Enemies of Women (1923)
Drama, Romance • 1h 45m
Overview
The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)
Director: Alan Crosland
Cast: Lionel Barrymore, Alma Rubens, Pedro de Cordoba, William H. Thompson, Gareth Hughes, Gladys Hulette, William Collier Jr., Paul Panzer, Mario Majeroni, Jeanne Brindeau, Clara Bow, Betty Bouton, Ivan Linow, Louis Wolheim, Evelyn Arnold, Maxina Arnold, Constance Berry, Arline Booth, America Chedister, Claire de Lorez, Dorothy Dinsmore, Margaret Dumont, Annette Earle, Lou Gorey, Hannelore, Beatrice Keen, Joan Le Monte, Mary Mackintosh, Adolph Milar, Marion Moorehouse, Polly Nally, Mademoiselle Narcita, Mae Opreska, Peggy Raymond, Jessie Reed, Addie Rolf, Nellie Savage, Marie Shelton, Helen Stewart, Vivian Vernon, Edna Wheaton, Virginia Whitehead, Helen Lee Worthing
Director: Alan Crosland
Director: Alan Crosland
Director: Alan Crosland
Columbia Classics Vol 5 4K Blu-ray
Columbia Classics Vol 5 4K Blu-ray
Director: Alan Crosland
Columbia Classics Vol 5 4K Blu-ray
Columbia Classics Vol 5 4K Blu-ray
Director: Tay Garnett
Unofficial Streaming
The print seems to be preserved at Library of Congress
Director: Tay Garnett
Unofficial Streaming
The print seems to be preserved at Library of Congress
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Director: John Ford
Warner Archive Blu-ray new restoration by Library of Congress and the Film Foundation
Unofficial Streaming
Complete copies survive in Library of Congress
Unofficial Streaming
Complete copies survive in Library of Congress
Director: John G. Adolfi
Only the trailer survives and is held at Library of Congress
Director: John G. Adolfi
Only the trailer survives and is held at Library of Congress
Director: Phil Rosen
According to Library of Congress https://web.archive.org/web/20231009210800/http://memory.loc.gov/diglib/ihas/loc.mbrs.sfdb.2710/default.html, a complete print survives in Lobster Films but no restoration or release yet
Director: Phil Rosen
According to Library of Congress https://web.archive.org/web/20231009210800/http://memory.loc.gov/diglib/ihas/loc.mbrs.sfdb.2710/default.html, a complete print survives in Lobster Films but no restoration or release yet
Director: William A. Seiter
Unofficial sources ripped from TCM
Library of Congress has completed a digital restoration around 2018 but no release yet
Director: William A. Seiter
Unofficial sources ripped from TCM
Library of Congress has completed a digital restoration around 2018 but no release yet
Director: Lois Weber
OOP 2018 Kino Lorber Blu-ray, or HD Streaming available
OOP 2018 Kino Lorber Blu-ray, or HD Streaming available
The 2018 Kino Lorber Blu-ray and DVD releases as part of the "Pioneers: First Women Filmmakers" set are a newer restoration than the 2008 Kino Lorber DVD, additional info on Silent Era website, but it is worth noting the order of the movie sequences are not the same between the new and old releases. A couple comparisons uploaded to slowpics. The Library of Congress has a safety duplicate negative of this film, and it is also available for viewing on Wikipedia.
Director: Lois Weber
OOP 2018 Kino Lorber Blu-ray, or HD Streaming available
OOP 2018 Kino Lorber Blu-ray, or HD Streaming available
The 2018 Kino Lorber Blu-ray and DVD releases as part of the "Pioneers: First Women Filmmakers" set are a newer restoration than the 2008 Kino Lorber DVD, additional info on Silent Era website, but it is worth noting the order of the movie sequences are not the same between the new and old releases. A couple comparisons uploaded to slowpics. The Library of Congress has a safety duplicate negative of this film, and it is also available for viewing on Wikipedia.
Director: Dudley Murphy
Cohen Syncopation Blu-ray 1080p extras
Also available in HD Streaming by Library of Congress https://www.loc.gov/item/2023602002/
Director: Dudley Murphy
Cohen Syncopation Blu-ray 1080p extras
Also available in HD Streaming by Library of Congress https://www.loc.gov/item/2023602002/
Director: Frank Borzage
Only has really bad public domain copies
New restoration done by Library of Congress with DCP has no release yet
Director: Frank Borzage
Only has really bad public domain copies
New restoration done by Library of Congress with DCP has no release yet
Director: Richard E. Norman
BFI Pioneers of African American Cinema boxset Blu-ray is likely better than Kino Lorber boxset
Library of Congress also have an official HD Streaming https://www.loc.gov/item/2021604060/
Director: Richard E. Norman
BFI Pioneers of African American Cinema boxset Blu-ray is likely better than Kino Lorber boxset
Library of Congress also have an official HD Streaming https://www.loc.gov/item/2021604060/
More Drama on Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Fritz Lang
1984 Giorgio Moroder restoration: MoC Blu-ray or Kino Lorber Blu-ray
2001 Murnau restoration: MoC 2-disc DVD set > Kino Lorber 1-disc Restored Authorized Edition DVD
2010 Murnau complete restoration: MoC Blu-ray > Kino Lorber Blu-ray
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original Dolby Atmos mix
Director: Kenji Iwaisawa
Japan Pony Canyon Blu-ray for original Dolby Atmos mix
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Director: Makoto Shinkai
Hong Kong Neofilms 4K Blu-ray
US/UK Crunchyroll 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray/Japan Toho 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray has better bitrate and detail than Japan Toho 4K Blu-ray, both releases have English subtitles.
The original theatrical Atmos mix has not been given a home release.
Director: Makoto Shinkai
Hong Kong Neofilms 4K Blu-ray
US/UK Crunchyroll 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray/Japan Toho 4K Blu-ray
Hong Kong Neofilms 4K Blu-ray has better bitrate and detail than Japan Toho 4K Blu-ray, both releases have English subtitles.
The original theatrical Atmos mix has not been given a home release.
Director: James Ivory
Cohen 4K Blu-ray caps. Same 4K master that Cohen released on BD but grain resolves much better and the gamma levels are now correctly set.
Director: James Ivory
Cohen 4K Blu-ray caps. Same 4K master that Cohen released on BD but grain resolves much better and the gamma levels are now correctly set.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
251 min cut (Extended): Fox Blu-ray. Eagle Pictures has forced Italian subs in some parts
Eagle Pictures 4K Blu-ray, caps
The 4K includes both theatrical and extended cuts. It's overall a solid upgrade over previous discs, but some will strongly dislike the color grading.
There are some issues with encoding and grain management.
Nic's review:
Some definitely messed with it as there’s grain management going on that resulted in magnetic, squishy grain movement. Both cuts (4K discs) are affected and it doesn’t look like an encoding issue to me as the bitrates don’t drop down to single digits á la Paramount or StudioCanal. During opticals, the lowest I’ve noted on the Extended 4K was around 30 MB/s vs. ~5 MB/s more for the theatrical cut.
Darker scenes are mostly (but not always) better but when it gets brighter, particularly in exteriors or scenes like the Jennifer Connelly dance scene at minute 38, I can’t unsee the digital tinkering as it does some damage texturally.
I compared it with the Eagle Pictures and Warner Bros Fox Blu-ray of the extended cut and they all look fine without grain management like that. Eagle Pictures’s Blu-ray is an older one if anyone’s curious and credited to another authoring house than 64Biz, which did the 4K.
Other than that, except for some encoding-related chroma noise that peeks through in the DV layer, Eagle Pictures did everything right. They corrected the framing to 1.85, kept the original English titles, the English restoration note, subtitles, HDR/DV is gentle and respectful of the source black levels are better than on the Warner Bros/Fox Blu-ray. Without that grain management, this would’ve been the all-timer release we all longed for.
251 min cut: Fox Blu-ray (24-bit, Eagle Pictures is 16-bit, not audible)
229 min cut: Warner Bros LaserDisc (missing 2 minutes, but original mono mix was never released on DVD/Blu-ray)
Extended edition adds scenes cut from the theatrical, but from a much lower quality source. It's intended to approximate the original cut, but to what extent that is true is debatable.
US theatrical cut is infamously bad, was panned at release and never re-released on home video.
Director: Shinji Aoyama
Director: Shinji Aoyama
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: David Lynch
Criterion 4K Blu-ray is SDR
StudioCanal 4K Blu-ray is HDR
The DV/HDR grade is tasteful and not overdone. SC has better compression, though not flawless; encoded by FiM, but Criterion also holds up quite well. Both releases claim to be approved by Lynch.
SC has a missing fade that Criterion reinstated.
Original matrixed Dolby Stereo mix: 2001 R1 Paramount US NTSC DVD/2008 R2 Optimum UK PAL or 1999 Pioneer JP LaserDisc
Restored stereo mix: Criterion / StudioCanal 4K Blu-ray
The film was originally mixed in Dolby Stereo (matrixed LCRS). For the 4K restoration, this mix has been transferred from the original magnetic elements and remastered with Lynch's supervision. Unfortunately, the fidelity suffered in the process, with many sections ending up significantly less detailed due to a noise reduction pass. This track has been altered compared to the original, with reverb added to some dialogue, different ambient sound effects, changed panning, and extended bass.
For the unrestored mix, there are two major options, each with its own merits and flaws. The 2001 Paramount DVD, which I would say is the best well-rounded mastering, and the 1999 Japanese LaserDisc, which has noticeably better clarity and high-end detail, as well as better dynamics, but suffers from occasional distortion and has less bass than the DVD.
The LD also has some ambiance buried too low in the mix, and some dialogue panned more to the centre than the DVD. There are no content changes I was able to find. Unfortunately, I don't know what accounts for those differences.
The other available tracks all have more significant flaws. The Italian and Japanese BDs use the same base mastering as the DVD, but with some patching in a few shots. HD-DVD is sourced from an inferior transfer, the same as the Momentum DVD.
The 5.1 remix, originally introduced on the 2002 DVD, and carried over without changes to the 2009 BD is a light and mostly faithful remix, with fairly minimal LFE and surround use, but still potentially worthwhile as the only discrete track.
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Director: Gary Ross
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
Shout! Factory 4K Blu-ray, but a shot was cut from the film
Warner Bros Blu-ray for the uncut version, but it's a older master.
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