When Harry Met Sally... (1989)
Comedy, Romance, Drama • 1h 35m
Director: Rob Reiner
Cast: Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby, Steven Ford, Lisa Jane Persky, Michelle Nicastro, Gretchen Palmer, Robert Alan Beuth, David Burdick, Joe Viviani, Harley Jane Kozak, Joseph Hunt, Kevin Rooney, Franc Luz, Tracy Reiner, Kyle T. Heffner, Kimberley LaMarque, Stacey Katzin, Estelle Reiner, John Arceri, Peter Day, Kuno Sponholz, Connie Sawyer, Charles Dugan, Katherine Squire, Al Christy, Frances Chaney, Bernie Hern, Rose Wright, Aldo Rossi, Dona Hardy, Peter Pan, Jane Chung, Bob Ader, Nicholas Glaeser, Randy James, Stanley Moore, Larry Sherman, Marilyn Spanier, John Speredakos, Terry Vaughan, Anthony Welch
Best English-friendly & video release · updated 3 days ago
Upcoming
Arrow 4K Blu-ray releasing December 14 2026
Overview
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
Director: John Ford
Video format: HD Streaming
Director: Ernst Lubitsch
Sources: caps-a-holic (opens in a new tab) · blah-ray.blogspot.com (opens in a new tab)
StudioCanal 4K
Director: Spike Lee
Video format: 4K Streaming
Video format: DVD
SerialSquadron SD Blu-ray
Sources: slow.pics (opens in a new tab) · amazon.com (opens in a new tab)
SerialSquadron SD Blu-ray see caps even though in very bad quality is still the best available version
AlphaVideo DVD is a "feature version" and apparently cut different episodes together in one DVD according to this Amazon review
Sources: fanrestore.com (opens in a new tab) · originaltrilogy.com (opens in a new tab)
2017 StudioCanal 4K Blu-ray and subsequent 4K Blu-rays are notorius for being heavily denoised and smoothened. Alternatively, 35mm scans for the theatrical cut is also available.
For the Ultimate Edition with the T-1000 searching John's room and the happy future ending, the 2009 Skynet Blu-ray, which is the older pre-2017 transfer, but has DNR.
Directors: Bill Roberts & Paul Satterfield & Wilfred Jackson & Ben Sharpsteen & James Algar & T. Hee & Hamilton Luske & Samuel Armstrong & Jim Handley & Norman Ferguson & David Hand & Ford Beebe Jr.
Sources: caps-a-holic (opens in a new tab)
1991 CAV LaserDisc includes an approximation of the original Fantasound mix in Dolby Surround using the surviving magnetic mixdown, using Stokowski's original mixing notes as a reference. Original aggressive pans and dynamic range are left in tact.
The 2000 DVD uses this same mix in discrete 5.0, but with some unnecessary dynamic range compression + a redub of all Deems Taylor audio with Corey Burton.
The 7.1 mix on the 2010 Blu-ray sounds poor, having been hit with excessive noise reduction, dynamic range compression, original aggressive pans no longer in tact, and the channel usage no longer resembles Stokowski's original intended sound design.
Director: Miloš Forman
Theatrical: WB 4K Blu-ray
Extended: Warner Bros Blu-ray
Sources: Blu-ray.com (opens in a new tab)
Warner Bros 4K Blu-ray: Huge improvement in colors and detail. The restoration was done by the Academy instead of WB MPI which explains that there’s no grain management or issues with colors. They also accessed the original credit optical and scanned that one instead of recreating them digitally
Theatrical: WB 4K Blu-ray, according to Saentz, the 5.0 is a recreation of the original and subsequently 70mm mix from original elements.
Director: John Carpenter
Sources: blog.sporv.com (opens in a new tab)
1997? Signature Collection LD
Good: 2017 Arrow and 2016 Shout! Factory Blu-ray have the original audio options.
the only track on Universal 4K, which is in DTS:X, has a mixing error of around 6dB too low on side channels, otherwise very similar to other 5.1 mixes.
Director: Rob Reiner
Sources: Blu-ray.com (opens in a new tab) · instagram.com (opens in a new tab)
> US Kino Lorber/Germany Capelight - caps and audio comparison on this page. Discussion is still ongoing about the 2.0 but as none of the three 4Ks seem to have the true original mix, I think it's fair to leave them all in the blue tier for now and only note that Kino Lorber has the worst PQ.
The initial release of the Capelight 4K mediabook had some playback issues with Dolby Vision on Panasonic devices due to an encoding error, the HDR10 apparently works fine, see Capelight’s official response here.
Director: Rob Reiner
Sources: blah-ray.blogspot.com (opens in a new tab)
Director: Rob Reiner
US Sony 2023 Steelbook 4K Blu-ray
US Sony 2023 Steelbook Edition 4K Blu-ray
> Sony 2019 Standard Edition 4K Blu-ray
US Sony 2023 Steelbook 4K Blu-ray added Dolby Vision and more extras
Original Mono mix: Columbia Pictures LaserDisc, Sony 4K Blu-ray
5.1 remix: Sony 4K Blu-ray Sony Blu-ray
The DVD has an isolated score track
In addition to the new Atmos track, both 4K Blu-ray releases have ported over the previous lossless 5.1 remix from the older 1080p Blu-ray in DTS-HD MA 5.1 and also include the original theatrical mono mix in lossless DTS-HD MA 2.0 Mono
Only the US Steelbook has Dolby Vision
Director: Rob Reiner
Director: Ron Shelton
Australia Imprint 4K Blu-ray disappointing, nice new master, but poor encode, grain completely crippled in some scenes, artifacts abound, etc, makes Kino Lorber look like FiM.
Director: William Friedkin
Sources: caps-a-holic (opens in a new tab)
Plaion have also released a BD sourced from Arrow's recent 4K remaster, holds up strongly in comparison https://caps-a-holic.com/c.php?d1=19341&d2=19005&c=5415
Director: Brian De Palma
Arrow 4K Blu-ray has a better encode than the Kino Lorber and Capelight 4K Blu-rays. Capelight 4K Blu-ray looks low-passed in comparison to the Arrow but is slightly closer to the Arrow in PQ than the Kino Lorber.
Director: Bob Clark
Scream Factory 4K Blu-ray
UK Arrow 4K Blu-ray in December
Director: David Lynch
Sources: slow.pics (opens in a new tab) · Blu-ray.com (opens in a new tab)
UK Arrow 4K Blu-ray in December
Subtle difference in encoding to the Criterion in encoding, trading blows in different shots, with Plaion taking a slight edge with less highlight blocking
Criterion's 2.0 sounds muffled due to noise reduction and EQ.
Plaion's 2.0 lacks bass and has a very bright EQ, more resembling the 5.1 remix. Plaion’s 2.0 doesn't have any filtering unlike the Criterion, see https://forum.blu-ray.com/showpost.php?p=23831289&postcount=110
Director: John Woo
> US Shout! Factory, better encoding by Engine House and redone opening credits, errors present in Shout! Factory fixed
Mono is from an alternate higher fidelity source than Shout! Factory.
Director: Fred M. Wilcox
Sources: YouTube (opens in a new tab) · slow.pics (opens in a new tab)
Arrow 4K Blu-ray used what was also originally screened theatrically: The Perspecta Stereo 3.0 and a mono option. The Perspecta track sounds best with better dynamic range and was set as default with the mono as optional. The previous releases stereo were downmixes of a now lost original 4-track, and it sounds very thin as a result. See comparison
Director: Tsui Hark
UK Arrow 4K Blu-ray or Shout! Factory 4K Blu-ray or Australia Imprint 4K Blu-ray
Sources: Blu-ray.com (opens in a new tab)
There is a newer 4K restoration by L’Immagine Ritrovata, which should be of better scan quality. The 4K restoration used on all current 4K disc releases stems from a low-quality Cintel scanner. The newer restoration has yet to be released on home video.
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