Alice in the Cities (1974)
Alice in den Städten
Drama • 1h 50m
Overview
German journalist Philip Winter has a case of writer’s block when trying to write an article about the United States. He decides to return to Germany, and while trying to book a flight, encounters a German woman and her nine year old daughter Alice doing the same. The three become friends (almost out of necessity) and while the mother asks Winter to mind Alice temporarily, it quickly becomes apparent that Alice will be his responsibility for longer than he expected.
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
Curzon 4K Blu-ray = Carlotta 4K Blu-ray. Criterion 4K Blu-ray/StudioCanal 4K Blu-ray have worse encodes.
R5 Carmen Video DVD
Director: Wim Wenders
Curzon 4K Blu-ray = Carlotta 4K Blu-ray. Criterion 4K Blu-ray/StudioCanal 4K Blu-ray have worse encodes.
R5 Carmen Video DVD
Director: Wim Wenders
Director: Wim Wenders
Director: Wim Wenders
2023 Carlotta France 4K Blu-ray, France subs only
Old R2 DVD 2.0
Director: Wim Wenders
2023 Carlotta France 4K Blu-ray, France subs only
Old R2 DVD 2.0
Director: Stanley Kubrick
Director: Stanley Kubrick
Criterion Box Set
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
Criterion Box Set
WB 4K Blu-ray (early pressing has errors of a shot, later pressings fixed)
Director: Stanley Kubrick
Criterion Box Set
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
Director: Stanley Kubrick
Criterion Box Set
4K Blu-ray DTS:X mix most closely approximates original surround mix
Criterion DVD has additional features not found on the 4K Blu-ray
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Criterion Box Set
WB 4K 5.1: a remix but has higher fidelity
Mono: 4K Blu-ray/1999 DVD
Director: Stanley Kubrick
Criterion Box Set
WB 4K 5.1: a remix but has higher fidelity
Mono: 4K Blu-ray/1999 DVD
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Stanley Kubrick
Criterion Box Set
Kino Lorber 4K Blu-ray worse than Blu-ray with poor encoding (review)
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
Director: Max Ophüls
French version: Criterion Blu-ray (Carlotta has no English subtitles)
German version: Filmmuseum DVD
French version: 2020 Carlotta Blu-ray
German version: Filmmuseum DVD
Carlotta Films corrects the mistakes of Criterion due to the compression on dark scenes and gives the gorgeous transfer of the restoration a better encode/compression and more bitrate.
The German cut, titled Lola Montez, is considered by Ophüls scholars such as Jonathan Rosenbaum, Dan Sallitt and Tag Gallagher to be superior to the French cut. It has only been reissued on the Filmmuseum DVD.
More Drama on Blu-ray
Director: Chen Kaige
Director: Chen Kaige
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Director: Robert Butler
Radiance 4K Blu-ray is superior to Kino Lorber 4K Blu-ray, see mfunk9786 review:
Despite being at a considerably tighter bitrate than the Kino, the BD-66 from Radiance /Transmission is the release to own. Looks fantastic (FiM again), grain pattern is crisp, and the repeating scene error isn't on it, either. Really nice packaging that isn't as beefy as a Second Sight LE is another big plus.
Director: Richard Rush
Director: Richard Rush
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
1991 Home Video Cut: Paramount 2008 Blu-ray
Theatrical Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and worse encoding than the Coda cut.
Coda Cut: Paramount 4K Blu-ray, but it has problems described below in the additional info section, and also has slightly better encoding than the Theatrical/1991 Home Video cuts on 4K.
LaserDisc for original mix
The Paramount 4K "restoration" is a desecration. It has completely revisionist color timing, harsh HDR, treatment of stock footage, bad encoding, selective DNR and grain management so bad that the entire screen frequently freezes up with only characters moving around in grain soup. It is so bad that the film's restorer Robert Harris publicly washed his hands of it saying essentially the 2007 restoration (with Willis and Coppola supervising) is how the film was intended and made. This is Paramount's modern version done their way. The new 1080p SDR Blu-rays in print are the crap 4K desecration master with the same problems still there just harder to spot and with crap encodes. Part III fares best of the three and these issues are at their most minimal-but they're still there. The new Coda version is given prominence with lesser encodes for the other two versions. The original mix was remixed into 5.1 decades ago and we have yet another version of this instead of the original Dolby Stereo SR as heard on the LaserDisc release.
The 2008 Blu-ray of the 2007 restoration, while an imperfect outdated disc, is LIGHT YEARS better than this 4K desecration. The only truly major issue is that it is very slightly redder than the 2007 finished master as seen on DCPs.
DFIC review of the hideous crap 4K Blu-rays: https://youtu.be/0uw6-Kcy_UA?si=ob1nDg0wTCvemjH0
Despite being restored alongside the Coppola Restorations of The Godfather: Parts I and II, the Part III restoration is not officially labelled a Coppola Restoration.
2017 Olive Films Signature Blu-ray. (Jokers 4K Blu-ray has forced France subs)
The Jokers 4K Blu-ray has raised black levels/gamma issue, good when fixed
1992 Republic Pictures LaserDisc
2017 Olive Films Signature Blu-ray. (Jokers 4K Blu-ray has forced France subs)
The Jokers 4K Blu-ray has raised black levels/gamma issue, good when fixed
1992 Republic Pictures LaserDisc
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
The BFI and Gaumont Blu-ray releases are both from the same restoration by Éclair. Although this restoration is much superior in detail to the old Criterion DVD, like many Éclair restorations, it has issues with colour. There is a definite yellow cast to the footage, making skin tones appear sickly and dampening the impact of the colour. The image is also murkier than the Criterion.
As Renoir scholar Tag Gallagher notes: "I talked a lot toward the end about the light blue walls (Criterion); but when I got the BFI blu I was greatly deflated, because the walls are light gray!"
That said, as visible in the screen caps at DVD Beaver, the Criterion has compromised colour too, and often looks too blue/magenta. There is a regraded edition of the BFI Blu-ray out there on the high seas.
The audio on the Blu-ray releases is slightly compressed, but better than earlier DVD releases and relatively full frequency.
The BFI is most likely the best English-friendly release as it includes English subtitles for the bonus features.
Director: Jean Renoir
Director: Jean Renoir
Director: Lloyd Bacon
Director: Lloyd Bacon
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Director: S. S. Rajamouli
Zee5 Streaming has the original Telugu audio and English subtitles (albeit with English portions also overdubbed in Telugu)
Netflix Streaming only has the Hindi dub but better video quality
Japan Twin Co. 4K Blu-ray
Japan Twin Co. 4K Blu-ray has original Telugu Atmos audio
Japan IVC Blu-ray but not English-friendly
Film Foundation has 4k restoration https://www.film-foundation.org/world-cinema but no EN-friendly release yet
Japan IVC Blu-ray but not English-friendly
Film Foundation has 4k restoration https://www.film-foundation.org/world-cinema but no EN-friendly release yet
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