra high-frequency information that got filtered on the Criterion. See nicolas review
1990 Criterion LaserDisc/1993 MGM LaserDisc/2002 R2 MGM DVD are the best. See blah-ray https://blah-ray.blogspot.com/2018/01/raging-bull-1980.html
Imprint Australia 4K Blu-ray has better audio than Criterion 4K Blu-ray, from nicolas:
I believe that what’s on Imprint’s 4K is one of the good mixes MGM and Criterion released during the LaserDisc days. Music is powerful and detailed, dialogues have excellent fidelity and ambient sounds have perceptible depth. I compared the "new" 2.0 with the anemic 5.1 as well as the Criterion 4K mix and could clearly hear the improvements.
Know a film where the Capelight release is the one to buy? Suggest it

















